Materials & Techniques: laid paper / On-site Access: Accessible by appointment in the Study Room / Date: 1920

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Materials & Techniques laid paper

On-site Access Accessible by appointment in the Study Room

Date 1920

Robert Polhill Bevan, 1865–1925

The Horse Mart (Barbican No. 1)

1920

Print made by James McBey, 1883–1959

Zero - a 65 Pounder Opening Fire

1920

Print made by Sir Muirhead Bone, 1876–1953

The Solent

1920

Print made by William Walcot, 1874–1943

House of Sallust

1920

Print made by Katharine Cameron, 1874–1965

Beregonium

1920

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Barbican

1920

Print made by Austin, Robert, 1895-1973, 1895–1973

A News Girl

1920

Print made by Margaret Aulton, active 1930

A Lakeside Village, Lugano

undated

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Barbican

1920

Print made by Gerald Leslie Brockhurst, 1890–1978

A Galway Peasant

1920

Print made by Ernest Stephen Lumsden, 1883–1948

Line Engraving/Dry Point/Soft Ground

ca. 1925

Print made by James McBey, 1883–1959

Palestine, Blue Bonnets over the Border

1920

William Lee Hankey, 1869–1952

In the Garden

1920

Print made by Edward Bouverie-Hoyton, active 1930

Head of a Jew

1920s

Print made by Edward Bouverie-Hoyton, active 1930

Devon Coast

1920s

Print made by Charles Shannon, 1863–1937

The Estuary

1920

Print made by Douglas Percy Bliss, 1900–1984

The Gamekeeper

ca. 1925

Print made by Douglas Percy Bliss, 1900–1984

Anglers

ca. 1925

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Barbican

1920

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Barbican

1920

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Barbican

1920

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