Materials & Techniques: hand coloring / Period: 19th century - YCBA Collections Search Search Results

Print made by Robert Kearsley Dawson, 1798–1861

Map of Worcestershire Showing Western and Eastern Divisions

undated

Print made by Remi Parr, 1743–after 1750

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

undated

Print made by Day & Co., 1824–1913

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

1839

Print made by Day & Co., 1824–1913

New Steine and Rock Gardens

1839

Print formerly attributed to Thomas Girtin, 1775–1802

Cottage and Two Cows Being Milked

1805

Print made by William Henry Simmons, 1811–1882

The Return (First Class)

1857

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated

James Gillray, 1756–1815

INTEGRITY retiring from Office

1801

James Gillray, 1756–1815

Charming-well again

1804

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

James Basire II Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

unknown artist

Returning from a Review...Paris

1802

Print made by Robert Havell, 1769–1832

Seran Raja's Palace

1820

Attributed to John Hassell, 1767–1825

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Print made by Joseph Josiah Dodd, 1809–1894

View of Tonbridge During the Late Election, December 18, 1832

after 1832

Charles Turner, 1774–1857

James Gillray

1819

Print made by Frederick Rosenberg, active 1816–1832

The Mail Coach in a Flood

1827

Print made by M. H. Long, active mid-19th century

A Village Fair

1884

Print made by M. H. Long, active mid-19th century

St. Herbert's Chapel

1884

Print made by M. H. Long, active mid-19th century

Rome, Castle of St. Angelo

1884

Print made by M. H. Long, active mid-19th century

Loch Lommond

1884

Print made by M. H. Long, active mid-19th century

Evening (Datur Hora Quieti)

1884

Print made by M. H. Long, active mid-19th century

Paestum

1884

Print made by M. H. Long, active mid-19th century

Galileo's Villa

1884

Print made by John Porter, active 1838

The Chillington Oxen

1838

Print made by unknown artist

This Celebrated Ewe was Bred and Fed, by Mr. Wilcox

undated

Print made by A. M. Gauci, fl.1848–1869

Lady Fragrant, at 7 Years Old

1870

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, 1743–after 1750

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated

Print made by Day & Co., 1824–1913

The High Street, Southampton

1828

John Hill, 1770–1850

Pass-Room Bridewell

1808

John Hill, 1770–1850

Dining Hall, Asylum

1808

Frederick Christian Lewis the Elder, 1779–1856

Tivoli

1800

Print made by Henry Walter, 1786–1849

Londres. Vue Prise de la Tour de l'Eglise de St. Paul

1860

unknown artist

Marlow, Bucks

1805

Print made by William Daniell, 1769–1837

A View of the East India Docks

1808

Print made by Rowney & Forster, active 1820–1822

May Day

after 1821

Print made by Rowney & Forster, active 1820–1822

The Show

after 1821

Print made by Rowney & Forster, active 1820–1822

Guy Fawkes

after 1821

Print made by Matthew Dubourg, active 1786–1838

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

1822

Print made by John West Giles, active 1827–1865

Mr. Jonas Webb, of Babraham, and his Three Rams

1842

Print made by John West Giles, active 1827–1865

Four Prize Wethers

1837

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Snipe Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

Print made by Paul Fourdrinier, 1698–1758

Sweet William's Farewell to Black Eyed Susan

undated

Print made by G. E. Madeley, active 1840–1859

The Connoisseur

1830

Joseph Josiah Dodd, 1809–1894

View of Tonbridge During the Late Election

after 1832

Print made by Sir Charles D'Oyly, 1781–1845

Ordbhawn or Hindoo Fakeer

ca. 1830

Print made by Robert Kearsley Dawson, 1798–1861

Map of Bewdley from the Ordnance Survey

undated

Print made by unknown artist

The Famous Lincolnshire Ox

1823

Print made by Charles Turner, 1774–1857

West Highland Heifer Kyloe

1823

Print made by Francis Jukes, 1747–1812

Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind

1802

Print made by J. Blore

Window in St. Dunstan's in the West, London

1834

Print made by Samuel Halle, 1824–1889

Carl August Struensee von Carlsbach

undated

Print made by William Heath, 1795–1840

Who'll Have a Crown - Now's Your Time

1830

Print made by Felix Rosenstiel, active from 1880–died 1895

Ruth and Naomi

between 1880 and 1895

Print made by William Ward, 1766–1826

The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812

December 1, 1801

Print made by Michael Hanhart, active 1841–1852

L'Adieu

ca. 1858

Print made by Robert Havell, 1769–1832

Cassiobury, Herfordshire, The Seat of the Earl of Essex

1816

Print made by John Hill, 1770–1850

North-West Front, Cassiobury

1816

Print made by John Hill, 1770–1850

The Great Cloister, Cassiobury

1816

Print made by John Hill, 1770–1850

North-West Front, Cassiobury

1816

Print made by unknown artist

The Three Swords

1821

Print made by unknown artist

Teignmouth

1836

unknown artist

Messrs. Morgan & Sanders, Catherine St. Strand

1809

Print made by Richard Gilson Reeve, 1803–1889

Christ Church Cathedral, Oxford

1807

Print made by Richard Gilson Reeve, 1803–1889

Peterborough Cathedral

1809

Print made by Richard Gilson Reeve, 1803–1889

Clare Hall, Cambridge

1807

Print made by Richard Gilson Reeve, 1803–1889

Malmsbury Abbey

1809

Print made by Robert Havell, 1769–1832

Cassiobury, Hertfordshire, The Seat of the Earl of Essex

1816

Print made by Robert Havell, 1769–1832

Cassiobury, Hertfordshire, The Seat of the Earl of Essex

1816

unknown artist

White Hart, Bishopsgate Street

1800

after Thomas Rowlandson, 1756–1827

Billingsgate Market

1808

William Daniell, 1769–1837

A View of the East India Docks

1808

Print made by Charles Turner, 1774–1857

Two Durham Oxen

1828

Print made by William Ward, 1766–1826

The Newbus Ox

1812

Print made by John Augustus Atkinson, 1775–1831

Fools; or Jesters

1813

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

Print made by John Augustus Atkinson, 1775–1831

Costume of the Reign of King Henry III, 1250

1814

Print made by William Day, 1764–1807

The High Street, Southampton

1828

Print made by Joseph Samuel Alpenny, 1787–1858

Two Travellers Watering Three Horses

undated

Print made by William Henry Simmons, 1811–1882

The Departure (Second Class)

1857

Print made by William Ward, 1766–1826

Portrait of the Short Horned Bull Patriot

1810

Print made by unknown artist

Messrs. Morgan & Sanders, Catherine St., Strand

1809

Print made by Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton

1803

Print made by Alfred W. Cooper, active 1850–1901

A Fishing Village (tail piece)

undated

Print made by Rowney & Forster, active 1820–1822

Punch

after 1821

Print made by Charles Rosenberg, active 1828–1848

The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

1837

Print made by Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

unknown artist

Buckingham Stairs Water Gate

1816

John Bluck, active 1791–1831

Ackerman's Library for Works of Art

1813

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Materials & Techniques hand coloring

Period 19th century

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Period 19th century

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