A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Sudeley Castle, Gloucestershire
undated
18
Willey Reveley, 1760–1799
Views in the Levant: View of a Walled Town and Harbour with Towers Seen From the Sea
ca. 1785
19
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
20
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
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21
James Seymour, 1702–1752
George Montague, first Earl of Halifax on His White Hunter, Ironside, With His Groom on Justice, a Chestnut Foaled in 1721
1721
22
Francis Towne, 1740–1816
New Radnor
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23
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794
24
Edward Kennion, 1743–1809
A View of Hall-head Sugar Plantation, Jamaica
ca. 1780
25
Thomas Rowlandson, 1756–1827
New Shoes
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26
Thomas Rowlandson, 1756–1827
The Maniac
1787
27
Thomas Rowlandson, 1756–1827
An Elderly Buck walking with a Lady
between 1810 and 1820
28
Thomas Rowlandson, 1756–1827
Dunmow
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29
Thomas Rowlandson, 1756–1827
The Glass Works
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30
unknown artist
Mrs. Mingay
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31
unknown artist
The Towns-end Mill, Liverpool
after 1814
32
John Varley, 1778–1842
The Plains of Marathon
1834
33
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
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34
Samuel Howitt, 1756–1822
A Tigress Leaping to the Right
ca. 1807
35
unknown artist
The Old Witch and the Votaries?
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36
unknown artist
Three Witches
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37
James Seymour, 1702–1752
A Chestnut Horse at Exercise
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38
Thomas Daniell, 1749–1840
Buddha
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39
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
40
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1834
41
Sawrey Gilpin, 1733–1807
A Racing Saddle on a Horse's Back, With Details of Stirrup
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42
William Sawrey Gilpin, 1762–1843
An Arabian Stallion Walking to Right
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43
Samuel Jackson, 1794–1869
St. Michael's Hill, Bristol
ca. 1824
44
James Ward, 1769–1859
A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat
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45
Thomas Rowlandson, 1756–1827
Hengar Wood, St. Tudy, Cornwall
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46
Thomas Rowlandson, 1756–1827
View of the Church and Village of St. Cue, Cornwall
ca. 1812
47
Sawrey Gilpin, 1733–1807
Study of a leopard
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48
unknown artist
Sketch of Two Figures
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49
unknown artist
Self-portrait for Group at 10 Edgware Road
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50
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1839
51
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1834
52
Peter Biegel, 1913–1988
Mill Reef Wins the Eclipse in Record Time, Sandown, July 3rd, 1971
1971
53
James Moore, 1762–1799
Chapel of the Holy Ghost, Basingstoke, England
1791
54
James Moore, 1762–1799
Stonehenge
1791
55
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
56
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
57
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
58
James Moore, 1762–1799
Flint Castle, Wales
1791
59
Thomas Rowlandson, 1756–1827
The Miseries of the Country
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60
Monro School
Near Sterzing, Tyrol
ca. 1795
61
Thomas Girtin, 1775–1802
Kirkstall Abbey from the N.W
ca. 1792
62
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
63
Thomas Girtin, 1775–1802
Jedburgh Abbey, Roxburghshire
ca. 1793
64
Thomas Girtin, 1775–1802
Dumbarton Rock and Castle
ca. 1793
65
Thomas Girtin, 1775–1802
Findlater Castle, Banff
between 1792 and 1793
66
Thomas Girtin, 1775–1802
Denbigh Castle
ca. 1793
67
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
68
Thomas Girtin, 1775–1802
Tynemouth Priory, Northumberland
ca. 1793
69
Attributed to John Frederick Tayler, 1802–1889
Four Hooded Falcons
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70
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: Weeks, General Gamble's coachman
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71
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
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72
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
73
Edward Duncan, 1803–1882
Pheasant Shooting
1825
74
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
75
John Frederick Lewis, 1804–1876
Study of a Crouching Fox, Facing Right
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76
Thomas Girtin, 1775–1802
Rocca del Papa, with Monte Cavo
ca. 1796
77
Thomas Sidney Cooper, 1803–1902
A Mule or Donkey, Harnessed to a Farm Cart, with Other Sketches at Top, Executed at or Near Canterbury, c. 1835
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78
Thomas Rowlandson, 1756–1827
The Hedger and Ditcher
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79
Thomas Rowlandson, 1756–1827
Netting a Salmon Pool
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80
Thomas Rowlandson, 1756–1827
An Old Coquette Outstood her Market
between 1815 and 1820
81
James Moore, 1762–1799
Amsbury Abbey, Wiltshsire, England
1791
82
James Moore, 1762–1799
Chapel of the Holy Ghost, Basingstoke, England
1791
83
James Moore, 1762–1799
Salisbury Cathedral
1791
84
James Moore, 1762–1799
St. Catherine's Chapel, Abbotsbury, Dorset, England
1791
85
James Moore, 1762–1799
Buckfast Abbey, Devon, England
1791
86
James Moore, 1762–1799
Exeter Cathedral, Devon, England
1791
87
James Moore, 1762–1799
Cerne Abbey
1791
88
James Moore, 1762–1799
Bindon Abbey, Dorset, England
1791
89
James Moore, 1762–1799
Netley Abbey, Hampshire, England
1791
90
James Moore, 1762–1799
Cymer Abbey, Wales
1791
91
James Moore, 1762–1799
Ludlow Castle, Shropshire
1791
92
Hercules Brabazon Brabazon, 1821–1906
Villefranche
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93
John Warwick Smith, 1749–1831
View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire
1764-1831
94
Hubert-François Gravelot, 1699–1773
The Sporting Lady
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95
Thomas Rowlandson, 1756–1827
Shipwrecked Sailors
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96
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
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97
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
98
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
99
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4