Materials & Techniques: gray ink - YCBA Collections Search Search Results

201. A Tub Thumper

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1817 and 1820
Materials & Techniques:: Watercolor with pen and brown, red-brown and gray ink over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Soldiers on a March

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1805
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 3/16 x 14 1/2 inches (25.9 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. A Village Scene outside a Church

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/4 x 10 inches (18.4 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Loading a Waggon

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and red-brown and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 x 12 inches (20.8 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. An Audience at Drury Lane Theatre

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink on beige/brown, thick, moderately textured, laid paper, glued to mat
Dimensions:: Sheet: 8 1/2 x 17 3/16 inches (21.6 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Newbury Market Place, Berkshire

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1815 and 1820
Materials & Techniques:: Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. A Military Escapade

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite; verso: watercolor splotches on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 x 10 13/16 inches (38.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Dudley Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink and wash over graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 13/16 x 16 13/16 inches (14.8 x 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Skating on the Serpentine

Creator:: Thomas Rowlandson, 1756–1827
Date:: before 1790
Materials & Techniques:: Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Customs House at Boulogne

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790s
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 x 11 9/16 inches (20.3 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Nymphs at a Roman Bath

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 13/16 x 7 7/16 inches (22.4 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Embarkation at Southampton, June 20th 1794 (Version A)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1794
Materials & Techniques:: Pen and brown ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 9/16 x 11 3/16 inches (21.7 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Man with Barrow and Dog

Creator:: after Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink; verso: pen and brown and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 9 3/4 inches (20.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. A High Waterfall

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown, gray and black ink over graphite; verso: watercolor splotches on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 12 5/16 inches (21.7 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. A Group of Trees

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 15 7/8 inches (27.6 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Hengar Wood, St. Tudy, Cornwall

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red brown and gray ink over graphite on thick, slightly textured, beige wove support paper
Dimensions:: Sheet: 6 3/4 x 10 5/16 inches (17.1 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Three Clerical Scholars

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Watercolor with pen and back and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 15/16 x 11 3/16 inches (22.7 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Francesco Bartolozzi

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1815
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 8 1/8 inches (26 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. The Paris Diligence

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black, gray and red-brown ink over graphite; verso: graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 x 14 1/8 inches (23.3 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Drury Lane. The School for Scandal

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black, gray and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 x 15 3/8 inches (26 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 21 1/8 inches (37.5 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

222. Dr Graham's Bathing Establishment

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen black and gray ink over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 16 3/8 inches (26.5 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. View of the Church and Village of St. Cue, Cornwall

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1812
Materials & Techniques:: Watercolor with pen and gray and red brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 10 1/4 inches (17.1 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. A Carrier's Waggon

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Watercolor with pen and black and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 15 3/16 inches (25.7 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. The Waggoner's Rest

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1800 and 1805
Materials & Techniques:: Watercolor with pen and gray ink over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 7/8 x 9 1/4 inches (14.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Register Office for the Hiring of Servants

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1800 and 1805
Materials & Techniques:: Watercolor with pen and brown and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 13 3/4 inches (23.5 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. The Launching of H.M.S. 'Hibernia' 1804

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1804
Materials & Techniques:: Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 13/16 x 15 1/4 inches (24.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Newport High Street, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 18 7/16 inches (13.3 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Two Greyhounds Lying under a Tree

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and black and gray ink with gray wash over graphite; verso: pen and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/8 x 9 13/16 inches (18.1 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. A Worn Out Debauchée

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor with pen and yellow and gray-black ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 13/16 x 7 13/16 inches (30 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. The Love Letter

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 x 7 9/16 inches (27.9 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Review of Light Horse Volunteers on Wimbledon Common

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 x 16 5/16 inches (24.9 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. The Test

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray ink and wash over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/4 x 16 5/16 inches (28.6 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Monks Carousing outside a Monastery

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown, black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 8 7/8 inches (15.6 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. A Woodcutter's Picnic

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and vermillion ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 13/16 x 15 1/16 inches (27.5 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. A Potter Returning from Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and brown and gray ink on medium, slightly textured, light blue, laid paper
Dimensions:: Sheet: 8 9/16 x 11 5/16 inches (21.7 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Hungarian and Highland Broadsword Exercise

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 x 10 11/16 inches (20.8 x 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. The Gourmand

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/2 x 7 3/8 inches (24.1 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Carnarvon Castle, North Wales

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/2 x 16 1/8 inches (14 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Isola Bella, Lago Maggiore

Creator:: Charles Gore, 1729–1807
Date:: ca. 1776
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 22 1/4 inches (19.4 x 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Blue & Yellow Maccaw

Creator:: unknown artist
Date:: 1832
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 22 x 16 inches (55.9 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

242. A Tiger, Full-Length, in Profile, Walking Towards Right

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor, with pen, in gray ink, and black ink, over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 8 9/16 × 12 inches (21.7 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. The Cloisters of a Monastery

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and red ink and pen and gray ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/8 x 7 7/8 inches (12.4 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Quakers' Meeting

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1810
Materials & Techniques:: Watercolor with pen and gray-brown and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 x 11 inches (20.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. A Timber Waggon

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Gray wash and graphite with pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 9/16 x 7 5/16 inches (11.6 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Norwich Market Place

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray-brown ink, and wash over graphite; verso: pen and gray brown ink and wash over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 6 7/8 inches (13.8 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. An Officer and his Servant

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 3 7/8 inches (15.6 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Falls on the River Conwy, North Wales

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and gray-blue ink, over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 11/16 x 11 5/16 inches (19.5 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Two Girls Tippling

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 8 7/8 x 8 1/16 inches (22.5 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. The Woolpack Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and red-brown and gray ink with wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 7 inches (11 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. The Elopement

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Watercolor with pen and gray and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 8 inches (27.5 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Bungay Castle

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Watercolor, graphite, pen and gray ink and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Dr. Syntax Copying the Wit of the Window

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1809 and 1812
Materials & Techniques:: Watercolor with pen and gray and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 8 3/16 inches (13.7 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Settling a Love Quarrell

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray ink, with pink and brown wash over graphite, with black ink lined border on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 13/16 x 10 5/8 inches (19.8 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. A Water-Wheel Driving a Transporter

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and black ink; verso: pen and black ink, gray ink, pastel, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 5/16 x 18 1/4 inches (28.7 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. A Village in a Hilly Landscape

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray, and brown ink, over graphite on thick, slightly textured, brown wove paper
Dimensions:: Sheet: 9 13/16 x 13 3/16 inches (24.9 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. A Pawnbroker with His Client

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 13/16 x 11 1/8 inches (22.4 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. The Miseries of the Country

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 6 13/16 x 8 3/4 inches (17.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Henry Angelo and Madame Cain Fencing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray-brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 9 11/16 x 13 3/16 inches (24.6 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Drawing Cover

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown, gray and red-brown ink, with pen and ink line and wash border on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 3 3/16 x 5 9/16 inches (8.1 x 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. A Stag Hunt in the West Country

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 9 inches (13.7 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Eton College from Datchet Road

Creator:: Thomas Girtin, 1775–1802
Date:: 1790
Materials & Techniques:: Watercolor with pen and gray ink over graphite with gray wash border on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/4 x 23 1/16 inches (46.4 x 58.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Lichfield Cathedral, Staffordshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1794
Materials & Techniques:: Watercolor with pen in gray ink over graphite on moderately thick, moderatetly textured, brown wove paper
Dimensions:: Sheet: 15 1/16 x 11 3/8 inches (38.3 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Comforts of Bath: The Bath

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 7 1/8 inches (11 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Fireflies and Gadfly, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 7 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor with pen in brown ink and gray ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 7 1/8 inches (19.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 8 1/2 × 11 11/16 inches (21.6 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. The Banqueting House, Whitehall, from the River

Creator:: George Shepheard, ca. 1770–1842
Date:: ca. 1810
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 inches (23.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Officers and Their Ladies Dancing to a Band of Musicians...

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 18 7/16 inches (29.8 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, pen and ink, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 8 5/16 inches (14.4 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Trigger Fish, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 31 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, gouache, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 8 3/4 inches (14.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Evening

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 × 5 13/16 inches (10.2 × 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. "The King and Noblemen Before the Stag is Turn'd Out"

Creator:: Robert Dighton, 1752–1814
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 13 1/2 inches (10.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Full Cry

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Breakfast before the Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

Creator:: John Vanderbank, 1694–1739
Date:: 1729
Materials & Techniques:: Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/16 inches (21 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Patience in a Punt

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 8 1/16 × 12 1/2 inches (20.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Study for the Death of a Knight

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 x 5 3/8 inches (8.2 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

278. Moody Hall: Front Elevation and Principal Floor Plan

Creator:: Attributed to Batty Langley, 1696–1751
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, pen and black ink, pen and gray ink, watercolor, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 16 1/2in. (31.8 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Shipping in the Solent off Calshot Castle

Creator:: Dominic Serres, 1722–1793
Date:: between 1760 and 1793
Materials & Techniques:: Watercolor, black ink, and gray ink on medium, moderately textured, cream wove paper medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 x 10 1/2 inches (15.2 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

280. A Warship Preparing to Leave the Anchorage

Creator:: Samuel Atkins, active 1787–1808
Date:: between 1787 and 1808
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 x 18 3/4 in. (34.9 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

281. A Calm Day in the Anchorage

Creator:: John Cleveley the younger, 1747–1786
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

282. The Battle of the Dogger Bank, 5th August, 1781

Creator:: Dominic Serres, 1722–1793
Date:: 1781
Materials & Techniques:: Pen and gray ink and gray wash with trace s of watercolor over graphite on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 14 1/4 inches (23.5 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

283. Warships Preparing to Sail from their Anchorage

Creator:: Dominic Serres, 1722–1793
Date:: 1782
Materials & Techniques:: Watercolor and pen and gray ink with graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 14 1/4 inches (23.5 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

284. An English Frigate and Other Shipping in the Solent off Calshot Castle

Creator:: John Cleveley the younger, 1747–1786
Date:: undated
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

285. Stag Brought down by a Pack of Dogs

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink and gray ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 11 7/8 inches (21.9 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

286. The Club

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/4 x 6 1/4 inches (15.8 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

287. Entrance to the Grotto at Posilippo, Naples

Creator:: Francis Towne, 1740–1816
Date:: 1781
Materials & Techniques:: Watercolor and gray ink over graphite on medium slightly textured cream laid paper
Dimensions:: Sheet: 12 5/8 x 9 1/8 inches (32.1 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Animals of the Cat Family, with a Bear and Foxes

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 3/16 × 18 3/4 inches (23.3 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Two Horses Eating From a Wheel-Barrow Watched by a Goat and Three Ducks

Creator:: John Frederick Herring, 1795–1865
Date:: 1850
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 × 11 1/2 inches (25.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Foxhunting: Unkennelling the Pack

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: 1816
Materials & Techniques:: Watercolor, pen and ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 11/16 × 19 3/16 inches (32.2 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Foxhunting: Stopping Hounds That Have Changed

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 7/8 inches (31.8 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Foxhunting: Breaking Cover

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 15/16 inches (31.8 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Netting Partridges

Creator:: Thomas Ross, active from 1753
Date:: ca. 1750
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 9/16 × 11 13/16 inches (19.2 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. A Horse Sale in Hopkins's Repository, Barbican

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1798 and 1800
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 1/8 x 17 15/16 inches (33.3 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Four O'Clock in the Country

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1788 and 1790
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 15 3/4 inches (32.7 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Snipe Shooting

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 14 7/16 inches (25.6 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Tattersall's Training School

Creator:: unknown artist
Date:: 1771
Materials & Techniques:: Pen and gray ink, brown ink, graphite, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 12 3/8 × 14 7/16 inches (31.4 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 15/16 × 16 5/8 inches (27.8 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Foxhunting: The Death

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 15/16 inches (31.8 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. A Livery Stable

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and red-brown ink, pen and gray ink, and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Mount: 8 15/16 x 12 3/8 inches (22.7 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques gray ink

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201. A Tub Thumper

202. Soldiers on a March

203. A Village Scene outside a Church

204. Loading a Waggon

205. An Audience at Drury Lane Theatre

206. Newbury Market Place, Berkshire

207. A Military Escapade

208. Dudley Castle

209. Skating on the Serpentine

210. Customs House at Boulogne

211. Nymphs at a Roman Bath

212. Embarkation at Southampton, June 20th 1794 (Version A)

213. Man with Barrow and Dog

214. A High Waterfall

215. A Group of Trees

216. Hengar Wood, St. Tudy, Cornwall

217. Three Clerical Scholars

218. Francesco Bartolozzi

219. The Paris Diligence

220. Drury Lane. The School for Scandal

221. Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome

222. Dr Graham's Bathing Establishment

223. View of the Church and Village of St. Cue, Cornwall

224. A Carrier's Waggon

225. The Waggoner's Rest

226. Register Office for the Hiring of Servants

227. The Launching of H.M.S. 'Hibernia' 1804

228. Newport High Street, Isle of Wight

229. Two Greyhounds Lying under a Tree

230. A Worn Out Debauchée

231. The Love Letter

232. Review of Light Horse Volunteers on Wimbledon Common

233. The Test

234. Monks Carousing outside a Monastery

235. A Woodcutter's Picnic

236. A Potter Returning from Market

237. Hungarian and Highland Broadsword Exercise

238. The Gourmand

239. Carnarvon Castle, North Wales

240. Isola Bella, Lago Maggiore

241. Blue & Yellow Maccaw

242. A Tiger, Full-Length, in Profile, Walking Towards Right

243. The Cloisters of a Monastery

244. Quakers' Meeting

245. A Timber Waggon

246. Norwich Market Place

247. An Officer and his Servant

248. Falls on the River Conwy, North Wales

249. Two Girls Tippling

250. The Woolpack Inn

251. The Elopement

252. Bungay Castle

253. Dr. Syntax Copying the Wit of the Window

254. Settling a Love Quarrell

255. A Water-Wheel Driving a Transporter

256. A Village in a Hilly Landscape

257. A Pawnbroker with His Client

258. The Miseries of the Country

259. Henry Angelo and Madame Cain Fencing

260. Drawing Cover

261. A Stag Hunt in the West Country

262. Eton College from Datchet Road

263. Lichfield Cathedral, Staffordshire

264. Comforts of Bath: The Bath

265. Fireflies and Gadfly, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 7 A]

266. The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs

267. The Banqueting House, Whitehall, from the River

268. Officers and Their Ladies Dancing to a Band of Musicians...

269. Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]

270. Trigger Fish, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 31 A]

271. Evening

272. "The King and Noblemen Before the Stag is Turn'd Out"

273. Full Cry

274. Breakfast before the Hunt

275. "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...