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Collection
Prints and Drawings
455
Creator
Bruce, James, 1730–1794
262
Borra, Giovanni Battista, 1713–1770
92
Gilpin, William, 1724–1804
21
Taylor, Isaac, 1730–1807
21
Bowles, John, 1701–1779
10
Canot, Pierre Charles, ca. 1710–1777
10
Monamy, Peter, 1681–1749
10
Benoist, Guillaume Philippe, 1725–approximately 1770
6
Highmore, Joseph, 1692–1780
6
Swaine, Francis, 1730–1782
4
Bannerman, Alexander, ca. 1730–1780
3
CALLENDER,, active mid–18th century
3
Gore, Charles, 1729–1807
3
Hogarth, William, 1697–1764
3
Houbraken, Jacobus, 1698–1780
3
Kneller, Godfrey, Sir, 1646–1723
3
Unknown artist
3
Vertue, George, 1684–1756
3
Cozens, Alexander, 1717–1786
2
McArdell, James, ca. 1729–1765
2
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Creator
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Date
1745
[remove]
455
1749
351
1782
239
1767
223
1748
205
1773
199
1775
199
1764
194
1752
191
0
189
1791
186
1790
183
1630
178
1785
174
1772
172
1768
156
1784
140
1738
138
1755
135
1780
124
1758
120
1789
113
1763
112
1771
108
1778
105
1786
103
1765
102
1717
101
1770
95
1776
93
1788
89
1740
88
1777
88
1779
86
1762
83
1674
82
1760
82
1792
82
1783
79
1802
79
1808
73
1795
71
1804
70
1787
68
1667
67
1754
65
1746
64
1750
63
1769
63
1793
62
1705
61
1751
58
1675
56
1700
56
1715
55
1781
55
1889
55
1888
54
1742
50
1807
49
1799
48
1690
47
1753
47
1756
45
1774
45
1800
45
1816
44
1877
44
1739
43
1757
43
1925
41
1680
40
1730
40
1741
40
1806
40
1729
39
1761
39
1747
38
1719
36
1766
36
1563
35
1736
34
1810
34
1819
34
1744
33
1796
33
1737
32
1794
32
1805
32
1818
32
1568
30
1893
30
1699
29
1728
29
1801
29
1859
29
1915
29
1927
29
1803
28
1809
28
On-site Access
Accessible by appointment in the Study Room
455
Image Use
Free to Use
455
Image Available
Available
445
Unavailable
10
Classification
Drawing & Watercolors-Architectural
218
Drawings & Watercolors
200
Prints
37
Creator Gender
male
[remove]
455
unknown
3
Collective Title
Pamela, or Virtue Rewarded
6
Iconographie Anglaise par Reynolds et Autres
3
Poets and Philosophers of England
1
Period
18th century
426
18th century-19th century
24
19th century
5
Materials & Techniques
laid paper
[remove]
455
graphite
379
black ink
222
gray wash
205
brown ink
95
watercolor
66
pen
39
red pencil
38
gouache
31
etching (printing process)
23
brown wash
19
line engraving
13
gray ink
10
stipple engraving
8
yellow wash
8
mezzotint
6
orange wash
4
wove paper
4
Engraving
3
blue wash
3
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
98
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
133
Work Type
drawing
418
watercolor
250
intaglio print
37
frontispiece
6
Genre
architectural subject
230
landscape
75
genre subject
45
figure study
44
animal art
30
botanical subject
26
marine art
18
portrait
17
cityscape
15
literary theme
13
religious and mythological subject
12
historical subject
3
military art
3
sporting art
2
Subject Terms
architectural subject
229
landscape
70
mountains
56
trees
55
hills
38
ruins
35
columns
33
animal art
30
genre subject
23
temple
23
capitals
22
scale (rule)
22
men
21
buildings
20
ships
20
site plan
20
columns (architectural elements)
18
arches
16
friezes
16
marine art
16
more
Subject Terms
»
Associated Places
Asia
56
Turkey
53
Ege kiyilari
42
Izmir Ili
12
Paestum
12
Denizli Ili
11
Israel
11
Italy
9
Marmara
9
Europe
8
Mugla Ili
8
Manisa Ili
7
Sardis
7
Jerusalem
6
Laodicea
6
Yerushalayim, Mehoz
6
Lazio
5
Pamukkale
5
Pergamon
5
Roma
5
more
Associated Places
»
Associated People
Pamela Andrews
6
Mr. B, a Nobleman
4
Mrs. Jervis, the housekeeper
3
Mr. Williams
2
Mrs. Jewkes, a housekeeper
2
Monamy, Peter (bap. 1681, d. 1749), marine painter
1
Walpole, Horatio [Horace], fourth earl of Orford (1717–1797)
1
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
6
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
5
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
4
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
4
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
3
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
3
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
1
Seascapes - Marine Paintings and Watercolors from the U Collection (Yale Center for British Art, 2009-05-28 - 2009-08-23)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
415
Yale Center for British Art, Paul Mellon Fund
28
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association
4
Yale Center for British Art; Yale University Art Gallery Collection
4
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates
2
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
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Materials & Techniques
laid paper
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Creator Gender
male
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Date
1745
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1
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
2
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
3
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
4
James Bruce, 1730–1794
No. 5 interior part of the 2nd temple seen from the North Side
undated
5
James Bruce, 1730–1794
No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east
undated
6
James Bruce, 1730–1794
No. 7 the interior part of the 3rd temple looking from the west front
undated
7
James Bruce, 1730–1794
Paestum: No. 4 View of the Interior part of the 2nd temple from the east front
undated
8
James Bruce, 1730–1794
Elevation of the Front of the 1st temple fronting the sea
undated
9
James Bruce, 1730–1794
No. 9 architecture of the temple of Neptune the King
undated
10
James Bruce, 1730–1794
Plan of the Temple of Ceres Legifera
undated
11
James Bruce, 1730–1794
No. 10 Architecture of the Temple of Minerva Polias and Neptune the King
undated
12
James Bruce, 1730–1794
Plan of temple of Minerva Polias and Neptune the King
undated
13
James Bruce, 1730–1794
Plan of the Temple of Neptune the King
undated
14
James Bruce, 1730–1794
No. 8 Architecture of the Temple of Ceres Legitera
undated
15
James Bruce, 1730–1794
Sketch of Amphitheatre at El Djem showing elevation and section of arches and tiers of seats with descriptive notes
undated
16
James Bruce, 1730–1794
No. 1 Sketch of temple remains at Baalbec or Palmyra
undated
17
James Bruce, 1730–1794
No. 2 sketch of plan of temple of Baalbec or Palmyra
undated
18
James Bruce, 1730–1794
No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra
undated
19
James Bruce, 1730–1794
No. 4 sketch of temple remains at Baalbec or Palmyra
undated
20
James Bruce, 1730–1794
No. 7 sketch of temple remains at Baalbec or Palmyra
undated
21
James Bruce, 1730–1794
No. 5 sketch of Temple remains at Baalbec or Palmyra
undated
22
James Bruce, 1730–1794
No. 8 Sketch of Temple remains at Baalbec or Palmyra
undated
23
James Bruce, 1730–1794
No. 18 drawings of ornamental detail of friezes and verso: the entablature and plan of a temple at Baalbec or Palmyra
undated
24
James Bruce, 1730–1794
No. 22 sketch of temple at Baalbec and Palmyra
undated
25
James Bruce, 1730–1794
No. 10 sketch of temple remains at Baalbec or Palmyra
undated
26
James Bruce, 1730–1794
No. 21 view from the North Angle of the peristyle of the temple
undated
27
James Bruce, 1730–1794
No. 15 drawing of ornamental details of friezes of temple remains at Baalbec or Palmyra
undated
28
James Bruce, 1730–1794
No. 26 drawings of temple remains at Baalbec or Palmyra
undated
29
James Bruce, 1730–1794
No. 23 drawings of ornamental detail of capitals
undated
30
James Bruce, 1730–1794
No. 29 sketch of temple remains at Baalbec or Palmyra
undated
31
James Bruce, 1730–1794
No. 25 drawing of temple remains at Baalbec or Palmyra
undated
32
James Bruce, 1730–1794
No. 28 drawings of ornamental details of columns arches etc
undated
33
James Bruce, 1730–1794
View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals
undated
34
James Bruce, 1730–1794
Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec
undated
35
James Bruce, 1730–1794
Temple at Thignica Modern, Ain Tunga now totally Destroyed
undated
36
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
37
James Bruce, 1730–1794
Right Corinthian Temple at Suttetula Modern Sheitla
undated
38
James Bruce, 1730–1794
Centre Composite Temple Suttetula Modern Sheitla
undated
39
James Bruce, 1730–1794
Triumphal Arch of Hieron of Temples Sheitla
undated
40
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
41
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
42
James Bruce, 1730–1794
Left Corinthian Temple at Suttetula Modern Sheitla
undated
43
James Bruce, 1730–1794
The Medrassen [sic] Pl. V
undated
44
James Bruce, 1730–1794
Architectural Details of Arch at Makther
undated
45
James Bruce, 1730–1794
Lower Arch at Makther on Back
undated
46
James Bruce, 1730–1794
Trajans Arch, Makter
undated
47
James Bruce, 1730–1794
Details of Lower Arch Mactar, Modern Makther
undated
48
James Bruce, 1730–1794
Details of Plinth and Entablature of Lower Arch at Mactar, Modern Makther
undated
49
James Bruce, 1730–1794
XVLL Arch at Makther
undated
50
James Bruce, 1730–1794
Elevation of Pedestal Entablature and Pediment of Triumphal Arch at Makther
undated
51
James Bruce, 1730–1794
Plate II Tombe de la Chretienne
undated
52
James Bruce, 1730–1794
Unidentified Fish
undated
53
James Bruce, 1730–1794
Unidentified Ungulate
undated
54
James Bruce, 1730–1794
Capitol Thamugas
undated
55
James Bruce, 1730–1794
Unidentified Madoqua (Dik-dik): study of head and skull
undated
56
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
57
James Bruce, 1730–1794
Man Playing a Harp
undated
58
James Bruce, 1730–1794
St. Agnes (after Domenichino)
undated
59
James Bruce, 1730–1794
Study for Man Playing a Harp
undated
60
James Bruce, 1730–1794
Two Men Sitting on Cushions
undated
61
James Bruce, 1730–1794
A Vase
undated
62
James Bruce, 1730–1794
Elevation of Ruined Temple
undated
63
James Bruce, 1730–1794
St. Michael Geesh
undated
64
James Bruce, 1730–1794
Pl. IX Arch of Caracalla at Tebessa
undated
65
James Bruce, 1730–1794
Plan of temple at Baalbec
undated
66
James Bruce, 1730–1794
Pl. VIII Temple of Jupiter at Tebessa
undated
67
James Bruce, 1730–1794
Sketches of architectural detail of temple at Baalbec
undated
68
James Bruce, 1730–1794
Plan of upright of the Tabernacle above the Niche of Temple at Baalbec
undated
69
James Bruce, 1730–1794
Entrance to Hieron of Temple of Shietla
undated
70
James Bruce, 1730–1794
Section of arches and stairs of the temple at Baalbec
undated
71
James Bruce, 1730–1794
Upright of the Niche at the Temple at Baalbec
undated
72
James Bruce, 1730–1794
Slight graphite sketch of ruins of Hieron of Temples at Shietla
undated
73
James Bruce, 1730–1794
Plan of part of the temple at Baalbec
undated
74
James Bruce, 1730–1794
Plan of upright of the semi circular Exedra of Temple at Baalbec
undated
75
James Bruce, 1730–1794
Order of the two courts of the Temple at Baalbec
undated
76
James Bruce, 1730–1794
Elevation and plan of part of Temples at Baalbec
undated
77
James Bruce, 1730–1794
Measured drawing of section of pediments of temple Baalbec
undated
78
James Bruce, 1730–1794
Plan of Temple at Baalbec
undated
79
James Bruce, 1730–1794
Plan of the great temple of Baalbec and of Portico and Courts leading to it
undated
80
James Bruce, 1730–1794
No. 2 Elevation of the Front of the first temple fronting the sea
undated
81
James Bruce, 1730–1794
Plan of the Amphitheatre at El Djem with description
undated
82
James Bruce, 1730–1794
Elevation of Amphitheatre of El Djem entitled "Isrus"
undated
83
James Bruce, 1730–1794
Section of Amphitheatre at El Djem showing arches, stairs and tiers of seats
undated
84
James Bruce, 1730–1794
Plan of one quarter of the amphitheatre at El Djem showing seating tiers
undated
85
James Bruce, 1730–1794
Section of Amphitheatre at El Djem showing arches stairs and tiers of seats
undated
86
James Bruce, 1730–1794
Plan of three quarters of the amphitheatre at El Djem with descriptive notes
undated
87
James Bruce, 1730–1794
Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
undated
88
James Bruce, 1730–1794
Sketch of Elevation of Amphitheatre at El Djem showing archways
undated
89
James Bruce, 1730–1794
No. 3 sketch of temple remains at Baalbec
undated
90
James Bruce, 1730–1794
2 drawings on 1 sheet of interior of amphitheatre at El Djem showing arches, stairs and tiers of seats
undated
91
James Bruce, 1730–1794
No. 14 sketch of temple remains at Palmyra or Baalbec
undated
92
James Bruce, 1730–1794
Temple at Baalbec: Architectural Detail of Entablature of Amphitheatre of Vespesian
undated
93
James Bruce, 1730–1794
Elevation of Front of most entire Temple at Baalbec
undated
94
James Bruce, 1730–1794
Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)
undated
95
James Bruce, 1730–1794
Plan of the Temple at Baalbec
undated
96
James Bruce, 1730–1794
Internal Order of the Cell of the most entire Temple at Baalbec
undated
97
James Bruce, 1730–1794
Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
undated
98
James Bruce, 1730–1794
Temple at Baalbec: Double Page from Sketchbook with Drawings of Temples
undated
99
James Bruce, 1730–1794
Temple at Baalbec: Detailed drawing of a Doorway
undated
100
James Bruce, 1730–1794
Temple at Baalbec: Three Temples amongst other Ruins
undated
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