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Materials & Techniques graphite

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Width [cm] 42

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Subject Terms horses (animals)

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Landscape with Trees and Figures
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1796
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, wove paper
Dimensions:
Sheet: 12 3/4 x 16 5/8 inches (32.4 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Riders Fording a River
Creator:
Samuel Jackson, 1794–1869
Date:
undated
Materials & Techniques:
Brown wash over graphite with scraping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 x 16 1/2 inches (31.4 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
After the Race: Owner or Trainer Riding and Conversing with Jockey on Trainer's Hack; at Right, a Racehouse Being Watered and Rugged after Racing (one of pair)
Creator:
Samuel Alken, 1756–1815
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 16 11/16 inches (27.3 × 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Riders and Hounds in an Open Landscape
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 10 13/16 × 16 5/8 inches (27.5 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Treeing a Fox
Creator:
Samuel Alken, 1756–1815
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 16 1/2 inches (26.7 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Earthquake Scare in Piccadilly
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
1750
Materials & Techniques:
Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hunt Followers and Hounds Moving to Right Through Undergrowth
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 9 1/2 × 16 5/8 inches (24.1 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont St. Michel, Taken from Pont Neuf
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching, first engraver's proof, touched in graphite by the artist on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 x 16 1/2 inches (22.7 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mill Yard, Holland Estate, St. Thomas in the East
Creator:
James Hakewill, 1778–1843
Date:
between 1820 and 1821
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 16 5/8 inches (31.1 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Holland Estate, St. Thomas in the East, View from the Change of Air House
Creator:
James Hakewill, 1778–1843
Date:
between 1820 and 1821
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 16 1/2 inches (31.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Haughton Court, Hanover, Jamaica
Creator:
James Hakewill, 1778–1843
Date:
between 1820 and 1821
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 16 5/8 inches (31.1 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection