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Materials & Techniques laid paper

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Date 1745

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Subject Terms trees

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Giovanni Battista Borra View of the Modern City of Pergamon
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
Giovanni Battista Borra Monte delle Beatitudini
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
Giovanni Battista Borra Veduta Occidentale del Monte Tabor
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
Giovanni Battista Borra View of the Ruined Theater of Aezani at Tjaden
Giovanni Battista Borra, 1713–1770
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
Giovanni Battista Borra Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
Giovanni Battista Borra View and Plan of the Grotto of Gethsemene
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of Gethsemene
ca. 1750
Giovanni Battista Borra Gierusalemme
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
Giovanni Battista Borra View of the Ruined Baths at Hadrian's Villa at Tivoli
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
Giovanni Battista Borra View of a Long Aqueduct
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
Giovanni Battista Borra View of Maglova Aqueduct
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
Giovanni Battista Borra Unfinished View of the Palatine in Rome
Giovanni Battista Borra, 1713–1770
Unfinished View of the Palatine in Rome
ca. 1750
Giovanni Battista Borra Is'Tmo di Cizico unito al Continente
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
Giovanni Battista Borra View of Ruins at Tivoli
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
Giovanni Battista Borra Reggio di Calabria
Giovanni Battista Borra, 1713–1770
Reggio di Calabria
ca. 1750
Giovanni Battista Borra View of Tivoli in the Direction of the North Wind
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
Giovanni Battista Borra View of a Passage Cut into a Hillside
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
Isaac Taylor Unidentified Periodical/Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
Giovanni Battista Borra The Basilica at Pergamon
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
Giovanni Battista Borra Reconstruction of the Second Theatre at Laodicea
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
Giovanni Battista Borra View of the Valley of Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra View of the Valley of Sardis and View of a Ruined Bridge
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
Giovanni Battista Borra Napolosa in Samaria
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
Giovanni Battista Borra Scutari
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
Giovanni Battista Borra View of Sigacik (Ancient Teos)
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
Giovanni Battista Borra Is'Tmo e Penisola di Cizico
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
Giovanni Battista Borra Aquedotto Angolare
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
J. Hadley The Severn-Henbury Village and Blaize Castle from the road in the Mill
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
Charles Gore Hubertusburg Château
Charles Gore, 1729–1807
Hubertusburg Château
undated
Charles Gore Florence Opposite the Cassines
Charles Gore, 1729–1807
Florence Opposite the Cassines
undated
Paul Sandby Cart Bearing a Large Tree Trunk
Paul Sandby, 1731–1809
Cart Bearing a Large Tree Trunk
undated
Thomas Ross Netting Partridges
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
Rev. William Gilpin A Rocky Landscape
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
Rev. William Gilpin Classical Landscape with Two Figures on Horseback at Right
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
Rev. William Gilpin Two Figures on Shore with Mountain Rising Behind
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
Rev. William Gilpin Landscape with Mountain in Center Distance
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
Rev. William Gilpin Classical Landscape with Ruin on Left, Two Figures on Right
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
Rev. William Gilpin Landscape with Two Horsemen on a Road
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
Rev. William Gilpin A Lake with Mountains Rising Beyond
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
Rev. William Gilpin Mountainous Landscape with Rocky Crag at Right
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
Alexander Cozens The Glade
Alexander Cozens, 1717–1786
The Glade
ca. 1750
James Adam Landscape with River and Figures
James Adam, 1732–1794
Landscape with River and Figures
undated
Alexander Cozens Landscape with a Lake and Distant Mountain
Alexander Cozens, 1717–1786
Landscape with a Lake and Distant Mountain
ca. 1750
Rev. William Gilpin Landscape with a Ruined Castle on the Right
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
Rev. William Gilpin Hilly Landscape
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
Rev. William Gilpin Landscape with Three Figures on a Road
Rev. William Gilpin, 1724–1804
Landscape with Three Figures on a Road
between 1745 and 1748
Rev. William Gilpin Mountainous Landscape with River, Trees and Foliage in Foreground
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
Rev. William Gilpin Landscape with Four Figures
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
Rev. William Gilpin Mountainous Landscape with a River
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
Rev. William Gilpin Two Figures on a Road by a Lake
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
Rev. William Gilpin Two Figures on a Road with Castle in Center Distance
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
Rev. William Gilpin Landscape with Classical Building at Left
Rev. William Gilpin, 1724–1804
Landscape with Classical Building at Left
between 1745 and 1748
Thomas Gainsborough A Milkmaid Climbing a Stile
Thomas Gainsborough, 1727–1788
A Milkmaid Climbing a Stile
ca. 1750