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Materials & Techniques gray ink

Remove constraint Materials & Techniques: gray ink

Date 1793

Remove constraint Date: 1793

Period 18th century

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Fort Opposite the Factory, Canton
Creator:
William Alexander, 1767–1816
Date:
1793
Materials & Techniques:
Watercolor. pen and gray ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 6 inches (11.4 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of St. Nicholas Church at Valenciennes after the Siege
Creator:
Joseph Farington, 1747–1821
Date:
1793
Materials & Techniques:
Pen and black ink, gray ink, gray wash, black wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 19 × 26 13/16 inches (48.3 × 68.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Convent of the Clarisses at Valenciennes after the Seige
Creator:
Joseph Farington, 1747–1821
Date:
1793
Materials & Techniques:
Pen and black ink, gray ink , black wash, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/8 × 22 3/4 inches (41 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Barn Elmes
Creator:
Edward Edwards, 1738–1806
Date:
1793
Materials & Techniques:
Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, moderately textured, cream laid paper (contemporary mount)
Dimensions:
Sheet: 9 3/8 × 11 3/4 inches (23.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection