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Materials & Techniques graphite

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Genre sporting art

Remove constraint Genre: sporting art

Height [cm] 17

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Henry Thomas Alken Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
Edward Duncan Wild Duck Shooting
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
Edward Duncan Pheasant Shooting
Edward Duncan, 1803–1882
Pheasant Shooting
1825
James Seymour Horse, With Rider Lightly Sketched, Walking to Left
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
James Seymour A Boar Hunt
James Seymour, 1702–1752
A Boar Hunt
undated
James Seymour Studies of a Jockey Whipping-On
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
James Seymour Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
James Seymour 'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
James Seymour Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
John Vanderbank "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
James Seymour Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
John Frederick Tayler Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
Hubert-François Gravelot The Sporting Lady
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
Sawrey Gilpin Studies of Two Riders, and of Rider's Heads
Sawrey Gilpin, 1733–1807
Studies of Two Riders, and of Rider's Heads
undated
James Seymour A Chestnut Horse at Exercise
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
James Seymour Racehorse at Exercise, Ridden by a Training-Groom
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
Sawrey Gilpin A Racing Saddle on a Horse's Back, With Details of Stirrup
Sawrey Gilpin, 1733–1807
A Racing Saddle on a Horse's Back, With Details of Stirrup
undated
Peter Biegel Mill Reef Wins the Eclipse in Record Time, Sandown, July 3rd, 1971
Peter Biegel, 1913–1988
Mill Reef Wins the Eclipse in Record Time, Sandown, July 3rd, 1971
1971
unknown artist Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig
unknown artist
Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig
ca. 1860
Henry Thomas Alken "Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
Henry Thomas Alken, 1785–1851
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
Henry Thomas Alken "Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
Henry Thomas Alken "Scraps", No. 28: Skittle Alley With Players and Spectators
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
Henry Thomas Alken "Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
Henry Thomas Alken Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
Henry Thomas Alken Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
Henry Thomas Alken Turbaned Cavalryman on a Horse
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman on a Horse
undated
Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
Sawrey Gilpin Seven Studies of Jockeys' Caps
Sawrey Gilpin, 1733–1807
Seven Studies of Jockeys' Caps
undated
James Seymour Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left
James Seymour, 1702–1752
Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left
undated
James Seymour Coursing - After the Kill
James Seymour, 1702–1752
Coursing - After the Kill
undated
George Alken Foxhunting: Full Cry
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
George Alken Foxhunting: Drawing Covert
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated