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Collection
Prints and Drawings
459
Creator
Bruce, James, 1730–1794
262
Borra, Giovanni Battista, 1713–1770
92
Gilpin, William, 1724–1804
21
Taylor, Isaac, 1730–1807
21
Bowles, John, 1701–1779
10
Canot, Pierre Charles, ca. 1710–1777
10
Monamy, Peter, 1681–1749
10
Unknown artist
7
Benoist, Guillaume Philippe, 1725–approximately 1770
6
Highmore, Joseph, 1692–1780
6
Swaine, Francis, 1730–1782
4
Bannerman, Alexander, ca. 1730–1780
3
CALLENDER,, active mid–18th century
3
Gore, Charles, 1729–1807
3
Hogarth, William, 1697–1764
3
Houbraken, Jacobus, 1698–1780
3
Kneller, Godfrey, Sir, 1646–1723
3
Vertue, George, 1684–1756
3
Cozens, Alexander, 1717–1786
2
McArdell, James, ca. 1729–1765
2
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Creator
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Date
1745
[remove]
459
1749
348
1782
241
1767
225
1775
207
1748
206
1773
201
0
200
1764
195
1752
191
1790
186
1791
186
1630
178
1785
177
1772
174
1700
162
1768
157
1780
147
1784
141
1738
138
1755
137
1758
120
1763
114
1789
113
1771
108
1778
107
1765
106
1786
104
1717
101
1776
101
1770
98
1777
92
1788
90
1740
89
1779
88
1783
85
1760
84
1762
84
1792
83
1674
82
1802
79
1795
77
1800
76
1808
73
1804
70
1769
68
1787
68
1667
67
1750
67
1746
65
1754
65
1793
63
1705
62
1751
59
1781
58
1675
57
1715
55
1889
55
1888
54
1756
53
1742
50
1807
49
1690
48
1799
48
1753
47
1774
47
1816
45
1757
44
1877
44
1925
44
1739
43
1680
41
1730
41
1741
41
1747
41
1761
41
1806
41
1729
39
1719
36
1766
36
1563
35
1736
34
1737
34
1810
34
1819
34
1744
33
1794
33
1796
33
1805
32
1818
32
1893
32
1801
31
1568
30
1803
30
1809
30
1916
30
1923
30
1699
29
1728
29
1811
29
On-site Access
Accessible by appointment in the Study Room
459
Image Use
Free to Use
459
Image Available
Available
449
Unavailable
10
Classification
Drawing & Watercolors-Architectural
221
Drawings & Watercolors
201
Prints
37
Creator Gender
male
455
unknown
7
Collective Title
Pamela, or Virtue Rewarded
6
Iconographie Anglaise par Reynolds et Autres
3
Poets and Philosophers of England
1
Views in the Levant
1
Period
18th century
430
18th century-19th century
24
19th century
5
Materials & Techniques
laid paper
[remove]
459
graphite
380
black ink
222
gray wash
205
brown ink
96
watercolor
66
pen
40
red pencil
38
gouache
31
etching (printing process)
23
brown wash
20
line engraving
13
gray ink
10
stipple engraving
8
yellow wash
8
mezzotint
6
orange wash
4
wove paper
4
Engraving
3
black chalk
3
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
98
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
133
Work Type
drawing
422
watercolor
251
intaglio print
37
frontispiece
6
Genre
architectural subject
233
landscape
76
genre subject
45
figure study
44
animal art
30
botanical subject
26
marine art
18
portrait
17
cityscape
15
literary theme
13
religious and mythological subject
12
historical subject
3
military art
3
sporting art
2
Subject Terms
architectural subject
232
landscape
71
mountains
57
trees
55
hills
38
ruins
35
columns
33
animal art
30
genre subject
23
temple
23
capitals
22
scale (rule)
22
men
21
buildings
20
ships
20
site plan
20
columns (architectural elements)
18
arches
16
friezes
16
marine art
16
more
Subject Terms
»
Associated Places
Asia
56
Turkey
53
Ege kiyilari
42
Izmir Ili
12
Paestum
12
Denizli Ili
11
Europe
11
Israel
11
Italy
9
Marmara
9
Mugla Ili
8
England
7
Manisa Ili
7
Sardis
7
United Kingdom
7
Jerusalem
6
Laodicea
6
Yerushalayim, Mehoz
6
Lazio
5
Pamukkale
5
more
Associated Places
»
Associated People
Pamela Andrews
6
Mr. B, a Nobleman
4
Mrs. Jervis, the housekeeper
3
Mr. Williams
2
Mrs. Jewkes, a housekeeper
2
Monamy, Peter (bap. 1681, d. 1749), marine painter
1
Walpole, Horatio [Horace], fourth earl of Orford (1717–1797)
1
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
6
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
5
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
4
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
4
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
3
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
3
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
1
Seascapes - Marine Paintings and Watercolors from the U Collection (Yale Center for British Art, 2009-05-28 - 2009-08-23)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
419
Yale Center for British Art, Paul Mellon Fund
28
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association
4
Yale Center for British Art; Yale University Art Gallery Collection
4
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates
2
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
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Materials & Techniques
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1
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
2
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
3
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
4
Francis Swaine, 1730–1782
Ships on a Calm Sea
undated
5
Francis Swaine, 1730–1782
Hulks in the Medway
undated
6
James Paine, 1717–1789
Design for the Gothic Library at Felbrigg Hall in Norfolk
ca. 1750
7
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
8
James Paine, 1717–1789
Design for a Church: Elevation of the West Front
ca. 1750
9
James Bruce, 1730–1794
No. 2 Elevation of the Front of the first temple fronting the sea
undated
10
James Bruce, 1730–1794
Plan of temple of Minerva Polias and Neptune the King
undated
11
James Bruce, 1730–1794
No. 2 sketch of plan of temple of Baalbec or Palmyra
undated
12
James Bruce, 1730–1794
No. 14 sketch of temple remains at Palmyra or Baalbec
undated
13
James Bruce, 1730–1794
No. 22 sketch of temple at Baalbec and Palmyra
undated
14
James Bruce, 1730–1794
Threkiornis aethiopicus (African Sacred Ibis)
undated
15
James Bruce, 1730–1794
Bocorvus abyssinicus (Abyssinian Ground Hornbill)
undated
16
James Bruce, 1730–1794
No. 5 interior part of the 2nd temple seen from the North Side
undated
17
James Bruce, 1730–1794
Elevation of the Front of the 1st temple fronting the sea
undated
18
James Bruce, 1730–1794
No. 9 architecture of the temple of Neptune the King
undated
19
James Bruce, 1730–1794
Section of Amphitheatre at El Djem showing arches stairs and tiers of seats
undated
20
James Bruce, 1730–1794
Plan of the Amphitheatre at El Djem with description
undated
21
James Bruce, 1730–1794
No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra
undated
22
James Bruce, 1730–1794
No. 5 sketch of Temple remains at Baalbec or Palmyra
undated
23
James Bruce, 1730–1794
No. 7 sketch of temple remains at Baalbec or Palmyra
undated
24
James Bruce, 1730–1794
No. 8 Sketch of Temple remains at Baalbec or Palmyra
undated
25
James Bruce, 1730–1794
No. 4 sketch of temple remains at Baalbec or Palmyra
undated
26
James Bruce, 1730–1794
No. 21 view from the North Angle of the peristyle of the temple
undated
27
James Bruce, 1730–1794
No. 23 drawings of ornamental detail of capitals
undated
28
James Bruce, 1730–1794
No. 25 drawing of temple remains at Baalbec or Palmyra
undated
29
James Bruce, 1730–1794
No. 26 drawings of temple remains at Baalbec or Palmyra
undated
30
James Bruce, 1730–1794
No. 28 drawings of ornamental details of columns arches etc
undated
31
James Bruce, 1730–1794
No. 29 sketch of temple remains at Baalbec or Palmyra
undated
32
James Bruce, 1730–1794
View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals
undated
33
James Bruce, 1730–1794
Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)
undated
34
James Bruce, 1730–1794
Plan of the Temple at Baalbec
undated
35
James Bruce, 1730–1794
Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec
undated
36
James Bruce, 1730–1794
Temple at Baalbec: Three Temples amongst other Ruins
undated
37
James Bruce, 1730–1794
Temple at Baalbec: Double Page from Sketchbook with Drawings of Temples
undated
38
James Bruce, 1730–1794
Temple at Baalbec: Sheet of Sketches of Columns
undated
39
James Bruce, 1730–1794
Temple at Baalbec: Detailed drawing of a Doorway
undated
40
James Bruce, 1730–1794
Finished Drawing of Unidentified Palladian Mansion
undated
41
James Bruce, 1730–1794
XIVI Theatre at Ain Tunga Thignica
undated
42
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
43
James Bruce, 1730–1794
Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga
undated
44
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
45
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
46
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
47
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
48
James Bruce, 1730–1794
Centre Composite Temple Suttetula Modern Sheitla
undated
49
James Bruce, 1730–1794
The Medrassen [sic] Pl. V
undated
50
James Bruce, 1730–1794
Right Corinthian Temple at Suttetula Modern Sheitla
undated
51
James Bruce, 1730–1794
Elevation of Pedestal Entablature and Pediment of Triumphal Arch at Makther
undated
52
James Bruce, 1730–1794
Lophaetus occipitalis (Long-Crested Eagle)
undated
53
James Bruce, 1730–1794
Paestum: No. 4 View of the Interior part of the 2nd temple from the east front
undated
54
James Bruce, 1730–1794
No. 7 the interior part of the 3rd temple looking from the west front
undated
55
James Bruce, 1730–1794
No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east
undated
56
James Bruce, 1730–1794
No. 8 Architecture of the Temple of Ceres Legitera
undated
57
James Bruce, 1730–1794
Plan of the Temple of Ceres Legifera
undated
58
James Bruce, 1730–1794
No. 10 Architecture of the Temple of Minerva Polias and Neptune the King
undated
59
James Bruce, 1730–1794
Plan of the Temple of Neptune the King
undated
60
James Bruce, 1730–1794
Plan of one quarter of the amphitheatre at El Djem showing seating tiers
undated
61
James Bruce, 1730–1794
Sketch of Amphitheatre at El Djem showing elevation and section of arches and tiers of seats with descriptive notes
undated
62
James Bruce, 1730–1794
Section of Amphitheatre at El Djem showing arches, stairs and tiers of seats
undated
63
James Bruce, 1730–1794
Elevation of Amphitheatre of El Djem entitled "Isrus"
undated
64
James Bruce, 1730–1794
Plan of three quarters of the amphitheatre at El Djem with descriptive notes
undated
65
James Bruce, 1730–1794
Sketch of Elevation of Amphitheatre at El Djem showing archways
undated
66
James Bruce, 1730–1794
Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
undated
67
James Bruce, 1730–1794
2 drawings on 1 sheet of interior of amphitheatre at El Djem showing arches, stairs and tiers of seats
undated
68
James Bruce, 1730–1794
No. 1 Sketch of temple remains at Baalbec or Palmyra
undated
69
James Bruce, 1730–1794
No. 3 sketch of temple remains at Baalbec
undated
70
James Bruce, 1730–1794
No. 10 sketch of temple remains at Baalbec or Palmyra
undated
71
James Bruce, 1730–1794
No. 18 drawings of ornamental detail of friezes and verso: the entablature and plan of a temple at Baalbec or Palmyra
undated
72
James Bruce, 1730–1794
No. 15 drawing of ornamental details of friezes of temple remains at Baalbec or Palmyra
undated
73
James Bruce, 1730–1794
Elevation of Front of most entire Temple at Baalbec
undated
74
James Bruce, 1730–1794
Temple at Baalbec: Architectural Detail of Entablature of Amphitheatre of Vespesian
undated
75
James Bruce, 1730–1794
Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
undated
76
James Bruce, 1730–1794
Internal Order of the Cell of the most entire Temple at Baalbec
undated
77
James Bruce, 1730–1794
Veduta di Tunga
undated
78
James Bruce, 1730–1794
Temple at Thignica Modern, Ain Tunga now totally Destroyed
undated
79
James Bruce, 1730–1794
Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State
undated
80
James Bruce, 1730–1794
Fragments of Architecture at Temple of Thignica Ain Tunga
undated
81
James Bruce, 1730–1794
Architectural Detail of Cornice of Temple at Thignica Modern Ain Tunga
undated
82
James Bruce, 1730–1794
Left Corinthian Temple at Suttetula Modern Sheitla
undated
83
James Bruce, 1730–1794
Lower Arch at Makther on Back
undated
84
James Bruce, 1730–1794
Details of Lower Arch Mactar, Modern Makther
undated
85
James Bruce, 1730–1794
Trajans Arch, Makter
undated
86
James Bruce, 1730–1794
Architectural Details of Arch at Makther
undated
87
James Bruce, 1730–1794
Triumphal Arch of Hieron of Temples Sheitla
undated
88
James Bruce, 1730–1794
Details of Plinth and Entablature of Lower Arch at Mactar, Modern Makther
undated
89
James Bruce, 1730–1794
XLX Lower Arch at Makther Details of Cornice
undated
90
James Bruce, 1730–1794
XVLL Arch at Makther
undated
91
James Bruce, 1730–1794
Tucca Terebinthina; Title Page
undated
92
James Bruce, 1730–1794
Arch of Trajan Makther
undated
93
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
94
Charles Gore, 1729–1807
Hubertusburg Château
undated
95
Charles Gore, 1729–1807
View of Dürrenstein
undated
96
Charles Gore, 1729–1807
Florence Opposite the Cassines
undated
97
Francis Swaine, 1730–1782
Fishing Boats
undated
98
Giovanni Battista Borra, 1713–1770
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
99
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
100
Giovanni Battista Borra, 1713–1770
View of Ruins of the Asclepium at Pergamon
ca. 1750
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