Materials & Techniques: gray wash / Date: 1720 / Work Type: watercolor - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Materials & Techniques gray wash

Date 1720

Work Type watercolor

1. Landscape with a Distant Classical Building and a Man Fishing

Landscape with a Distant Classical Building and a Man Fishing

Creator:: William Taverner, 1703–1772
Date:: undated
Materials & Techniques:: Gray wash, graphite and white chalk on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 12 3/4 × 11 3/16 inches (32.4 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Arch of Titus from the Forum, Rome

The Arch of Titus from the Forum, Rome

Creator:: Arthur Pond, ca. 1705–1758
Date:: ca. 1725
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 6 1/4 inches (24.8 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Trees by a Lake

Trees by a Lake

Creator:: Luke Sullivan, 1705–1771
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 × 9 inches (13.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Price's Mill

Creator:: Luke Sullivan, 1705–1771
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/16 × 8 1/4 inches (13.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Card Party

Creator:: Francis Hayman, 1707/8–1776
Date:: between late 1720s to early 1730s
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection