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James Gwin Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
James Gwin L'Epée & Lanterne Combattüe par L'Epée et Manteau
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
James Gwin De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
James Gwin Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
Sir Joshua Reynolds Man on Horseback
Sir Joshua Reynolds, 1723–1792
Man on Horseback
undated
James Gwin Position pour la Garde en Quarte et le Coup de Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
James Gwin Position pour la Garde en Tierce
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
James Gwin Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
James Gwin Position de la Garde en Quarte, et le Coup de Flanconnade
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
James Gwin Troisieme Position du Salut
James Gwin, 1700–1769
Troisieme Position du Salut
1763
James Gwin Quatrieme Position du Salut
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
James Gwin Cinquieme Position du Salut
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
James Gwin De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
James Gwin De la Parade de Seconde sur le Coup de Seconde
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
James Gwin De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
James Gwin De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
James Gwin De la Parade Dequinte sur le Coup de Quinte
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
James Gwin De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
James Gwin De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
James Gwin De la Risposte en Quinte de Pied forme sur le Coup de Seconde
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
James Gwin De la Passe en Quarte du Dehors des Armes
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
James Gwin De la Risposte de Quarte apres la Parade de Quarte
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
James Gwin Position Aprés Avoir Désarmé sur le Coup de Tierce
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
John Browne The Sportsman
Print made by John Browne, 1741–1801
The Sportsman
1775
William Ward Children Birdsnesting
William Ward, 1766–1826
Children Birdsnesting
1789
James Gwin Premiere Position du Salut
James Gwin, 1700–1769
Premiere Position du Salut
1763
James Gwin Seconde Position du Salut
James Gwin, 1700–1769
Seconde Position du Salut
1763
James Gwin Position pour la Garde en Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
James Gwin De la Parade de Tierce, sur le Coup de Tierce
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
James Gwin De la Parade du Cavé sur le Coup de Flanconnade
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
James Gwin De la Parade de Prime sur le Coup de Seconde
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
James Gwin De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
James Gwin De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
James Gwin Du Coupé sur Pointe de Quarte en Quarte sur les Armes
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
James Gwin Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
James Gwin Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
James Gwin Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
Francois Vivares A View of Hopping Mill, Ware
Francois Vivares, 1709–1780
A View of Hopping Mill, Ware
1745
James Seymour Profile of a Horse Facing Left
James Seymour, 1702–1752
Profile of a Horse Facing Left
undated
James Seymour Studies of Stags' Heads
James Seymour, 1702–1752
Studies of Stags' Heads
undated
unknown artist Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig
unknown artist
Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig
ca. 1860
Robert Dighton Trap Ball Played at the Black Prince, Newington, Butts
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
Robert Dighton Four Corners Played at the Swan, Chelsea
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
Samuel Howitt Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Samuel Howitt The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Samuel Howitt Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"
Samuel Howitt, 1756–1822
Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"
1805
Sir Edwin Henry Landseer A Shooting Party: Mr. C. Leslie and Mr. John Leslie
Sir Edwin Henry Landseer, 1802–1873
A Shooting Party: Mr. C. Leslie and Mr. John Leslie
1833
Sir Edwin Henry Landseer A Shooting Party: Lord Ossulston, Mr. W. Wells, Lord Abercorn and Sir E. Landseer
Sir Edwin Henry Landseer, 1802–1873
A Shooting Party: Lord Ossulston, Mr. W. Wells, Lord Abercorn and Sir E. Landseer
1833
Thomas Gainsborough Study of a Cow
Thomas Gainsborough, 1727–1788
Study of a Cow
between 1755 and 1760
Capt. Francis Grose Holy Island and Castle, Northumberland
Capt. Francis Grose, 1731–1791
Holy Island and Castle, Northumberland
undated
Richard Houston The Portraiture of White-Nose
Print made by Richard Houston, ca. 1721–1775
The Portraiture of White-Nose
1756
Richard Houston Childers, the Fleetest Horse that Ever Run at Newmarket
Print made by Richard Houston, ca. 1721–1775
Childers, the Fleetest Horse that Ever Run at Newmarket
1755
Richard Houston The Portraiture of Babraham
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Babraham
1756
Richard Houston The Portraiture of Dormouse
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Dormouse
1755
Richard Houston The Portraiture of Bald Charlotte
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Bald Charlotte
1756
Richard Houston The Portraiture of Bay Bolton
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Bay Bolton
1756
Richard Houston The Portraiture of the Fine Chesnut Arabian
Print made by Richard Houston, ca. 1721–1775
The Portraiture of the Fine Chesnut Arabian
1756
James Seymour Thirteen Drawings of Horses, Horsemen, Hounds, etc.
James Seymour, 1702–1752
Thirteen Drawings of Horses, Horsemen, Hounds, etc
undated
Sawrey Gilpin A Hunting Scene
Sawrey Gilpin, 1733–1807
A Hunting Scene
undated
Sawrey Gilpin Hunters approaching a lion being held at bay by hounds
Sawrey Gilpin, 1733–1807
Hunters approaching a lion being held at bay by hounds
undated
Sawrey Gilpin Jockey on a horse with three figures
Sawrey Gilpin, 1733–1807
Jockey on a horse with three figures
undated
Sawrey Gilpin Horse Rider, in Walking Gait
Sawrey Gilpin, 1733–1807
Horse Rider, in Walking Gait
undated
Richard Houston The Portrature of Sedbury
Print made by Richard Houston, ca. 1721–1775
The Portrature of Sedbury
1755
Richard Houston The Portraiture of Lamprey
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Lamprey
1755
Richard Houston The Portraiture of the Cullen Arabian
Print made by Richard Houston, ca. 1721–1775
The Portraiture of the Cullen Arabian
1756
Richard Houston The Portraiture of the Famous Horse Old Partner
Print made by Richard Houston, ca. 1721–1775
The Portraiture of the Famous Horse Old Partner
1755
Richard Houston The Portraiture of Crab, Late the Property of the Right Honorable Earl of Portmore
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Crab, Late the Property of the Right Honorable Earl of Portmore
1755
Sawrey Gilpin Horse and Rider being Attacked by a Lion
Sawrey Gilpin, 1733–1807
Horse and Rider being Attacked by a Lion
undated
Sawrey Gilpin Three Figures beside a Horse
Sawrey Gilpin, 1733–1807
Three Figures beside a Horse
undated
William Wynne Ryland A Hawking Party
Print made by William Wynne Ryland, 1732–1783
A Hawking Party
1765
Sawrey Gilpin Hound Trial with hounds named
Sawrey Gilpin, 1733–1807
Hound Trial with hounds named
undated
Sawrey Gilpin Studies of Figures on Horseback
Sawrey Gilpin, 1733–1807
Studies of Figures on Horseback
undated
James Gwin Desseins Originaux des Attitudes Continuée dans L'École des Armes
James Gwin, 1700–1769
Desseins Originaux des Attitudes Continuée dans L'École des Armes
1763
Lionel Edwards In Full Cry
Lionel Edwards, 1878–1966
In Full Cry
1917
Charles Johnson Payne "Snaffles" Not Taking Any
Charles Johnson Payne "Snaffles", 1884–1967
Not Taking Any
undated
Sawrey Gilpin Volume of Sketches
Sawrey Gilpin, 1733–1807
Volume of Sketches
undated