Town and Country Magazine - Frontispiece for Vol. IV, 1772
undated
308
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
309
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
310
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
311
Isaac Taylor, 1730–1807
Frontispiece for Town and Country Magazine, for Vol. III for 1771, No. 1
undated
312
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
313
Isaac Taylor, 1730–1807
Frontispiece Vol. VII, No. I for 1775 from Town and Country Magazine
undated
314
Isaac Taylor, 1730–1807
Frontispiece for Town and Country Magazine, for Vol. II, No. 1
undated
315
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
316
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
317
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
318
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
319
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
320
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
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321
James Bruce, 1730–1794
Studies of Warriors on Horseback and Horseheads
undated
322
unknown artist
Tea Room at Wentworth Woodhouse, Yorkshire
undated
323
unknown artist
The Conservatory at Wentworth Woodhouse, Yorkshire
undated
324
Andrew Miller, Died 1763
Oliver Cromwell and General Lambert
1745
325
James McArdell, ca. 1729–1765
Thomas Pelham-Holles, 1st Duke of Newcastle upon Tyne and 1st Duke of Newcastle under Lyme
undated
326
Francis Swaine, 1730–1782
A Naval Squadron Lying at Spithead
between 1745 and 1783
327
Print made by James Bretherton, ca. 1730–1806
P. Monamy
undated
328
Alexander Bannerman, ca. 1730–1780
Edward Pierce, Senior and Junior
undated
329
Alexander Bannerman, ca. 1730–1780
Talman, Sir Ralph Cole and Marco Ricci
undated
330
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
331
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
ca. 1750
332
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
333
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
334
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
335
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
336
Giovanni Battista Borra, 1713–1770
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
337
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Artemis at Ephesus
ca. 1750
338
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
339
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
340
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
341
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
342
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
343
Giovanni Battista Borra, 1713–1770
Plan and View of a Cave, Temple, or Tomb
ca. 1750
344
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
345
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
346
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
347
Giovanni Battista Borra, 1713–1770
Plan of Jerusalem
ca. 1750
348
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
349
Giovanni Battista Borra, 1713–1770
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
350
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
351
Giovanni Battista Borra, 1713–1770
Ruines à Troye
ca. 1750
352
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
353
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
354
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
355
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
356
Giovanni Battista Borra, 1713–1770
Scoglio di Silla nel Faro di Mesina
ca. 1750
357
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
358
Giovanni Battista Borra, 1713–1770
Unfinished View of the Palatine in Rome
ca. 1750
359
Giovanni Battista Borra, 1713–1770
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
360
Print made by Callender, active mid–18th century
John's Coffee House
1745
361
Print made by Callender, active mid–18th century
Study of a Man with a Cutlass
between 1745 and 1748
362
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
363
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
364
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
365
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
366
Giovanni Battista Borra, 1713–1770
Topographical Map of Halicarnassus at its Harbor
ca. 1750
367
Giovanni Battista Borra, 1713–1770
Members of an Ionic Temple at Teos
ca. 1750
368
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
369
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
370
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
371
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
372
Giovanni Battista Borra, 1713–1770
Cnidus: Plan of the Harbor and Map of Sites
ca. 1750
373
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
374
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
375
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
376
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
377
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
378
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
379
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
380
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
381
Giovanni Battista Borra, 1713–1770
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
382
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
383
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
384
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
385
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
386
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
387
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
388
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
389
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
390
George Vertue, 1684–1756
Edward Harley, 2nd Earl of Oxford and Earl of Mortimer
1745
391
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
392
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
393
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
394
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
395
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
396
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
397
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order