View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
5
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
6
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
7
Giovanni Battista Borra, 1713–1770
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
8
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
9
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
10
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
11
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
12
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
13
Giovanni Battista Borra, 1713–1770
Plan of Lake Tiberias
ca. 1750
14
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
15
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
16
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
17
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
18
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
19
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
20
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
21
Giovanni Battista Borra, 1713–1770
Reggio di Calabria
ca. 1750
22
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
23
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
24
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
25
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
26
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
27
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
28
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
29
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
30
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
31
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
32
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
33
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
34
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
35
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
36
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
37
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
38
Giovanni Battista Borra, 1713–1770
Scoglio di Silla nel Faro di Mesina
ca. 1750
39
Giovanni Battista Borra, 1713–1770
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
40
Print made by Pierre Charles Canot, ca. 1710–1777
Morning
1745
41
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
ca. 1750
42
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
43
Charles Gore, 1729–1807
View of Dürrenstein
undated
44
Charles Gore, 1729–1807
Hubertusburg Château
undated
45
Charles Gore, 1729–1807
Florence Opposite the Cassines
undated
46
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
47
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
48
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
49
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
50
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
51
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
52
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
53
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
54
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
55
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
56
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
57
Alexander Cozens, 1717–1786
The Glade
ca. 1750
58
James Adam, 1732–1794
Landscape with River and Figures
undated
59
Alexander Cozens, 1717–1786
Landscape with a Lake and Distant Mountain
ca. 1750
60
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
61
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
62
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
63
Rev. William Gilpin, 1724–1804
Landscape with Three Figures on a Road
between 1745 and 1748
64
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
65
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
66
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
67
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
68
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
69
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance