Basso Relievos: Statues and Inscriptions 1765. Manuscript with Drawings.
1765
207
unknown artist
Verbascum sinaiticum Benth. (Mullein): finished drawing of flowering shoot and root
ca. 1768
208
unknown artist
Verbascum sinaiticum Benth. (Mullein): finished drawing section of stem and leaves, with floral details
undated
209
unknown artist
Ischaemum afrum (J.F. Gmel.) Dandy: finished drawing of whole plant, with inflorescence
undated
210
unknown artist
Sketch of a Woman and a Dog
undated
211
unknown artist
Three Heads
undated
212
unknown artist
The Choir St. Marys (with ms. notes)
undated
213
unknown artist
Alms-Houses at Greenhithe, Kent
1774
214
unknown artist
Design for an Altar
undated
215
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan and Elevations of the Music Hall
undated
216
unknown artist
Design for a Wine Cooler
undated
217
unknown artist
A Half-timbered House
ca. 1800
218
John Yenn, 1750–1821
Design for a Doorway
1781
219
unknown artist
Design for a Tripod and Design for Entablature of the Upper Range of Windows in the Hall
undated
220
George Richardson, ca.1738–ca.1813
Design for a Chimney Piece
1773
221
unknown artist
Transept of St. Saviour's, Southwark, London
undated
222
John Hood, active 1762–1771
The Northumberland
1763
223
Hugh Cairncross, died 1808
Designs for Ardgowan House, A Volume
1797
224
Giles Hussey, 1710–1788
Studies of classical sculptures of Cesi Juno and Zingara
between 1730 and 1768
225
Giles Hussey, 1710–1788
Study of statue of an Egyptian man
between 1730 and 1768
226
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
227
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
228
Giles Hussey, 1710–1788
Study of head from classical figures
between 1730 and 1768
229
Giles Hussey, 1710–1788
Study of head of man with helmet
between 1730 and 1768
230
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
231
Giles Hussey, 1710–1788
Two studies of head from classical figure
between 1730 and 1768
232
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
233
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
234
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
235
Giles Hussey, 1710–1788
Three studies of classical sculpture of Farnese Hercules
between 1730 and 1768
236
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
237
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
238
Giles Hussey, 1710–1788
Four chalk studies of heads
between 1730 and 1768
239
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
240
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
241
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
242
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
243
Giles Hussey, 1710–1788
Four Studies of heads from classical figures
between 1730 and 1768
244
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
245
unknown artist
Man in 17th Century Costume
undated
246
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
247
John Yenn, 1750–1821
Design for a Doorway
1781
248
unknown artist
Design for a Lamp
undated
249
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
250
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
251
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
252
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
253
John Malchair, 1730–1812
In Powis Parke
1795
254
unknown artist
Woman Walking, with a Large Dish Under Her Right Arm
undated
255
unknown artist
Design for a Classical House
undated
256
unknown artist
Paultons, Hampshire
undated
257
James Miller, active 1773–1814
Coleus edulis Vatke (Ethiopian Potato): finished drawing by J.F. Miller, of leafy flowering shoot, with details of flowers
1775
258
unknown artist
Upper or Western Entrance to Eastbourne
undated
259
unknown artist
Design for Herms
undated
260
unknown artist
Elevation of a Bedchamber with Corinthian Decoration
undated
261
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
262
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
263
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
264
John Yenn, 1750–1821
Design for a Doorway
ca. 1781
265
unknown artist
Design for a Lamp
undated
266
unknown artist
Design for a Clock Case
undated
267
unknown artist
Design for a Saloon
undated
268
unknown artist
Design for a Library
undated
269
James Wyatt, 1746–1813
Cobham Hall, Kent: Side Elevation
ca. 1790
270
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
271
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
272
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
273
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
274
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
275
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
276
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
277
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
278
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway
ca. 1790
279
John Ingram, 1767–1841
Trade Card for John Ingram, Stationer at the Lamb, London
undated
280
Valentine Green, 1739–1813
Georgiana Duchess of Devonshire
1780
281
Print made by Joseph Strutt, 1749–1802
John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard
1788 to 1791
282
Print made by James McBey, 1883–1959
A Regatta on the Grand
1925
283
Print made by Malcolm Osborne, 1880–1963
Trekkors of the Plain
1921
284
Print made by James McBey, 1883–1959
The Pool
1914
285
Print made by James McBey, 1883–1959
France at Her Furnaces
1917
286
Print made by James McBey, 1883–1959
Palestine, Blue Bonnets over the Border
1920
287
Print made by Sir Henry Rushbury, 1889–1968
Carceri San Gimignano
1925
288
Print made by James McBey, 1883–1959
Laguna Veneta
1924
289
Print made by James McBey, 1883–1959
Barcarole
1925
290
Print made by James McBey, 1883–1959
Molo
1925
291
Print made by James McBey, 1883–1959
Farewell to Venice
1925
292
Print made by James McBey, 1883–1959
Strange Signals
1919
293
Mrs. P. D. H. Page, 20th century
Iris, after the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 4]
undated
294
Mrs. P. D. H. Page, 20th century
Corn Poppy, After the Original by Jacques Le Moune de Morgues in the Victoria & Albert Museum [No. 15r]
undated
295
Mrs. P. D. H. Page, 20th century
Grape-vine, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 74]
undated
296
Mrs. P. D. H. Page, 20th century
Apple, Aafter the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 75]
undated
297
Mrs. P. D. H. Page, 20th century
Marrow, after the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 85]
undated
298
Mrs. P. D. H. Page, 20th century
Pineapple, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 11 A]
undated
299
Mrs. P. D. H. Page, 20th century
Mammea Apple, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 12 A]
undated
300
Mrs. P. D. H. Page, 20th century
Horn Plantain, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 13 A]