Benjamin Disraeli, Sketched at a Royal Academy Dinner
1876
3
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
4
Paul Sandby, 1731–1809
London Cries: "Any Kitchen Stuff"
ca. 1759
5
Paul Sandby, 1731–1809
London Cries: "Black Heart Cherries..."
ca. 1759
6
Paul Sandby, 1731–1809
London Cries: A Fishmonger
ca. 1759
7
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
ca. 1759
8
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
9
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
10
Paul Sandby, 1731–1809
London Cries: A Man with a Bundle, Old Clothes
undated
11
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
12
Paul Sandby, 1731–1809
London Cries: Small Coal or Brushes
ca. 1759
13
James Wyatt, 1746–1813
Design for the Staircase at Stratford Place
undated
14
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
15
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
16
Paul Sandby, 1731–1809
London Cries: Shoe Cleaner
ca. 1759
17
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
18
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
19
Paul Sandby, 1731–1809
London Cries: Flowers
undated
20
Paul Sandby, 1731–1809
London Cries: A Tinker and His Wife
ca. 1759
21
Paul Sandby, 1731–1809
London Cries: A Man with a Bottle
ca. 1759
22
Paul Sandby, 1731–1809
London Cries: Boy with a Donkey
ca. 1759
23
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket of Oranges
ca. 1759
24
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
25
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
26
William Henry Hunt, 1790–1864
The Building of Waterloo Bridge
ca. 1816
27
unknown artist
Design for the Parterre at Hampton Court
early 18th century
28
William Henry Pyne, 1769–1843
Old London, View from St. James Park Looking East
undated
29
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
30
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
31
Samuel Scott, 1701/2–1772
Westminster Abbey and Bridge from Somerset Garden
1759
32
unknown artist
View of London from Richmond House, Whitehall
undated
33
Canaletto, 1697–1768
View of Old Somerset House from the Thames
undated
34
Samuel Wale, 1721–1786
The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand
undated
35
Louis Philippe Boitard, active 1734–1760
Head Dresses in Covent Garden
1747
36
John Varley, 1778–1842
View of New Street, near London Bridge
undated
37
Paul Sandby, 1731–1809
A Group of Men on Westminster Pier
ca. 1752
38
William P. Sherlock, c.1780–1850
View from Greenwich Park
undated
39
Benjamin West, 1738–1820
Characters in the Streets of London
1799
40
Wenceslaus Hollar, 1607–1677
In Saint Paul's Church, One of the Choir Doors
between 1656 and 1658
41
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
42
unknown artist
Croydon Church
undated
43
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
44
Peter Tillemans, 1684–1734
From Hampstead
1730
45
William Augustus Barron, active 1777
Broom House, Fulham, London
1774
46
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
47
William Beilby, 1740–1819
Syon House: Chapel
undated
48
William Beilby, 1740–1819
Syon House
undated
49
Nathaniel Smith, 1740–1787
Westminster Abbey and St. Paul's from Battersea Fields
undated
50
Thomas Rowlandson, 1756–1827
Greenwich
1795 to 1800
51
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
52
James Malton, 1761–1803
A Military Encampment in Hyde Park
1785
53
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
54
William Beilby, 1740–1819
Syon House, London
undated
55
Samuel Hieronymus Grimm, 1733–1794
A View of the Fire in Covent Garden
1769
56
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
57
Attributed to Inigo Jones, 1573–1652
A Plumed Saddle-Horse
ca. 1640
58
Print made by James McNeill Whistler, 1834–1903
Old Hungerford Bridge
1861
59
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
60
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
61
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
62
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
63
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
64
Print made by unknown artist
View of the Higher House of Parliament in England
ca. 1695
65
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
66
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
67
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
68
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
69
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
70
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
71
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
72
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
73
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
74
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
75
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
76
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
77
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
78
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
79
James McNeill Whistler, 1834–1903
Battersea Reach
1863
80
James McNeill Whistler, 1834–1903
The "Adam and Eve," Old Chelsea
1879
81
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
82
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
83
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
84
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
85
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
86
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
87
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
88
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
89
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
90
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
91
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
92
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
93
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
94
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
95
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
96
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
97
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
98
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
99
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
100
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel