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Collection
Prints and Drawings
18
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
18
Dawe, Henry E., 1790–1848
5
Lupton, Thomas Goff, 1791–1873
3
Turner, Charles, 1774–1857
3
Hodgetts, Thomas, active 1801–1846
2
Say, William, 1768–1834
2
Date
1808
23
1816
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18
1819
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1715
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1772
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1784
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1760
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1717
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1630
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1751
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1780
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1859
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1
On-site Access
Accessible by appointment in the Study Room
18
Image Use
Free to Use
18
Image Available
Available
18
Classification
Prints
18
Creator Gender
male
18
Collective Title
Liber Studiorum
18
Period
19th century
18
Materials & Techniques
brown ink
18
etching (printing process)
18
laid paper
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18
mezzotint
18
Height [cm]
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30
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44
Work Type
intaglio print
18
Genre
landscape
18
architectural subject
9
religious and mythological subject
2
cityscape
1
marine art
1
Subject Terms
abbey
2
bridge
2
death
2
landscape (representation)
2
mourning
2
plague
2
religious and mythological subject
2
river
2
stairs
2
Old Testament
1
branches
1
child
1
city
1
cityscape
1
family
1
foliage
1
hill
1
landscape
1
lightning
1
path
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Associated Places
Alps
2
Arve
2
Bonneville
2
Dunblane
2
Dunblane Cathedral
2
France
2
Scotland
2
United Kingdom
2
Africa
1
Egypt
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
3
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
18
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Materials & Techniques
laid paper
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Date
1816
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Width [cm]
29
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1
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
2
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
4
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
6
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
8
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
9
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
10
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
11
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
12
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
14
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
15
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
17
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
18
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816