Materials & Techniques: line engraving / Creator Gender: male / Height [cm]: 39

Print made by William Hogarth, 1697–1764

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751, printed 1790

Print made by William Hogarth, 1697–1764

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

Print made by William Hogarth, 1697–1764

The Fourth Stage of Cruelty: The Reward of Cruelty

1751, printed 1790

Print made by William Hogarth, 1697–1764

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

Print made by William Hogarth, 1697–1764

Marriage à la Mode, Plate 6

1745

Print made by William Hogarth, 1697–1764

Simon Lord Lovat

1746

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

Print made by William Blake, 1757–1827

Dante Striking against Bocca Degli Abati (Plate 7)

1827

Print made by William Blake, 1757–1827

Ciampolo the Barrator Tormented by the Devils (Plate 2)

1827

Print made by William Blake, 1757–1827

The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

1827

Print made by William Blake, 1757–1827

The Serpent Attacking Buoso Donati (Plate 5)

1827

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

Print made by William Woollett, 1735–1785

The Fishery

1768

Print made by Wenceslaus Hollar, 1607–1677

Alathea Talbot

1646

Print made by Robert van Voerst, 1597–1636

Christiano, Duci Brunsuicensi

ca. 1635

Print made by Peeter Clouwet, 1629–1670

D. Anna Wake

ca. 1635

George Vertue, 1684–1756

Lionel Cranfield Sackville, 1st Duke of Dorset

1732

Print made by Daniel Wilson, 1816–1892

Ancient Carthage - The Embarcation of Regulus

1840

Print made by Johann Friedrich Bause, 1738–1814

Girl Smiling

1784

Print made by John Browne, 1741–1801

The Sportsman

1775

Print made by Etienne Dupérac, ca. 1535–1604

Insula Tiberina

1582

Print made by Agostino Veneziano, active 1509–1536

Primum Tenplum Iovis in Capitolio

between 1514 and 1536

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565

Pantheum Romanum nunc Mariae Cognomento

1549

Print made by Ambrogio Brambilla, active ca. 1579–1599

Insula Tiberina

1582

Simon François Ravenet, 1706–1774

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

1753

Print made by Edward Rooker, 1724–1774

The Summit of Cader Idris Mountain

1775

Print made by James Basire II, 1769–1822

South View of Christ Church, &c. from the Meadows

1799

Print made by Samuel Cousins, 1801–1887

Sunshine of Love

1837

Jacobus Houbraken, 1698–1780

Lieutenant General Thomas Talmash

undated

Thomas Malton, 1726–1801

Principal Front of the Bank of England

1790

Francesco Bartolozzi, 1728–1815

Reverend Hugh Blair, D.D

1801

Print made by Francesco Bartolozzi, 1728–1815

Tom Jones Assisting Molly Seagrim

1782

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1818-1823

Print made by Samuel Middiman, ca. 1750–1831

Weathercote Cave when Half Filled with Water

1821

Print made by George Cooke, 1781–1834

Edinburgh Castle

1826

Print made by Robert Wallis, 1794–1878

Edinburgh from Leith Harbour

1826

Print made by James Basire II, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire II, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by Samuel Cousins, 1801–1887

Julia, Lady Peel

1832

Print made by Edward Francis Finden, 1791–1857

Genoa

1832-1834

Print made by James C. Allen, active 1821–1831

Ehrenbreitstein, During the Demolition of the Fortress in 1817

1824

Print made by James C. Allen, active 1821–1831

Dunwich

ca. 1830

Print made by Henry Le Keux, 1787–1868

Simmer Lake, near Askrig

1818-1823

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by Paulus Pontius, 1603–1658

Paulus Pontius

ca. 1635

Print made by Peeter Clouwet, 1629–1670

Christophorus vander Lamen

ca. 1635

Print made by unknown artist

Philippus le Roy

ca. 1635

Print made by Paulus Pontius, 1603–1658

Nicolaus Rockox

1639

Print made by Robert van Voerst, 1597–1636

Inigo Iones

ca. 1635

Print made by George Dawe, 1781–1829

Miss Mary Anne Kirkley

1801

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Print made by John Boydell, 1720–1804

A Calm

1754

Print made by John Boydell, 1720–1804

Noon

1753

Print made by William Bernard Cooke, 1778–1855

The Vale of Ashburnham

1816

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

Jacobus Houbraken, 1698–1780

Thomas Fairfax, 3rd Lord Fairfax of Cameron

1738

Print made by Ambrogio Brambilla, active ca. 1579–1599

Pantheum Romanum nunc Mariae Cognomento

between 1581 and 1586

Print made by Joseph Wood, 1720–1763 or 1764

The View from One Tree Hill in Greenwich Park

1744

Francesco Bartolozzi Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

Print made by Francesco Bartolozzi, 1728–1815

Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

1788

Robert Pollard, 1755–1838

The Hermitage of Warkworth

1787

Print made by William Richardson, active 1842–1877

Crossing the Brook

between 1859 and 1861

Engraved by Robert Pollard, 1755–1838

View of Queen Square

1789

Print made by Edward Goodall, 1795–1870

Valombre

1834

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

Print made by Benjamin Green, ca. 1736–ca. 1800

Oxford Physic Garden

1766

Print made by James Basire, 1730–1802

Plate VIII: St Stephen's Chapel

1795

Print made by Simon François Ravenet, 1706–1774

Marriage à la Mode, Plate 4

1745

Print made by Gerard Jean Baptiste Scotin, 1671–1716

Marriage à la Mode, Plate 1

1745

Jacobus Houbraken, 1698–1780

Benjamin Johnson

1738

Print made by Thomas Abiel Prior, 1809–1886

Zurich

1854

Print made by James Tibbits Willmore, 1800–1863

Venice - Bellini's Pictures being Conveyed to the Church of the Redentore

1858

Print made by Mathieu Liart, 1736–1782

Venus Lamenting the Death of Adonis

1783

Jacopo Barozzi da Vignola Regola delli Cinque Ordini d'Architettura, Libro d'Antonio Labacco Appartente a l'Architettura, Libro de Diversi Trophei Militari Cavati da gli Antichi, and Speculum Romanae

Jacopo Barozzi da Vignola, 1507–1573

Regola delli Cinque Ordini d'Architettura, Libro d'Antonio Labacco Appartente a l'Architettura, Libro de Diversi Trophei Militari Cavati da gli Antichi, and Speculum Romanae

1544 to 1577

Print made by William Chapman, 1817–1879

The Straits of Dover

1863

Print made by Robert Wallis, 1794–1878

Lake of Lucerne

1854

Print made by Mathieu Liart, 1736–1782

Cephalus lamenting the Death of Procris

1783

Jacopo Barozzi da Vignola, 1507–1573