<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques laid paper

Remove constraint Materials & Techniques: laid paper

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Subject Terms trees

Remove constraint Subject Terms: trees

Search Results

Francis Danby Hope near Bergen
Francis Danby, 1793–1861
Hope near Bergen
ca. 1840
John Constable Landscape at East Bergholt
John Constable, 1776–1837
Landscape at East Bergholt
ca. 1805
John Constable Helmingham: The Silent Pool
John Constable, 1776–1837
Helmingham: The Silent Pool
ca. 1800
John Constable Trees and Deer
John Constable, 1776–1837
Trees and Deer
1825
John Constable Wooded Slope with a Receding Road
John Constable, 1776–1837
Wooded Slope with a Receding Road
ca. 1805
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
William Hogarth Study for the Foundlings
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner The Hindoo Worshipper
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
Joseph Mallord William Turner The Castle above the Meadows
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner The Castle above the Meadows
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
Joseph Mallord William Turner The Bridge in Middle Distance
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
William Blake Landscape with Spire
William Blake, 1757–1827
Landscape with Spire
ca. 1801
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
Samuel Howitt The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Samuel Howitt Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Samuel Howitt Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"
Samuel Howitt, 1756–1822
Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"
1805
Thomas Rowlandson A Park Scene
Thomas Rowlandson, 1756–1827
A Park Scene
undated
Thomas Rowlandson Dr Syntax outside the Halfway House
Thomas Rowlandson, 1756–1827
Dr Syntax outside the Halfway House
1821
Thomas Girtin Sandsend, Yorkshire
Thomas Girtin, 1775–1802
Sandsend, Yorkshire
1802
Thomas Girtin The Old Bridge in Devon
Thomas Girtin, 1775–1802
The Old Bridge in Devon
between 1797 and 1801
Thomas Girtin The New Walk, York
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
Thomas Girtin Kingswear Seen from Dartmouth, Devon
Thomas Girtin, 1775–1802
Kingswear Seen from Dartmouth, Devon
ca. 1797
Thomas Rowlandson Vauxhall Gardens
Thomas Rowlandson, 1756–1827
Vauxhall Gardens
ca. 1784
Thomas Rowlandson Milkmaids and Gentlemen in St. James's Park
Thomas Rowlandson, 1756–1827
Milkmaids and Gentlemen in St. James's Park
undated
Thomas Girtin Classical Composition
Thomas Girtin, 1775–1802
Classical Composition
1798 to 1799
James Moore Study of Tress and Vegetaion Growing Over Ruins
James Moore, 1762–1799
Study of Tress and Vegetaion Growing Over Ruins
ca. 1791
Thomas Rowlandson A Water-Wheel Driving a Transporter
Thomas Rowlandson, 1756–1827
A Water-Wheel Driving a Transporter
undated
Thomas Rowlandson Figures by a Ferry
Thomas Rowlandson, 1756–1827
Figures by a Ferry
undated
Thomas Girtin A Devonshire Farm
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
Thomas Girtin Country House
Thomas Girtin, 1775–1802
Country House
ca. 1797
Thomas Girtin Valle Crucis Abbey, near Llangollen
imitator of Thomas Girtin, 1775–1802
Valle Crucis Abbey, near Llangollen
between 1798 and 1801
Thomas Girtin Guisborough Priory
follower of Thomas Girtin, 1775–1802
Guisborough Priory
undated
unknown artist Tempio di Clitumno, Rome, after Piranesi
unknown artist
Tempio di Clitumno, Rome, after Piranesi
undated
unknown artist Berry Pomeroy Castle, Devon
unknown artist
Berry Pomeroy Castle, Devon
undated
Thomas Rowlandson Mother Bundle in a Rage or Too late for the Stage
Thomas Rowlandson, 1756–1827
Mother Bundle in a Rage or Too late for the Stage
ca. 1809
James Moore Cerne Abbey, Dorset
James Moore, 1762–1799
Cerne Abbey, Dorset
1791
James Moore Cerne Abbey
James Moore, 1762–1799
Cerne Abbey
1791
James Moore Exeter Cathedral, Devon, England
James Moore, 1762–1799
Exeter Cathedral, Devon, England
1791
James Moore Buckfast Abbey, Devon, England
James Moore, 1762–1799
Buckfast Abbey, Devon, England
1791
James Moore Landscape with a Large Tree, Shading a Cottage
James Moore, 1762–1799
Landscape with a Large Tree, Shading a Cottage
ca. 1791
Thomas Girtin Valle Crucis Abbey, Denbighshire
Thomas Girtin, 1775–1802
Valle Crucis Abbey, Denbighshire
ca. 1799
Thomas Girtin Trees in Hyde Park, London
Thomas Girtin, 1775–1802
Trees in Hyde Park, London
ca. 1800
Thomas Girtin Trees and Pond near Bromley, Kent
Thomas Girtin, 1775–1802
Trees and Pond near Bromley, Kent
ca. 1798
Thomas Girtin Chapel Church, Surrey
Thomas Girtin, 1775–1802
Chapel Church, Surrey
ca. 1799
Thomas Girtin Turver's Farm, Wimbish, Essex
Thomas Girtin, 1775–1802
Turver's Farm, Wimbish, Essex
ca. 1799
Bernard Lens III Figures Walking in a Landscape
Bernard Lens III, 1682–1740
Figures Walking in a Landscape
undated
Carlo Labruzzi Ruins at Capua
Carlo Labruzzi, 1748–1817
Ruins at Capua
undated
George Lambert A Village Pond with Farm Buildings
George Lambert, 1700–1765
A Village Pond with Farm Buildings
undated
George Lambert A Woody Landscape
George Lambert, 1700–1765
A Woody Landscape
undated
Thomas Rowlandson A Carrier's Waggon
Thomas Rowlandson, 1756–1827
A Carrier's Waggon
between 1785 and 1790
Thomas Rowlandson A Group of Trees
Thomas Rowlandson, 1756–1827
A Group of Trees
undated
Thomas Rowlandson Hyde Park Corner
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
Thomas Rowlandson Embarkation at Southampton, June 20th 1794 (Version A)
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794 (Version A)
1794
James Moore Ely Cathedral
James Moore, 1762–1799
Ely Cathedral
1790
James Moore Refectory of Walsingham
James Moore, 1762–1799
Refectory of Walsingham
1790
James Moore Abbotsbury Abbey, Dorset, England
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
James Moore Cerne Abbey
James Moore, 1762–1799
Cerne Abbey
1791
James Moore Bindon Abbey, Dorset, England
James Moore, 1762–1799
Bindon Abbey, Dorset, England
1791
James Moore Basingwerk Abbey, Wales
James Moore, 1762–1799
Basingwerk Abbey, Wales
1791
Thomas Girtin A Temple in Harewood Park
Thomas Girtin, 1775–1802
A Temple in Harewood Park
ca. 1798
Thomas Rowlandson An Officer and his Servant
Thomas Rowlandson, 1756–1827
An Officer and his Servant
undated
Thomas Rowlandson Settling a Love Quarrell
Thomas Rowlandson, 1756–1827
Settling a Love Quarrell
undated
Thomas Girtin Lincoln Cathedral
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
Thomas Girtin Romantic Landscape
Thomas Girtin, 1775–1802
Romantic Landscape
ca. 1801
Thomas Girtin The Abbey Mill, Knaresborough
Thomas Girtin, 1775–1802
The Abbey Mill, Knaresborough
1801
Thomas Girtin Ripon Minster, Yorkshire
Thomas Girtin, 1775–1802
Ripon Minster, Yorkshire
1800
Thomas Girtin Kirkstall Abbey, Yorkshire
Thomas Girtin, 1775–1802
Kirkstall Abbey, Yorkshire
ca. 1801
John Malchair Castle on a Distant Hill
pupil of John Malchair, 1730–1812
Castle on a Distant Hill
undated
John Malchair Mountainous Landscape with Castle on Hill
Pupil of John Malchair, 1730–1812
Mountainous Landscape with Castle on Hill
undated
John Malchair Road Between Hills
pupil of John Malchair, 1730–1812
Road Between Hills
undated
James Malton Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
William Marlow Oxcart in the Grotto at Posillipo
William Marlow, 1740–1813
Oxcart in the Grotto at Posillipo
ca. 1770
William Pars A Glade in a Wood
William Pars, 1742–1782
A Glade in a Wood
undated
John Monro Capel Church, Near Dorking, Surrey
John Monro, 1801–1880
Capel Church, Near Dorking, Surrey
undated
Henry Monro High Street at Bushey, Hertfordshire
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
John Monro Farm Building
John Monro, 1801–1880
Farm Building
undated
Dr. Thomas Monro Composition: Hilly Country
Dr. Thomas Monro, 1759–1833
Composition: Hilly Country
undated
Francis Place City of Bath
Francis Place, 1647–1728
City of Bath
1678
unknown artist Design for the Parterre at Hampton Court
unknown artist
Design for the Parterre at Hampton Court
early 18th century
William Marlow Tivoli
William Marlow, 1740–1813
Tivoli
ca. 1768
Francis Place View of Windsor Castle
Francis Place, 1647–1728
View of Windsor Castle
undated
Nicholas Pocock View from Ashton Meadows, Bristol
Nicholas Pocock, 1740–1821
View from Ashton Meadows, Bristol
1791