Materials & Techniques: hand coloring / Credit Line: Yale Center for British Art, Paul Mellon Collection

1. The Complaint, and the Consolation; or, Night Thoughts

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Bound volume of engravings
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

Creator:: Print made by J. Carwitham, active 1720–1740
Date:: 1778
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Return (First Class)

Creator:: Print made by William Henry Simmons, 1811–1882
Date:: 1857
Materials & Techniques:: Hand-colored etching, stipple engraving, and line engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 × 29 3/8 inches (54.3 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Shakespeare Sacrificed; or, The Offering to Avarice

Creator:: Print made by James Gillray, 1756–1815
Date:: 1789
Materials & Techniques:: Etching with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 10 9/16 × 8 5/8 inches (26.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Map of Bewdley from the Ordnance Survey

Creator:: Print made by Robert Kearsley Dawson, 1798–1861
Date:: undated
Materials & Techniques:: Etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 9/16 × 8 7/16 inches (34.4 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Map of Worcestershire Showing Western and Eastern Divisions

Creator:: Print made by Robert Kearsley Dawson, 1798–1861
Date:: undated
Materials & Techniques:: Etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 13/16 x 12 5/8 inches (35.1 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

Creator:: Print made by James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 x 15 3/4 inches (22.9 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. New Inn

Creator:: Samuel Ireland, 1744–1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. James Gillray

Creator:: Charles Turner, 1774–1857
Date:: 1819
Materials & Techniques:: Hand colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 23 9/16 × 17 1/2 inches (59.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Barnard's Inn

Creator:: Samuel Ireland, 1744–1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 6 1/2 inches (12.1 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Leather Fullers Hall

Creator:: Samuel Ireland, 1744–1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 3/8 inches (13.3 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Clement's Inn

Creator:: Samuel Ireland, 1744–1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Temple Church

Creator:: Samuel Ireland, 1744–1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 6 5/8 inches (13.3 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Furnival's Inn

Creator:: Samuel Ireland, 1744–1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 3/8 inches (12.7 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Lincoln's Inn Hall and Chapel

Creator:: Samuel Ireland, 1744–1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Garden Front of Furnival's Inn

Creator:: Samuel Ireland, 1744–1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 5/8 inches (12.7 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Rolls Chapel

Creator:: Samuel Ireland, 1744–1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 1/4 inches (12.7 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Westminster Hall

Creator:: Samuel Ireland, 1744–1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 6 3/8 inches (12.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Lincoln's Inn Gate

Creator:: Samuel Ireland, 1744–1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Snipe Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/16 x 20 13/16 inches (38.3 x 52.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Cottage and Two Cows Being Milked

Creator:: Print formerly attributed to Thomas Girtin, 1775–1802
Date:: 1805
Materials & Techniques:: Soft-ground etching with hand coloring on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/4 × 9 13/16 inches (15.8 × 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The High Street, Southampton

Creator:: Print made by Day & Co., 1824–1913
Date:: 1828
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint, hand-colored with watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 × 21 1/2 inches (23 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. A Young Lady Encouraging the Low Comedian

Creator:: Print made by William Ward, 1766–1826
Date:: 1787
Materials & Techniques:: Mezzotint with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 11/16 × 18 1/8 inches (60.2 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Messrs. Morgan & Sanders, Catherine St. Strand

Creator:: unknown artist
Date:: 1809
Materials & Techniques:: Hand colored engraving on smooth, medium, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/4 inches (14 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. View of the Bank of England

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Hand colored engraving on slightly textured, medium, grey wove paper
Dimensions:: Sheet: 11 7/8 × 15 5/8 inches (30.2 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. A View of the Bank of England

Creator:: Daniel Havell, 1785–1826
Date:: 1816
Materials & Techniques:: Hand-colored aquatint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 15 9/16 × 20 1/16 inches (39.5 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Bank

Creator:: Print made by Thomas Malton the Younger, 1748–1804
Date:: 1781
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 17 7/16 × 22 15/16 inches (44.3 × 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. North Front of the Bank

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 16 1/16 × 12 1/16 inches (40.8 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Interior View of the Bank

Creator:: unknown artist
Date:: 1811
Materials & Techniques:: Hand colored etching on smooth, medium, cream wove paper
Dimensions:: Sheet: 8 15/16 × 5 1/2 inches (22.7 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Hall and Stair Case, British Museum

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 5/8 × 10 inches (32.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Bank of England and Royal Exchange, Cornhill

Creator:: Print made by Henry Wallis, 1805–1890
Date:: 1840
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 7 5/8 × 15 1/8 inches (19.4 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Internal View of the Four per cent Reduced Annuity Office, at the Bank of England

Creator:: Thomas Malton, 1726–1801
Date:: 1790
Materials & Techniques:: Hand colored aquatint on slightly textured, moderately thick, gray wove paper
Dimensions:: Sheet: 15 × 19 13/16 inches (38.1 × 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Bank of England in ye Poultry

Creator:: unknown artist
Date:: 1724
Materials & Techniques:: Hand colored engraving on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 6 9/16 × 9 9/16 inches (16.7 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. South Front of the Bank

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Hand colored aquatint on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 1/8 × 15 1/16 inches (30.8 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Bank of England Royal Exchange

Creator:: James H. Kernot, 1802–1858
Date:: 1800
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 14 5/8 × 18 15/16 inches (37.1 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Breakfast at Breteuil

Creator:: unknown artist
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 26 3/8 inches (48.9 × 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Returning from a Review...Paris

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Changing Horses Near Clermont

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 7/8 × 26 7/8 inches (47.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843

Creator:: Print made by Thomas Goldsworth Dutton, 1819/20–1891
Date:: 1843
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream card
Dimensions:: Sheet: 15 1/16 x 17 11/16 inches (38.2 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Christ Church Cathedral, Oxford

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1807
Materials & Techniques:: Aquatint, handcolored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Clare Hall, Cambridge

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1807
Materials & Techniques:: Hand colored, aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, hand colooring, later state, 1837 edition
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Cassiobury, Herfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. North-West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Three Swords

Creator:: Print made by unknown artist
Date:: 1821
Materials & Techniques:: Watercolor, (As issued (colored by hand)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Great Cloister, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Teignmouth

Creator:: Print made by unknown artist
Date:: 1836
Materials & Techniques:: Aquatint, Late state, colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. A View of the Bridge at Walton-on-Thames in Surrey

Creator:: Charles Grignion, 1717–1810
Date:: 1752
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Gadshill

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1796
Materials & Techniques:: Color printed mezzotint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/16 x 12 3/16 inches (41.5 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Billingsgate Market

Creator:: after Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 1/8 inches (23.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Greenland Fishery

Creator:: Print made by John Boydell, 1720–1804
Date:: 1754
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Evening

Creator:: Print made by John Boydell, 1720–1804
Date:: 1755
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Chain Pier at Brighton

Creator:: Print made by John Bruce, fl. 1826
Date:: ca. 1830
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A Modern Spread Eagle

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1782
Materials & Techniques:: Etching with hand coloring on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 6 3/4 inches (26.3 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. New Weir on the Wye

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Etching and line engraving, with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 3/4 inches (13.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Peterborough Cathedral

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1809
Materials & Techniques:: Aquatint, handcolored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Malmsbury Abbey

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1809
Materials & Techniques:: Aquatint, hand colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, 1st published state, printed in color, finished by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. North-West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Hand colored, aquatint, First published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A View from Richmond Hill Up the River

Creator:: Charles Grignion, 1717–1810
Date:: 1794
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Honourable East India Company's Iron Pilot Brig Guide, and the Iron Barque John Laird

Creator:: Print made by George Hawkins, 1819–1852
Date:: ca. 1843
Materials & Techniques:: Lithograph with hand coloring in watercolor
Dimensions:: Sheet: 9 1/4 x 14 3/4in. (23.5 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The South Entrance of Duke's Place

Creator:: John Thomas Smith, 1766–1833
Date:: 1814
Materials & Techniques:: Hand colored etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 13 1/4 × 11 inches (33.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Buckingham Stairs Water Gate

Creator:: unknown artist
Date:: 1816
Materials & Techniques:: Hand colored aquatint on smooth, medium, beige wove paper
Dimensions:: Sheet: 5 3/16 × 7 1/4 inches (13.2 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Ackerman's Library for Works of Art

Creator:: John Bluck, active 1791–1831
Date:: 1813
Materials & Techniques:: Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 9 5/8 × 11 5/8 inches (24.4 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Principal Front of the Bank of England

Creator:: Thomas Malton, 1726–1801
Date:: 1790
Materials & Techniques:: Hand colored etching on slightly textured, medium, gray wove paper
Dimensions:: Sheet: 15 1/4 × 20 9/16 inches (38.7 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Bank

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Hand colored engraving on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Battersea, Chelsea and London from Mr. Rucker's Villa

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1795
Materials & Techniques:: Hand colored aquatint on smooth, medium, cream wove paper
Dimensions:: Sheet: 13 9/16 × 20 1/8 inches (34.4 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The North View of Battersea

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 1/4 × 12 5/8 inches (21 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Southampton or Bloomsbury Square

Creator:: Sutton Nicholls, active 1725
Date:: 1754
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 16 × 21 3/8 inches (40.6 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. White Hart, Bishopsgate Street

Creator:: unknown artist
Date:: 1800
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 9 1/2 × 7 5/8 inches (24.1 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A Sea Engagement between the English and Algerines

Creator:: Print made by Paul Fourdrinier, 1698–1758
Date:: ca. 1743
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 inches (31 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Free Natives of Dominica

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1780
Materials & Techniques:: Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/8 × 8 1/4 inches (30.2 × 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A Negroes Dance in the Island of Dominica

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 1/8 x 15 3/4 inches (33.4 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The West India Flower Girl

Creator:: Print made by Louis Charles Ruotte, 1754–ca. 1806
Date:: undated
Materials & Techniques:: Stipple engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/4 × 9 7/16 inches (31.1 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. A Cudgelling Match between English and French Negroes in the Island of Dominica

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 13 7/8 inches (29.5 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. West Highland Heifer Kyloe

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 x 22 5/8 inches (48.6 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Famous Lincolnshire Ox

Creator:: Print made by unknown artist
Date:: 1823
Materials & Techniques:: Etching and aquatint with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 20 1/2 inches (43.2 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Chillington Oxen

Creator:: Print made by John Porter, active 1838
Date:: 1838
Materials & Techniques:: Line engraving and mezzotint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 21 1/2 inches (46.4 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind

Creator:: Print made by Francis Jukes, 1747–1812
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 x 23 3/8 inches (48.3 x 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Lady Fragrant, at 7 Years Old

Creator:: Print made by A. M. Gauci, fl.1848–1869
Date:: 1870
Materials & Techniques:: Lithograph with hand coloring on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 22 1/2 inches (45.1 x 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Show

Creator:: Print made by Rowney & Forster, active 1820–1822
Date:: after 1821
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 1/4 inches (22.3 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Farmer's Boy

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 7 1/16 inches (21.8 x 18 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. View of Palace Yard on the day of the Coronation of His Majesty George IV

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: 1821
Materials & Techniques:: Hand colored lithograph on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 17 1/2 inches (22.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. New Mackrel, New Mackrel

Creator:: Print made by Niccoló Schiavonetti, 1771–1813
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Old Chairs to Mend

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textures, cream wove paper
Dimensions:: Sheet: 16 7/8 × 13 3/8 inches (42.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Vol. 6, Plate XXXII: The Story of Hezekiah.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.

Creator:: Print made by James Basire II, 1769–1822
Date:: after 1819
Materials & Techniques:: Hand colored engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 22 7/8 x 15 1/8 inches (58.1 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:: Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Grouse Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 5/8 x 20 7/8 inches (37.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Pheasant Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/16 x 20 13/16 inches (38.5 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Partridge Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 x 20 7/8 inches (37.4 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques hand coloring

Credit Line Yale Center for British Art, Paul Mellon Collection

Search Results

1. The Complaint, and the Consolation; or, Night Thoughts

2. An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

3. The Return (First Class)

4. Shakespeare Sacrificed; or, The Offering to Avarice

5. The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)

6. Map of Bewdley from the Ordnance Survey

7. Map of Worcestershire Showing Western and Eastern Divisions

8. Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

9. New Inn

10. James Gillray

11. Barnard's Inn

12. Leather Fullers Hall

13. Clement's Inn

14. Temple Church

15. Furnival's Inn

16. Lincoln's Inn Hall and Chapel

17. Garden Front of Furnival's Inn

18. Rolls Chapel

19. Westminster Hall

20. Lincoln's Inn Gate

21. Snipe Shooting

22. Cottage and Two Cows Being Milked

23. The High Street, Southampton

24. View of the Pantheon taken from the Arsenal

25. A Young Lady Encouraging the Low Comedian

26. Messrs. Morgan & Sanders, Catherine St. Strand

27. View of the Bank of England

28. A View of the Bank of England

29. The Bank

30. North Front of the Bank

31. Interior View of the Bank

32. The Hall and Stair Case, British Museum

33. The Bank of England and Royal Exchange, Cornhill

34. Internal View of the Four per cent Reduced Annuity Office, at the Bank of England

35. The Bank of England in ye Poultry

36. South Front of the Bank

37. Bank of England Royal Exchange

38. Breakfast at Breteuil

39. Returning from a Review...Paris

40. Changing Horses Near Clermont

41. The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843

42. Christ Church Cathedral, Oxford

43. Clare Hall, Cambridge

44. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

45. Cassiobury, Herfordshire, The Seat of the Earl of Essex

46. North-West Front, Cassiobury

47. The Three Swords

48. The Great Cloister, Cassiobury

49. Teignmouth

50. A View of the Bridge at Walton-on-Thames in Surrey

51. Gadshill

52. Billingsgate Market

53. Greenland Fishery

54. Evening

55. Chain Pier at Brighton

56. A Modern Spread Eagle

57. New Weir on the Wye

58. Peterborough Cathedral

59. Malmsbury Abbey

60. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

61. North-West Front, Cassiobury

62. A View from Richmond Hill Up the River

63. The Honourable East India Company's Iron Pilot Brig Guide, and the Iron Barque John Laird

64. The South Entrance of Duke's Place

65. Buckingham Stairs Water Gate

66. Ackerman's Library for Works of Art

67. Principal Front of the Bank of England

68. The Bank

69. Battersea, Chelsea and London from Mr. Rucker's Villa

70. The North View of Battersea

71. Southampton or Bloomsbury Square

72. White Hart, Bishopsgate Street

73. A Sea Engagement between the English and Algerines

74. Free Natives of Dominica