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Collection
Prints and Drawings
75
Creator
Smirke the Younger, Robert, Sir, 1781–1867
43
Malton, James, 1761–1803
16
Daniell, Samuel, 1775–1811
2
André, Philipp, active 1801–1805
1
Burney, Edward Francis, 1760–1848
1
Corbould, Richard, 1757–1831
1
Cotman, John Sell, 1782–1842
1
Edridge, Henry, 1769–1821
1
Etty, William, 1787–1849
1
Frankland, Robert Baronet, 1784–1849
1
Fuseli, Henry, 1741–1825
1
Girtin, Thomas, 1775–1802
1
Howitt, Samuel, 1756–1822
1
Nicholson, Peter, 1765–1844
1
Pearce, William, 1764–c.1799
1
Reynolds, Joshua, Sir, 1723–1792
1
Sandby, Paul, 1731–1809
1
Say, William, 1768–1834
1
Scriven, Edward, 1775–1841
1
Vollweiler, Georg Jacob, active 1805–1807
1
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Date
1745
449
1749
337
1767
224
1748
205
1775
193
1764
186
0
178
1790
174
1791
173
1772
172
1630
169
1785
159
1768
153
1752
147
1784
138
1755
130
1700
126
1780
123
1738
119
1758
116
1789
109
1763
107
1771
105
1717
100
1765
98
1782
98
1786
98
1778
95
1770
93
1788
84
1740
83
1776
83
1773
80
1777
80
1760
79
1762
79
1783
78
1674
75
1802
[remove]
75
1779
74
1792
73
1804
70
1800
69
1667
67
1795
64
1746
63
1705
62
1769
62
1754
61
1787
60
1793
59
1675
57
1715
54
1750
54
1781
53
1756
51
1807
47
1690
46
1753
46
1742
43
1757
43
1808
43
1816
42
1774
41
1739
38
1806
38
1719
36
1741
36
1747
35
1751
35
1729
34
1761
34
1766
34
1819
34
1736
33
1737
32
1818
32
1680
30
1744
30
1796
30
1810
30
1699
29
1728
29
1794
29
1801
29
1859
29
1893
29
1803
28
1805
28
1809
28
1799
26
1830
26
1732
25
1811
25
1731
24
1743
24
1813
24
1642
23
1710
23
1712
23
On-site Access
Accessible by appointment in the Study Room
75
Image Use
Free to Use
75
Image Available
Available
[remove]
75
Classification
Drawings & Watercolors
60
Drawing & Watercolors-Architectural
10
Prints
5
Creator Gender
male
75
Collective Title
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
43
Specimens of Polyautography
2
Period
19th century
75
Materials & Techniques
laid paper
[remove]
75
graphite
68
pen
18
black ink
13
brown ink
13
gray wash
9
watercolor
9
brown wash
7
pens
3
lithography
2
mezzotint
2
Engraving
1
black wash
1
cartridge paper
1
gouache
1
gray ink
1
marbling
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
7
to
65
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
10
to
78
Work Type
drawing
69
watercolor
24
intaglio print
3
planographic print
2
Genre
architectural subject
48
landscape
11
cityscape
6
genre subject
5
figure study
4
historical subject
2
literary theme
2
still life
2
animal art
1
marine art
1
Subject Terms
architectural subject
20
country house
12
windows
11
trees
9
house
8
Architectural rendering
7
mullions
7
preparatory drawing
7
Architectural design
6
Gothic Revival
6
Gothic architectural decoration
6
Gothic architectural drawing
6
Gothic architecture
6
cottage
6
design drawing
6
door
6
home
6
lancets
6
crenelations
5
lancet windows
5
more
Subject Terms
»
Associated Places
United Kingdom
5
England
3
Europe
3
Africa
2
France
1
Glasgow
1
Kent
1
Lyon
1
Maidstone
1
Mont Blanc
1
North Yorkshire
1
Norwich
1
Paisley
1
Sandsend
1
Scarborough
1
Scotland
1
Whitby
1
Windsor
1
Windsor Castle
1
Windsor and Maidenhead
1
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
John Sell Cotman (Bristol Museum and Art Gallery, - 1983-02-01)
1
John Sell Cotman (Victoria and Albert Museum, 1983-08-01 - )
1
John Sell Cotman (Whitworth Art Gallery, - )
1
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04)
1
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
1
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
1
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
1
Thomas Girtin: Genius in the North (Harewood House Trust Ltd., 1999-03-09 - 1999-06-13)
1
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
69
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
1
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
1
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905
1
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Materials & Techniques
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1
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
2
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
3
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
4
Paul Sandby, 1731–1809
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
5
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
6
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
7
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
8
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
9
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
10
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
11
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
12
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
13
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
14
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
15
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
16
Print made by Richard Corbould, 1757–1831
Old Trees with Old Man, a Girl and a Dog
1802
17
Edward Scriven, 1775–1841
Julius Caesar: Act IV Scene III: Brutus' Tent ..
1802
18
Print made by William Ward, 1766–1826
The Snake in the Grass
1802
19
Edward Francis Burney, 1760–1848
Farmhouse
1802
20
Print made by William Say, 1768–1834
The Cottar's Door
1802
21
Samuel Howitt, 1756–1822
A Tigress Leaping to the Right
ca. 1807
22
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
23
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
24
Sir Robert Smirke the younger, 1781–1867
Rattenberg, Austraia
1802-1804
25
Sir Robert Smirke the younger, 1781–1867
Sketch of a Sculpture of the Face of a Mythical Creature
1802-1804
26
Attributed to William Etty, 1787–1849
Sheet of sketches
undated
27
Sir Robert Smirke the younger, 1781–1867
The Source of the Vaucluse
1802
28
Sir Robert Smirke the younger, 1781–1867
Staircase Railing, Palace of Doge, Venice
1802-1804
29
Sir Robert Smirke the younger, 1781–1867
Ancient Inscriptions in Greek Alphabet
1802-1804
30
Sir Robert Smirke the younger, 1781–1867
Part of the Molding at Temple of Minerva
1802-1804
31
Sir Robert Smirke the younger, 1781–1867
Part of the Molding at the Temple of Minerva
1802-1804
32
Sir Robert Smirke the younger, 1781–1867
Capital of the Columns of the Temple of Minerva
1802-1804
33
Sir Robert Smirke the younger, 1781–1867
Under Moldings of the Cornice at the Temple of Minerva
1802-1804
34
Sir Robert Smirke the younger, 1781–1867
Moldings on the Temple of Minerva
1802-1804
35
Sir Robert Smirke the younger, 1781–1867
Sketch of the Flutings of the Ionic Columns in the Interior of the Propylaea
1802-1804
36
Sir Robert Smirke the younger, 1781–1867
Sketch of the Line of the Shaft and Inner Angle of the Abacus
1802-1804
37
Sir Robert Smirke the younger, 1781–1867
Jungfern Bridge
1802-1804
38
Sir Robert Smirke the younger, 1781–1867
In the Friedrich's Shape
1802-1804
39
Sir Robert Smirke the younger, 1781–1867
Part of the Exchange Building
1802-1804
40
Sir Robert Smirke the younger, 1781–1867
Sketch of a City in Prague
1802-1804
41
Sir Robert Smirke the younger, 1781–1867
Tombstone
1802-1804
42
Sir Robert Smirke the younger, 1781–1867
Sketch of the Finished Part of One of the Public Buildings
1802-1804
43
Sir Robert Smirke the younger, 1781–1867
Sketch of an Ornate Doorway, With Columns, and Sculpture
1802-1804
44
Sir Robert Smirke the younger, 1781–1867
Study of an Ornamental Chair
1802-1804
45
Sir Robert Smirke the younger, 1781–1867
Study of a Portion of a Decorative Canopy in Litchfield Cathedral
1802-1804
46
Sir Robert Smirke the younger, 1781–1867
Study Sketches of Interior in St. George's Chapel
1802-1804
47
Sir Robert Smirke the younger, 1781–1867
Raby Castle
1802-1804
48
Sir Robert Smirke the younger, 1781–1867
Raby Castle
1802-1804
49
Sir Robert Smirke the younger, 1781–1867
Sketches of St. George's Chapel and Square
1802-1804
50
Sir Robert Smirke the younger, 1781–1867
Sir Robert Smirke's Continental Tour
1802-1804
51
Sir Robert Smirke the younger, 1781–1867
The Castle Inhabited by Petrarch, Vaucluse
1802
52
Sir Robert Smirke the younger, 1781–1867
Part of Lyons From the Convent of the Chartreux, Mont Blanc in the Distance
1802-1804
53
Sir Robert Smirke the younger, 1781–1867
The Street of the Monte de Capucins, Lyon
1802-1804
54
Sir Robert Smirke the younger, 1781–1867
Les Ares
1802-1804
55
Sir Robert Smirke the younger, 1781–1867
Aix-en-Provence
1802-1804
56
Sir Robert Smirke the younger, 1781–1867
Farmhouse
1802-1804
57
Sir Robert Smirke the younger, 1781–1867
Sketch of the Molding of the Interior of the Propylaea
1802-1804
58
Sir Robert Smirke the younger, 1781–1867
Malta
1802-1804
59
Sir Robert Smirke the younger, 1781–1867
Malta
1802-1804
60
Sir Robert Smirke the younger, 1781–1867
Entrance of a Ruined Structure
1802-1804
61
Sir Robert Smirke the younger, 1781–1867
Studies of Serving Vessels From Antiquity
1802-1804
62
Sir Robert Smirke the younger, 1781–1867
Studies of Drinking and Pouring Vessels, at the Vatican Library
1802-1804
63
Sir Robert Smirke the younger, 1781–1867
Sienna
1802-1804
64
Sir Robert Smirke the younger, 1781–1867
Gate of San Gallo, Florence
1802-1804
65
Sir Robert Smirke the younger, 1781–1867
Road to Sarzana
1802-1804
66
Sir Robert Smirke the younger, 1781–1867
Castle of Sarzana
1802-1804
67
Sir Robert Smirke the younger, 1781–1867
Road to Sarzana
1802-1804
68
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
69
Print made by Henry Fuseli, 1741–1825
O Evening thou Bringest All
1802
70
Thomas Girtin, 1775–1802
Sandsend, Yorkshire
1802
71
Robert, Frankland, baronet, 1784–1849
Caricature of Beau Nash
1802
72
Peter Nicholson, 1765–1844
Barshaw House
1802
73
Samuel Daniell, 1775–1811
Korah Girl with a Jar
1802
74
John Sell Cotman, 1782–1842
Norwich Cathedral: Entrance to Jesus Chapel
ca. 1807
75
Samuel Daniell, 1775–1811
Korah Girl Seated
1802