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Materials & Techniques graphite

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Date 1822

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1. Street Activity

Street Activity
Creator:
Joseph Nash, 1808–1878
Date:
ca. 1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 5 9/16 inches (11.1 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. St. Thomas' Church, Winchelsea

St. Thomas' Church, Winchelsea
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 7 1/16 inches (37.8 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Windmill on the Sea Coast Near Hastings

Windmill on the Sea Coast Near Hastings
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/16 × 7 1/2 inches (13.2 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Cloud Study

Cloud Study
Creator:
Aaron Edwin Penley, 1807–1870
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. River Landscape

River Landscape
Creator:
Aaron Edwin Penley, 1807–1870
Date:
undated
Materials & Techniques:
Watercolor and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 8 1/8 inches (12.1 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Design for the Mechanics' Institution, Basingstoke: Elevation

Design for the Mechanics' Institution, Basingstoke: Elevation
Creator:
Thomas Henry Wyatt, 1807–1880
Date:
undated
Materials & Techniques:
Graphite, watercolor, pen and black ink on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 11 3/16 × 17 7/8 inches (28.4 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. A Stunted Oak

A Stunted Oak
Creator:
James Ward, 1769–1859
Date:
1822
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/8 x 8 7/8 inches (18.7 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Winchelsea Castle

Winchelsea Castle
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 7 inches (12.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Studland Dock Yard

Studland Dock Yard
Creator:
John Baverstock Knight, 1785–1859
Date:
1822
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 18 1/2 inches (14.3 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. A Dead Hare and a Cooked Lobster on a Bench

A Dead Hare and a Cooked Lobster on a Bench
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1827
Materials & Techniques:
Watercolor and brown ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 6 1/4 x 10 3/4 inches (15.9 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Merrick Abbey, Swaledale

Merrick Abbey, Swaledale
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1822
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 11 13/16 inches (21.7 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Elevation of Buildings Fronting Westminster Hall

Elevation of Buildings Fronting Westminster Hall
Creator:
Attributed to William Capon, 1757–1827
Date:
1822
Materials & Techniques:
Graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 1/4 × 23 3/8 inches (33.7 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 13/16 inches (18.4 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Foxhunting: The Start

Foxhunting: The Start
Creator:
Henry Thomas Alken, 1785–1851
Date:
1822
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 26 13/16 inches (24.1 × 68.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Foxhunting: The Meet

Foxhunting: The Meet
Creator:
Henry Thomas Alken, 1785–1851
Date:
1822
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 7/16 × 26 7/8 inches (24 × 68.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.

Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,

Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 1/8 inches (18.3 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 3/4 inches (18.4 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/16 × 9 1/16 inches (17.9 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Symptoms: of The Manager's Judgment, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.

Symptoms: of The Manager's Judgment, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite, and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Morning Ride

Morning Ride
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1823
Materials & Techniques:
Graphite and watercolor on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 1/2 inches (18.3 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Two Riders Seen from Behind, Oct. 10, 1822

Two Riders Seen from Behind, Oct. 10, 1822
Creator:
Sir David Wilkie, 1785–1841
Date:
1822
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 11/16 × 7 7/8 inches (24.6 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P.

Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P.
Creator:
unknown artist
Date:
1822
Materials & Techniques:
Graphite on very thick, smooth, cream wove paper
Dimensions:
Sheet: 11 × 16 5/8 inches (27.9 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Design for St. David, Pantasaph, Flintshire. East Elevation

Design for St. David, Pantasaph, Flintshire. East Elevation
Creator:
Thomas Henry Wyatt, 1807–1880
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink, watercolor on slightly textured, moderately thick, brown wove paper
Dimensions:
Sheet: 6 9/16 × 5 3/8 inches (16.7 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Beinecke Rare Book and Manuscript Library

28. Coast Scene with a Castle

Coast Scene with a Castle
Creator:
imitator of John Sell Cotman, 1782–1842
Date:
ca. 1827
Materials & Techniques:
Brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 x 11 5/8 inches (22.9 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Round Tower, Castle of Lillebonne, Normandy

Round Tower, Castle of Lillebonne, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1822
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 8 5/8 inches (27.3 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Design for a Monument for the North British Insurance Company

Design for a Monument for the North British Insurance Company
Creator:
Richard Corbould, 1757–1831
Date:
ca. 1827
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/8 × 15 3/8 inches (30.2 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

31. An Elephant

An Elephant
Creator:
George Chinnery, 1774–1852
Date:
1822
Materials & Techniques:
Pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 6 1/4in. (12.7 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Caverns Excavated in the Rock within the Castle of Château Gaillard, near Andelys, Normandy

Caverns Excavated in the Rock within the Castle of Château Gaillard, near Andelys, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1822
Materials & Techniques:
Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 x 15 inches (20.6 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Tuscan Order

No cover image available
Creator:
Edward Walhouse Mark, 1817–1895
Date:
undated
Materials & Techniques:
Watercolor, gray wash, and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 21 × 13 1/4 inches (53.3 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Doric Order

No cover image available
Creator:
Edward Walhouse Mark, 1817–1895
Date:
undated
Materials & Techniques:
Gray washes, yellow watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 21 × 13 3/16 inches (53.3 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Ionic Order, after Palladio

No cover image available
Creator:
Edward Walhouse Mark, 1817–1895
Date:
undated
Materials & Techniques:
Gray washes, yellow watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 21 × 13 1/4 inches (53.3 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Ionic Order

No cover image available
Creator:
Edward Walhouse Mark, 1817–1895
Date:
undated
Materials & Techniques:
Gray washes, yellow watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 21 × 13 1/8 inches (53.3 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Composite Order

No cover image available
Creator:
Edward Walhouse Mark, 1817–1895
Date:
undated
Materials & Techniques:
Gray washes, yellow watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 × 13 5/16 inches (54 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Corinthian Order

No cover image available
Creator:
Edward Walhouse Mark, 1817–1895
Date:
undated
Materials & Techniques:
Gray wash, yellow watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 21 × 13 1/4 inches (53.3 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. St. Agatha's Abbey, Easby

No cover image available
Creator:
Print made by John Le Keux, 1783–1846
Date:
1822
Materials & Techniques:
Etching and line engraving, with chine collé and graphite; unrecorded touched engraver's proof between (a) and (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 16 7/8 inches (30.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund