A Bridge near Salisbury Court, Perhaps Milford Bridge
ca. 1829
7
John Constable, 1776–1837
Old Sarum at Noon
1829
8
Joseph Mallord William Turner, 1775–1851
Landscape with Trees and Figures
ca. 1796
9
Edward Lear, 1812–1888
Abydos, 1:00 pm, 12 January 1867 (134)
1867
10
Edward Lear, 1812–1888
English Country Town
undated
11
Edward Lear, 1812–1888
Albogasio
1837
12
Edward Lear, 1812–1888
Egyptian Men
1867
13
Edward Lear, 1812–1888
Leonessa, 3 October 1844
1844
14
Edward Lear, 1812–1888
La Cava, 20 July 1838
1838
15
Edward Lear, 1812–1888
Genezzano, 17 May 1838
1838
16
Edward Lear, 1812–1888
On the Road, Two Hours from Tepelene, 19 April 1857
1857
17
Edward Lear, 1812–1888
Shelaal, 2:30 am, 29 January 1867 (260)
1867
18
Edward Lear, 1812–1888
Calder Abbey, September 12. 1836
1836
19
Edward Lear, 1812–1888
Derwentwater
1836
20
William Blake, 1757–1827
A Visionary Head
1819 to 1820
21
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
undated
22
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
23
George Romney, 1734–1802
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
24
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
25
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
26
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
27
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
28
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
29
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
30
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
31
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
32
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
33
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
34
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
35
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
36
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
37
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
38
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
39
George Romney, 1734–1802
Slight Group of Figures
undated
40
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
41
George Romney, 1734–1802
Slight Sketch of Figures
undated
42
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
43
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
44
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
45
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
46
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
47
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
48
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
49
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
50
George Romney, 1734–1802
Two Figures
undated
51
George Romney, 1734–1802
Reclining Figure
undated
52
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
undated
53
George Romney, 1734–1802
Birth of Man
undated
54
George Romney, 1734–1802
Unidentified Subject: Reclining Woman and Other Figures
undated
55
George Romney, 1734–1802
Group Scene and Two Sketches of a Standing Figure
undated
56
George Romney, 1734–1802
Fleeing Group of Figures
undated
57
George Romney, 1734–1802
Group of Figures, Possibly Women and Children Playing
undated
58
George Romney, 1734–1802
Two Sketches: Seated Male Nude, Rear View; Standing Figure, Gesticulating
undated
59
George Romney, 1734–1802
Group of Figures, Possibly Hell
undated
60
George Romney, 1734–1802
Two Figures, with One Male Nude Kneeling
undated
61
George Romney, 1734–1802
Possibly One Reclining Figure and One Dancing Figure
undated
62
George Romney, 1734–1802
Possibly an Abduction Scene
undated
63
George Romney, 1734–1802
Possibly a Group of Figures with Flying Figures
undated
64
George Romney, 1734–1802
Possibly Two Figures from "Old Age"
undated
65
George Romney, 1734–1802
Effects of Pride or Injustice
undated
66
George Romney, 1734–1802
Two Seated Figures
undated
67
George Romney, 1734–1802
Figures
undated
68
George Romney, 1734–1802
Standing Figure with Arm Upraised and Seated Figure
undated
69
George Romney, 1734–1802
Three Standing Figures before a Seated Figure
undated
70
George Romney, 1734–1802
Figures Mourning at the Bier of a Woman
undated
71
George Romney, 1734–1802
Pharmarus and Kunaza
undated
72
George Romney, 1734–1802
Two Standing Figures
undated
73
George Romney, 1734–1802
Two Figures Aiding a Seated Figure
undated
74
George Romney, 1734–1802
Figures
undated
75
George Romney, 1734–1802
Three Kneeling Figures
undated
76
George Romney, 1734–1802
Studies of Horses
undated
77
George Romney, 1734–1802
Two Kneeling Figures Struggling with a Seated Figure
undated
78
George Romney, 1734–1802
Two Kneeling Figures before a Seated Figure
undated
79
George Romney, 1734–1802
Three Seated Figures and a Standing Figure
undated
80
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
81
William Pars, 1742–1782
Sacred Cave of Archidamus
undated
82
Thomas Shotter Boys, 1803–1874
On the Seine
1831
83
Gwen John, 1876–1939
Rue Terre Neuve
ca. 1921
84
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
85
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures
1912
86
Capt. Francis Grose, 1731–1791
A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Stanley St. Leonard's Priory & Kitchen, Gloucestershire
undated
87
David Bomberg, 1890–1957
Study for "Reading from Torah"
ca. 1914
88
John Varley, 1778–1842
Ouse Bridge, York
undated
89
Willey Reveley, 1760–1799
Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea