The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
903
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
904
Samuel Howitt, 1756–1822
Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"
1805
905
Print made by unknown artist
The Battle of Taniers, Part Second
undated
906
Print made by John Faber the Younger, ca. 1695–1756
A Girl Spinning Thread
undated
907
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
908
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
909
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
910
John Robert Cozens, 1752–1797
The Bay of Naples from Capodimonte, Italy
ca. 1790
911
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
912
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
913
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 3
1757
914
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 2
1757
915
Sir Francis Seymour Haden, 1818–1910
By Twickenham
1865
916
Simon François Ravenet, 1706–1774
The Good Samaritan
1772
917
Print made by Agostino Brunias, 1728–1796
A Negroes Dance in the Island of Dominica
1779
918
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
919
Samuel Howitt, 1756–1822
Full Cry
undated
920
Samuel Howitt, 1756–1822
Going to Cover
undated
921
Samuel Howitt, 1756–1822
Going Home
undated
922
Robert Dighton, 1752–1814
Snipe Shooting
ca. 1790
923
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
924
Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers
ca. 1770
925
Jan Wyck, ca. 1645–1700
A Race Meeting at Newmarket Heath
ca. 1671
926
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1917
927
Print made by Richard Samuel Chattock, 1825–1906
Footbridge over the Wiley
1884
928
Thomas Rowlandson, 1756–1827
Vauxhall Gardens
ca. 1784
929
Thomas Rowlandson, 1756–1827
An Officer and his Servant
undated
930
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
931
James Moore, 1762–1799
Cerne Abbey
1791
932
James Moore, 1762–1799
Cerne Abbey
1791
933
James Moore, 1762–1799
Cerne Abbey, Dorset
1791
934
James Moore, 1762–1799
Landscape with a Large Tree, Shading a Cottage
ca. 1791
935
James Moore, 1762–1799
Study of Tress and Vegetaion Growing Over Ruins
ca. 1791
936
James McNeill Whistler, 1834–1903
The Storm
1861
937
James McNeill Whistler, 1834–1903
Battersea Reach
1863
938
James McNeill Whistler, 1834–1903
The "Adam and Eve," Old Chelsea
1879
939
Thomas Rowlandson, 1756–1827
A Water-Wheel Driving a Transporter
undated
940
Thomas Rowlandson, 1756–1827
Settling a Love Quarrell
undated
941
Print made by Francesco Bartolozzi, 1728–1815
Noon
undated
942
James McNeill Whistler, 1834–1903
Landscape with a Fisherman
1861
943
James McNeill Whistler, 1834–1903
Île de la Cité, Paris
1859
944
Thomas Rowlandson, 1756–1827
Dr Syntax outside the Halfway House
1821
945
Thomas Rowlandson, 1756–1827
Mother Bundle in a Rage or Too late for the Stage
ca. 1809
946
James Moore, 1762–1799
Ely Cathedral
1790
947
Thomas Rowlandson, 1756–1827
A Park Scene
undated
948
James Moore, 1762–1799
Refectory of Walsingham
1790
949
James Moore, 1762–1799
Buckfast Abbey, Devon, England
1791
950
James Moore, 1762–1799
Exeter Cathedral, Devon, England
1791
951
James Moore, 1762–1799
Bindon Abbey, Dorset, England
1791
952
James Moore, 1762–1799
Basingwerk Abbey, Wales
1791
953
Thomas Rowlandson, 1756–1827
Milkmaids and Gentlemen in St. James's Park
undated
954
John Robert Cozens, 1752–1797
San Pier d'Arena
undated
955
John Robert Cozens, 1752–1797
Near Sherzing, Tirol, June 7
undated
956
John Robert Cozens, 1752–1797
Coast of Vietri from Salerno, September 22
undated
957
John Robert Cozens, 1752–1797
Between Padua and Ferrara, June 23
undated
958
John Robert Cozens, 1752–1797
Cassino Built by Cardinal Spinelli
undated
959
John Robert Cozens, 1752–1797
Ruins
undated
960
John Robert Cozens, 1752–1797
Between Bolzano and Trent, June 8
undated
961
John Robert Cozens, 1752–1797
Near Chambéry
undated
962
John Robert Cozens, 1752–1797
Between Ambrogiana and La Lastra
undated
963
John Robert Cozens, 1752–1797
Monet della Madonna near Arquà, June 19
undated
964
John Robert Cozens, 1752–1797
Near Brixen, June 7
undated
965
John Robert Cozens, 1752–1797
King's Palace at Portici, August 28
undated
966
John Robert Cozens, 1752–1797
On the Gulf of Salerno Near Vietri, September 27
undated
967
John Robert Cozens, 1752–1797
Grand Chartreuse, October 25
undated
968
John Robert Cozens, 1752–1797
Entrance into the Tirol, June 4
undated
969
John Robert Cozens, 1752–1797
Passage to the Grand Chartreuse, October 25
undated
970
John Robert Cozens, 1752–1797
Upon the River Inn, Tirol, June 5
undated
971
John Robert Cozens, 1752–1797
Convent Between Castel del Bosco and La Strada Scala
undated
972
John Robert Cozens, 1752–1797
Entrance Into the Tirol, June 4
undated
973
John Robert Cozens, 1752–1797
Bridge at Narni
undated
974
John Robert Cozens, 1752–1797
Near Schönberg
undated
975
John Robert Cozens, 1752–1797
Lake of Perugia
undated
976
John Robert Cozens, 1752–1797
The Coast Under Vietri
undated
977
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
978
Stephen Frederick Gooden, 1892–1955
The Satyrs
1937
979
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
980
Giovanni Battista Borra, 1713–1770
Reggio di Calabria
ca. 1750
981
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1917
982
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1917
983
Print made by Wilfred Crawford Applebey, 1889–?
Brown University: The Old Front Row
1927
984
Print made by Wilfred Crawford Applebey, 1889–?
Brown University: The Middle Campus
1927
985
Print made by Wilfred Crawford Applebey, 1889–?
Brown University: The Van Wickle Gate
1927
986
Print made by Austin, Robert, 1895-1973, 1895–1973
Autumn
1922
987
Print made by Austin, Robert, 1895-1973, 1895–1973
The Blind Beggar of Tivoli
1923
988
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1921
989
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1922
990
Print made by Austin, Robert, 1895-1973, 1895–1973
Highbridge
1927
991
Print made by Wilfred Crawford Applebey, 1889–?
Brown University: Old University Hall
1927
992
Print made by Austin, Robert, 1895-1973, 1895–1973
The Angelus
1922
993
Print made by Austin, Robert, 1895-1973, 1895–1973
Italian Fair
1923
994
Print made by Austin, Robert, 1895-1973, 1895–1973
Zoutelande
1929
995
Print made by Austin, Robert, 1895-1973, 1895–1973
Girl at a Gate
between 1938 and 1939
996
Print made by Frederick Landseer Maur Griggs, 1876–1938
Epiphany
1919
997
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Minister
1924
998
Print made by Frederick Landseer Maur Griggs, 1876–1938
Totterne Inn
1919
999
Print made by Frederick Landseer Maur Griggs, 1876–1938
Linn Bridge
1922
1000
Print made by Frederick Landseer Maur Griggs, 1876–1938