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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
28
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
21
Cooke, William Bernard, 1778–1855
13
Nuttall,, Fisher & Dixon, active 1818
5
Smirke, Robert, 1752–1845
5
Smith, Anker., 1759–1819
4
Scott, John, 1774–1828
3
Allen, James C., active 1821–1831
2
Cooke, George, 1781–1834
2
Robinson,, Son & Holdsworth, active 1813–1816
2
Unknown artist
2
Bromley, William, 1769–1842
1
Byrne, John, 1786–1847
1
Cadell, Thomas, 1773–1836
1
Fry, William Thomas, 1789–1843
1
Hargreaves, Thomas, 1774–1847
1
Kennion, Charles John, 1789–1853
1
Kennion, Edward, 1743–1809
1
Date
1834
390
1835
211
1833
179
1630
155
1830
146
1793
102
1837
100
1836
97
1832
82
1859
65
1818
64
1797
61
1745
60
1792
59
1827
56
1826
54
1814
49
1828
49
1831
49
1795
46
1800
41
1821
37
1563
35
1825
32
1820
31
1838
31
1568
30
1743
29
1811
28
1816
[remove]
28
1839
28
1794
27
1822
27
1829
27
1780
25
1799
25
1842
25
1810
24
1559
23
1642
23
1775
23
1787
23
1803
23
1819
23
1776
22
1790
20
1628
19
1715
18
1805
18
1812
18
1762
17
1765
17
1788
17
1773
16
1782
16
1785
16
1796
16
1801
16
1804
16
1824
16
1618
15
1747
15
1789
15
1553
14
1772
14
1544
13
1546
13
1750
13
1784
13
1844
13
1739
12
1763
12
1764
12
1779
12
1783
12
1802
12
1813
12
1778
11
1786
11
1840
11
1700
10
1732
10
1738
10
1754
10
1768
10
1798
10
1841
10
1845
10
1736
9
1753
9
1755
9
1791
9
1823
9
1574
8
1752
8
1767
8
1771
8
1781
8
1809
8
1815
8
On-site Access
Accessible by appointment in the Study Room
28
Image Use
Free to Use
28
Image Available
Available
27
Unavailable
1
Classification
Prints
28
Creator Gender
male
[remove]
28
unknown
2
Collective Title
Cooke's Views in Sussex
10
Whitaker's 'Loidis and Elmete'
6
Illustrations from Camden's 'The imperial history of England'
5
Cooke's Rivers of Devon
4
The British Gallery of Contemporary Portraits
1
Period
19th century
28
Materials & Techniques
line engraving
[remove]
28
etching (printing process)
22
wove paper
20
laid paper
9
chine collé
2
aquatint
1
Height [cm]
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Current results range from
11
to
44
Width [cm]
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Current results range from
15
to
55
Work Type
intaglio print
28
Genre
landscape
21
architectural subject
6
historical subject
6
genre subject
5
animal art
1
literary theme
1
marine art
1
military art
1
portrait
1
Subject Terms
frame (furnishing)
4
historical subject
4
architectural subject
2
assassination
1
bananas
1
bed (furniture)
1
bridge
1
church
1
death
1
fences
1
gorge (landform)
1
harp
1
horse (animal)
1
interview
1
king (person)
1
knights
1
landscape
1
landscape (environment)
1
landscape (representation)
1
mountain
1
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Subject Terms
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Associated Places
Alps
1
Dartmoor
1
Denmark
1
Devon
1
England
1
Europe
1
Jamaica
1
Palestine
1
San Gottardo, Passo del
1
Schweiz
1
Schöllenen Gorge
1
Tamar
1
Teufelsbrücke
1
Torridge
1
United Kingdom
1
Associated People
Edward I (1239–1307), king of England and lord of Ireland, and duke of Aquitaine
1
Edward IV (1442–1483), king of England and lord of Ireland
1
Henry IV (1367–1413), king of England and lord of Ireland, and duke of Aquitaine
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Credit Line
Yale Center for British Art, Paul Mellon Collection
21
Yale Center for British Art, Gift of James Wilson, YCBA Docent
5
Yale Center for British Art, Gift of James Langhorne
1
Yale Center for British Art; Yale University Art Gallery Collection
1
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Materials & Techniques
line engraving
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male
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Date
1816
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1
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
2
Print made by John Scott, 1774–1828
Harewood House
1816
3
Print made by unknown artist
Flower Garden Porch at Farnley
1816
4
Print made by George Cooke, 1781–1834
Gledhow
1816
5
Print made by George Cooke, 1781–1834
Gledhow
1816
6
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
7
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
8
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
9
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
10
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
11
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
12
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
13
Print made by unknown artist
Little Devil's Bridge
between 1816 and 1820
14
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
15
Print made by John Scott, 1774–1828
Harewood House
1816
16
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
17
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1816
18
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
19
Print made by John Scott, 1774–1828
Harewood House
1816
20
Print made by William Bernard Cooke, 1778–1855
Source of the Tamer and Torridge
1816
21
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
22
Print made by William Bromley, 1769–1842
Death of Henry IV
1816
23
Print made by Anker Smith, 1759–1819
Vortigern & Rowena
1816
24
Print made by John Byrne, 1786–1847
A View of Hall-head Sugar Plantation, Jamaica
1816
25
Print made by Anker Smith, 1759–1819
Alfred in the Danish Camp
1816
26
Print made by Anker Smith, 1759–1819
Attempt to Assassinate Prince Edward in Palestine
1816
27
Print made by Anker Smith, 1759–1819
Lady Elizabeth Grey's Interview with Edward IV
1816
28
Print made by William Thomas Fry, 1789–1843
James Currie, M.D. F.R.S
1816