Sketch of Boatmen on the Shore, Ships in the Distance
1827
3
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
4
James Bruce, 1730–1794
An Old Man Walking
undated
5
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
undated
6
Charles Hamilton Smith, 1776–1859
Farming Village
undated
7
Edward Francis Burney, 1760–1848
Bridge and Tower
undated
8
Edward Francis Burney, 1760–1848
Country House
undated
9
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
10
Sir David Wilkie, 1785–1841
Shopping in the Rows, Chester
1837
11
Thomas Stothard, 1755–1834
Study of Trees
undated
12
Capt. Thomas Hastings, 1778–1854
Undercroft, Cathedral of Canterbury
1812
13
Capt. Thomas Hastings, 1778–1854
Castle of Canterbury
1806
14
Cornelius Varley, 1781–1873
Study of Sheep
undated
15
unknown artist
Entrance to a Bull Ring
undated
16
Sir George Howland Beaumont seventh Baronet, 1753–1827
Ben Glog (North Wales)
undated
17
Thomas Daniell, 1749–1840
Architectural Study
undated
18
Thomas Daniell, 1749–1840
Tree Sketch
undated
19
Thomas Daniell, 1749–1840
Riverscape with Buildings
undated
20
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
21
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
22
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
23
Thomas Sidney Cooper, 1803–1902
A Farm Horse, Harnessed to a Cart, Executed at or Near Canterbury, c. 1835
ca. 1835
24
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
25
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
26
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
27
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
28
Print made by David Lucas, 1802–1881
View on the Orwell
1830
29
Sydenham Teast Edwards, 1768–1819
Hound Standing: profile, facing left
1795
30
Sawrey Gilpin, 1733–1807
Study of donkeys
undated
31
Sawrey Gilpin, 1733–1807
Country landscape with cattle crossing a stream
undated
32
Sawrey Gilpin, 1733–1807
Study of an Elephant
undated
33
Mrs. P. D. H. Page, 20th century
Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
undated
34
Sawrey Gilpin, 1733–1807
Standing Horse
undated
35
George Chinnery, 1774–1852
A River Scene
between 1803 and 1825
36
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2