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Materials & Techniques gray wash
Remove constraint Materials & Techniques: gray washPeriod 19th century
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201
- Palmangan
- undated
202
- The Farm
- undated
203
- Bombie Mill, Bombie, Tongue of Bombie
- undated
204
- Whinny Liggate; Balgredan
- undated
205
- Moonlit Landscape with a Ruined Castle
- between 1820 and 1830
206
- Little Kirkland
- undated
207
- Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
- 1802
208
- Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
- 1802
209
- A Wooded Track
- 1813
210
- Landscape with Waterfall
- undated
211
- Study for The Woodman's Daughter
- 1849
212
- Sarcophagus in a Church
- May 10, 1806
213
- Street Scene
- undated
214
- Beauvais
- ca. 1831
215
- Wayfarers
- undated
216
- Machinery for the Manufacture of Paper
- ca. 1810
217
- The Lady at the Dressing Table
- ca. 1897
218
- Cart Bearing a Large Tree Trunk
- undated
219
- Queen Anne's Court, Cheyne Walk, Chelsea
- 1874
220
- Pale Melancholy
- ca. 1804
221
- The Ruins of the College of Lincluden, near Dumfries
- ca. 1806
222
- Landscape with a Ruined Tower
- 1811
223
- Humorous Family Scene
- undated
224
- Edinburgh Castle and Horse Fair
- ca. 1828
225
- Two Little Girls
- ca. 1810
226
- Cheyne Walk, Old Chelsea
- 1861
227
- Avenue and Entrance to St. James Barracks
- 1857
228
- The Road to the Pitch Lake
- 1857
229
- Los Gallos, Icacos Bay
- 1857
230
- Corbeaux Town, Port of Spain
- 1857
231
- Residence at Orange Grove Estate, Tacarigua
- 1857
232
- Bridge over Stream, North Wales
- 1800
233
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
234
- Hogarth Declaring His Love to Miss Thornhill
- 1817
235
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
236
- Hogarth Sitting to Roubiliac for His Bust
- 1817
237
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
238
- Interior of a Coppersmith's, Shoe Lane
- undated
239
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
240
- The Eleventh Hour
- 1817
241
- Pale Melancholy
- ca. 1804
242
- The Bocas from the Old Fort, Macqueripe
- 1857
243
- View from Laventille Hill
- 1857
244
- Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
- ca. 1831
245
- Scarborough
- undated
246
- Crossing the Bridge
- early 19th century
247
- Kenilworth Castle
- 1807
248
- The Search after Truth
- undated
249
- Music: Composition in a Garden
- ca. 1832
250
- From the Window of the Inn at Lauterbraun
- ca. 1811
251
- A Girl with a Watering Can facing left: Sarah Hough, Mrs. T.P. Sandby's Nursery Maid
- ca. 1805
252
- Erlestoke Park
- ca. 1825
253
- Carnarvon
- 1802
254
- Hints for Composition by Varley - 1805
- 1805
255
- A Dromedary and a Camel
- 1813
256
- Temple of Jupiter and Minerva, Thugga
- 18th century
257
- Office of the Sudder Board of Revenue from Kyd Street - Calcutta
- undated
258
- A Life on the Ocean Wave
- undated
259
- Be it ever so Humble, There's no place like Home
- undated
260
- Illustration for The New Doll: The Doll brought Home
- 1825
261
- The Mother's Portrait
- undated
262
- Illustration for The New Doll: Sewing Clothes for the Doll
- 1825
263
- Illustration for- The New Doll: Untitled
- 1826
264
- Ilustration for The New Doll: Untitled
- 1825
265
- Illustration for The New Doll: Untitled
- 1825
266
- Landscape with Figures in Field
- undated
267
- Campagna/ Rome
- 1818
268
- Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
- 1817
269
- Einsiedein, Switzerland
- ca. 1817
270
- Sion (Switzerland)
- ca. 1817
271
- Simplon (Switzerland)
- ca. 1817
272
- 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
- 1817
273
- Grisons/ Looking to Glarnisch (Switzerland) Mountains
- 1817
274
- Dolbadarn Castle (North Wales)
- 1809
275
- St. Stephen's Hall
- ca. 1820
276
- Conway (Castle, North Wales), Nov. 1809
- 1809
277
- Village on a Lake
- ca. 1817
278
- Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)
- ca. 1816
279
- Yarmouth Bridge, Aug. 1829
- 1829
280
- Fishermen at a Mountain Stream
- undated
281
- Naples, Chiaia
- 1818
282
- On the Zweilütschine, Near Interlaken, Canton of Berne, The Jungfrau in the Distance
- ca. 1817
283
- Pass of the Gemmi/ Descending to Leukas Bad (Switzerland)
- ca. 1817
284
- Caernarvon (Castle)
- 1809
285
- St. Martyns Bruche
- ca. 1826
286
- Mountainous Landscape with a Bridge and House
- ca. 1816
287
- Costume at Procida-Naples
- 1818
288
- Funeral Procession at Rome
- 1818
289
- An Execution, Rome
- 1819
290
- Frontispiece - Peter Simon Pallas
- ca. 1837
291
- The Kracken, Supposed a Sepia or Cuttle Fish
- ca. 1837
292
- Title Page: The Naturalist Library: Mammalia. Introduction. Volume: 1:13
- ca. 1837
293
- The Great Sea Serpent
- ca. 1837
294
- Among the Taygetos Mountains of Mystras
- 1802-1804
295
- Ruins of Sparta
- 1802-1804
296
- Architectural Drawing of the Temple of Sunias Minerva
- 1802-1804
297
- Temple of Sunias Minerva
- 1802-1804
298
- An Architectural Drawing of One of the Pillars in the Interior of a Temple
- 1802-1804
299
- Temple Near the Site of Ancient Phigalia
- 1803
300
- Front of La Maddalena Church, Venice
- 1802-1804