Castle above a River, Woodcutters in the Foreground
ca. 1820
8702
John Jackson, 1778–1831
Portrait of Benjamin West, P.R.A
1814
8703
Harry Willson, Active 1813–1852
Entrance Gate to Printers
undated
8704
unknown artist
Samuel Johnson
undated
8705
unknown artist
Pale-headed Parakeet
1832
8706
James Seymour, 1702–1752
A Rider in Armor, and Two Horses Lying Down
undated
8707
William Daniell, 1769–1837
An Indian Elephant at Lucknow, September 1, 1789
1789
8708
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
8709
John Leech, 1817–1864
The Close of the Season
undated
8710
John Leech, 1817–1864
A Jockey-Cart
undated
8711
Daniel Maclise, 1806–1870
An Elephant, facing left
undated
8712
John Ruskin, 1819–1900
Study of an Oak Leaf
undated
8713
Paul Sandby, 1731–1809
Study of Cow Parsley
undated
8714
Joseph Edward Southall, 1861–1944
At the Cottage Gate, July 16, 1906
1906
8715
Thomas Stothard, 1755–1834
A Tiger, Full-Length, in Profile, Walking Towards Right
undated
8716
Gangaram Chintaman Tambat, active 1790s
A Rhinoceros in the Peshwa's Menagerie at Poona
1790
8717
James Ward, 1769–1859
Study of a Plunging Eagle
undated
8718
James Ward, 1769–1859
Two Studies of a Tiger; above: Head and Shoulders; below: Hindquarters
undated
8719
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume I
between 1780 and 1788
8720
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
8721
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
8722
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
8723
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
8724
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
8725
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
8726
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
8727
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
8728
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
8729
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
8730
unknown artist
Peers' Entrance
undated
8731
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
8732
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
8733
unknown artist
New Rooms at Westminster for the Bishops
undated
8734
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
8735
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
8736
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
8737
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
8738
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
8739
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
8740
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
8741
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
8742
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
8743
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
8744
unknown artist
Grave of the Supposed William Lyndewode
1852
8745
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
8746
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
8747
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
8748
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
8749
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
8750
Print made by John Greig, active 1803–1853
The Painted Chamber, Westminster
1804
8751
unknown artist
Exterior of Painted Chamber, North View
undated
8752
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
8753
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
8754
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
8755
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
8756
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
8757
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
8758
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
8759
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
8760
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
8761
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
8762
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
8763
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
8764
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
8765
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
8766
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
8767
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
8768
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
8769
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
8770
James Seymour, 1702–1752
Studies of Stags' Heads
undated
8771
James Miller, active 1773–1814
Floating Barrel in a Stream
undated
8772
James Miller, active 1773–1814
View of a Building with Chimneys
undated
8773
James Miller, active 1773–1814
House by a Bridge
undated
8774
James Miller, active 1773–1814
Figures with Animals at Cave
undated
8775
James Miller, active 1773–1814
The Interior of a Coffee House
undated
8776
Sir William Orpen, 1878–1931
Portrait of the Artist, May 1922
1922
8777
Thomas Rowlandson, 1756–1827
The Prize Fight
1787
8778
Henry Edridge, 1769–1821
James Nasmyth
1809
8779
Amelia Long, 1762–1837
Kirkstall Abbey, Yorkshire
undated
8780
Elizabeth Siddal, 1834–1862
Study of Two Figures
undated
8781
Gwen John, 1876–1939
Sleeping Cat
between 1905 and 1908
8782
attributed to Peter DeWint, 1784–1849
View of the Terrace at Windsor
undated
8783
John Warwick Smith, 1749–1831
Isola Madre, Lago Maggiore
ca. 1781
8784
John Robert Cozens, 1752–1797
Isola Borromea, Lago Maggiore
ca. 1783
8785
William Daniell, 1769–1837
John Singleton Copley
between 1804 and 1814
8786
Hercules Brabazon Brabazon, 1821–1906
Evening on the Lagoon, Venice
undated
8787
Hercules Brabazon Brabazon, 1821–1906
Venice
undated
8788
Rev. William Warren Porter, 1776–1804
Blenheim
undated
8789
John Webber, 1752–1793
Borgo da Vico, Como
before 1775
8790
John Webber, 1752–1793
View on the Lake, Como
1787
8791
Hercules Brabazon Brabazon, 1821–1906
Two Figures
undated
8792
Queen Charlotte, 1744–1818
A Kneeling Knight with a Female Figure and Child
undated
8793
Rev. William Warren Porter, 1776–1804
Landscape Study with Tall Tree and Sheep
undated
8794
Rev. William Warren Porter, 1776–1804
Study of a Cottage and a Man Rolling the Lawn
undated
8795
Rev. William Warren Porter, 1776–1804
Pangbourne, Berkshire
undated
8796
Rev. William Warren Porter, 1776–1804
Christ Church Cathedral, Oxford
undated
8797
Rev. William Warren Porter, 1776–1804
Magdalen College, Oxford
undated
8798
Rev. William Warren Porter, 1776–1804
Scene from 'The Mysteries of Udolpho'
undated
8799
Rev. William Warren Porter, 1776–1804
Castle of Udolpho
undated
8800
Rev. William Warren Porter, 1776–1804
Landscape Study of Cattle in a Pool with a Cottage on a Hill