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Materials & Techniques laid paper

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Creator Gender male

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Creator Vanderbank, John, 1694–1739

Remove constraint Creator: Vanderbank, John, 1694–1739

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John Vanderbank Conversation Piece
John Vanderbank, 1694–1739
Conversation Piece
undated
John Vanderbank Lady and Cockatoo
John Vanderbank, 1694–1739
Lady and Cockatoo
undated
John Vanderbank Two Ladies and A Gentleman
John Vanderbank, 1694–1739
Two Ladies and A Gentleman
1736
Sir James Thornhill Portrait of a Man Wearing a Full-Bottomed Wig
Attributed to Sir James Thornhill, 1675–1734
Portrait of a Man Wearing a Full-Bottomed Wig
undated
Thomas Hudson Two Girls in a Landscape, One Riding a Lamb
Thomas Hudson, 1707–1779
Two Girls in a Landscape, One Riding a Lamb
undated
John Vanderbank Portrait of a Young Lady as a Shepherdress
John Vanderbank, 1694–1739
Portrait of a Young Lady as a Shepherdress
undated
John Vanderbank Preparatory Study for the decoration "Equestrian Portrait of George I"
John Vanderbank, 1694–1739
Preparatory Study for the decoration "Equestrian Portrait of George I"
undated
John Faber the Younger Martin Folkes Esq.
John Faber the Younger, ca. 1695–1756
Martin Folkes Esq
1737
George White Sir Richard Blackmore
George White, ca.1684–1732
Sir Richard Blackmore
undated
William Faithorne the Younger John Smith, Writing Master in London
William Faithorne the Younger, ca. 1669–1703
John Smith, Writing Master in London
undated
John Vanderbank Raphael's Visit to Adam and Eve, from Milton's Paradise
John Vanderbank, 1694–1739
Raphael's Visit to Adam and Eve, from Milton's Paradise
undated
John Vanderbank Seated Male Nude
John Vanderbank, 1694–1739
Seated Male Nude
1738
John Vanderbank Portrait of a Gentleman
John Vanderbank, 1694–1739
Portrait of a Gentleman
1725
John Vanderbank Family Group
John Vanderbank, 1694–1739
Family Group
undated
John Vanderbank Portrait Study of a Divine
John Vanderbank, 1694–1739
Portrait Study of a Divine
1738
John Vanderbank The Scholar Placed in His Seat Without Styrrops
John Vanderbank, 1694–1739
The Scholar Placed in His Seat Without Styrrops
1729
John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
John Vanderbank "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
John Vanderbank "The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
John Vanderbank "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
John Faber the Younger Georgius Lambert
John Faber the Younger, ca. 1695–1756
Georgius Lambert
1727
John Faber the Younger Michael Rysbrack
John Faber the Younger, ca. 1695–1756
Michael Rysbrack
1734
Jacobus Houbraken Charles Lord Talbot, Lord High Chancellor
Print made by Jacobus Houbraken, 1698–1780
Charles Lord Talbot, Lord High Chancellor
1740
Jacobus Houbraken Charles Lord Talbot, Lord High Chancellor
Print made by Jacobus Houbraken, 1698–1780
Charles Lord Talbot, Lord High Chancellor
1740