Two Boats with Crews, Study for The Royal William at Sea
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5
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
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6
James Seymour, 1702–1752
A Hare Running, with Ears Laid Back
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7
James Seymour, 1702–1752
Sketches of a Gelding
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8
James Seymour, 1702–1752
"Panton's Doctor": With Jockey Up, Walking to Left
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9
James Seymour, 1702–1752
Sketches of a Hare, Horse, Stag, Man and Woman
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10
James Seymour, 1702–1752
Rider With a Draw-Rein, Walking to Left
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11
James Seymour, 1702–1752
Saddled Horse, with a Crest Branded on His Flank, Walking to Right
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12
James Seymour, 1702–1752
Schooling Horses: Three Studies on a Page
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13
James Seymour, 1702–1752
Sloven, with Jockey Up, Galloping to Right
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14
James Seymour, 1702–1752
Woman Wearing a Tricorne Hat, Riding to Right
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15
James Seymour, 1702–1752
Victorious, with Jockey Up
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16
James Seymour, 1702–1752
Conqueror Going to Start
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17
James Seymour, 1702–1752
A Hound Tethered to a Tree Stump
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18
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
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19
James Seymour, 1702–1752
Rider in Armour
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20
James Seymour, 1702–1752
Flying Childers Galloping to Left: Bridled but not Saddled
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21
James Seymour, 1702–1752
Six Studies of Horses and Riders
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22
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
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23
James Seymour, 1702–1752
Saddled Horse, Walking to Left
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24
Print made by Johann Lorenz Haid, 1702–1750
Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis
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25
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Woman
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26
Print made by Johann Lorenz Haid, 1702–1750
Le jeune devot
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27
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Boy with a Basket
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28
Print made by Johann Lorenz Haid, 1702–1750
L'Enseigne mor
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29
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Woman Holding Fruit
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30
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Boy with a Basket
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31
Print made by Johann Lorenz Haid, 1702–1750
S. Matthias
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32
Print made by Johann Lorenz Haid, 1702–1750
Portrait of Two Men, One Playing Recorder
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33
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Woman Wearing a Feather
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34
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Man and Woman
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35
Print made by Johann Lorenz Haid, 1702–1750
Portrait of Boy and Dog
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36
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Man with a Sword
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37
John Smith, the mezzotinter, 1652–1743
Reverend Edward Fowler, Lord Bishop of Gloucester
1717
38
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
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39
James Seymour, 1702–1752
A Chestnut Horse at Exercise
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40
James Seymour, 1702–1752
Mr. Woodward, Mounted
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41
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
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42
James Seymour, 1702–1752
The Famous Childers
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43
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
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44
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
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45
James Seymour, 1702–1752
Foxhunter, with Jockey Up
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46
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
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47
James Seymour, 1702–1752
"Fearnought Going to Run Against The D: of Devon: Smart"
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48
James Seymour, 1702–1752
Two Saddled Horses in Stalls in a Stable
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49
James Seymour, 1702–1752
Two Horses Racing, Jockeys Up: Railings in the Background
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50
James Seymour, 1702–1752
Le Piaffe (I): Training at the Pillar, Horse Wearing Bridle and Surcingle..
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51
James Seymour, 1702–1752
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
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52
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
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53
James Seymour, 1702–1752
A Hare Running, with Ears Pricked
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54
James Seymour, 1702–1752
A Greyhound, Facing Left
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55
James Seymour, 1702–1752
Man Leading a Trotting Stallion to Right
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56
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
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57
James Seymour, 1702–1752
Sir Sidney Meadows Schooling a Horse
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58
James Seymour, 1702–1752
Two Horses Trotting in Harness
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59
James Seymour, 1702–1752
A Boar Hunt
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60
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
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61
James Seymour, 1702–1752
Smiling Tom, Saddled and Bridled: Standing, Facing Left
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62
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
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63
James Seymour, 1702–1752
Kindly, with Jockey Up
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64
James Seymour, 1702–1752
Flying Childers and Grooms
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65
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
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66
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
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67
James Seymour, 1702–1752
Coursing - After the Kill
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68
James Seymour, 1702–1752
Hind Legs and Tail of a Horse
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69
James Seymour, 1702–1752
Head of a Horse, Facing Left
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70
Samuel Scott, 1701/2–1772
Men Loading a Boat with Barrels
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71
James Seymour, 1702–1752
Foxhunting
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72
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
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73
James Seymour, 1702–1752
Victorious
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74
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
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75
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
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76
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
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77
James Seymour, 1702–1752
Two Studies of Tumbler, a Dog
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78
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat, Walking to Right
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79
James Seymour, 1702–1752
Horse and Rider Walking to Right
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80
James Seymour, 1702–1752
A Hound Facing Left
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81
James Seymour, 1702–1752
Saddled Horse Facing Left
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82
James Seymour, 1702–1752
Horse Walking to Left
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83
James Seymour, 1702–1752
A Rider in Armor, and Two Horses Lying Down
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84
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat
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85
James Seymour, 1702–1752
A Horse Lying Down
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86
James Seymour, 1702–1752
Profile of a Horse Facing Left
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87
James Seymour, 1702–1752
King Charles I of England, Mounted
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88
James Seymour, 1702–1752
Studies of Stags' Heads
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89
James Seymour, 1702–1752
Thirteen Drawings of Horses, Horsemen, Hounds, etc
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90
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
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91
Samuel Scott, 1701/2–1772
A Town House on the Thames
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92
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
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93
Samuel Scott, 1701/2–1772
A Thames Wharf with Westminster Bridge in the Distance
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94
Samuel Scott, 1701/2–1772
Figures and Boats on the Thames
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95
Samuel Scott, 1701/2–1772
A Wood Yard on the Thames at Nine Elms
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96
Samuel Scott, 1701/2–1772
Thames Side Buildings
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97
Samuel Scott, 1701/2–1772
A View of Edinburgh from the South Looking towards Dalkeith
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98
Samuel Scott, 1701/2–1772
A View of the Estate at Esholt Hall, Yorkshire
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99
Samuel Scott, 1701/2–1772
A View of Bristol with Ratcilffe Church and Lime Kiln Dock