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Materials & Techniques gray ink

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Work Type watercolor

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James Gwin Position de la Garde en Quarte, et le Coup de Flanconnade
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
James Gwin De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
James Gwin Position Aprés Avoir Desarmé sur le Coup de Quarte
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
James Gwin De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
James Gwin L'Epée & Lanterne Combattüe par L'Epée et Manteau
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
Thomas Jones The Grotto at Posillipo
Thomas Jones, 1742–1803
The Grotto at Posillipo
ca. 1782
Samuel Woodforde A Rocky Stream
Samuel Woodforde, 1763–1817
A Rocky Stream
undated
Francis Towne View on Lake Maggiore at Evening
Francis Towne, 1740–1816
View on Lake Maggiore at Evening
1781
Thomas Rowlandson A High Waterfall
Thomas Rowlandson, 1756–1827
A High Waterfall
undated
Thomas Rowlandson A Group of Trees
Thomas Rowlandson, 1756–1827
A Group of Trees
undated
Thomas Rowlandson Newbury Market Place, Berkshire
Thomas Rowlandson, 1756–1827
Newbury Market Place, Berkshire
between 1815 and 1820
Thomas Rowlandson Four O'Clock in the Country
Thomas Rowlandson, 1756–1827
Four O'Clock in the Country
between 1788 and 1790
Thomas Rowlandson A Horse Sale in Hopkins's Repository, Barbican
Thomas Rowlandson, 1756–1827
A Horse Sale in Hopkins's Repository, Barbican
between 1798 and 1800
Edward Dayes The Island of Hoy, the Orkneys
Edward Dayes, 1763–1804
The Island of Hoy, the Orkneys
undated