Materials & Techniques: graphite / Date: 1822 / Work Type: drawing

Joseph Nash, 1808–1878

Street Activity

ca. 1827

Aaron Edwin Penley, 1807–1870

River Landscape

undated

Henry Morton, ca. 1807–1825

St. Thomas' Church, Winchelsea

undated

Thomas Henry Wyatt, 1807–1880

Design for the Mechanics' Institution, Basingstoke: Elevation

undated

Henry Morton, ca. 1807–1825

Windmill on the Sea Coast Near Hastings

undated

Aaron Edwin Penley, 1807–1870

Cloud Study

undated

John Baverstock Knight, 1785–1859

Studland Dock Yard

1822

James Ward, 1769–1859

A Stunted Oak

1822

William Henry Hunt, 1790–1864

A Dead Hare and a Cooked Lobster on a Bench

ca. 1827

Henry Morton, ca. 1807–1825

Winchelsea Castle

undated

Henry Thomas Alken, 1785–1851

Foxhunting: The Meet

1822

Henry Thomas Alken, 1785–1851

Foxhunting: The Start

1822

Henry Thomas Alken, 1785–1851

Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun

between 1822 and 1827

Henry Thomas Alken Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

Henry Thomas Alken, 1785–1851

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed

between 1822 and 1827

Henry Thomas Alken Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Henry Thomas Alken, 1785–1851

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

between 1822 and 1827

Henry Thomas Alken Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Henry Thomas Alken, 1785–1851

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Morning Ride

between 1822 and 1823

unknown artist

Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P

1822

Henry Thomas Alken, 1785–1851

Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

between 1822 and 1827

Sir David Wilkie, 1785–1841

Two Riders Seen from Behind, Oct. 10, 1822

1822

Attributed to William Capon, 1757–1827

Elevation of Buildings Fronting Westminster Hall

1822

George Chinnery, 1774–1852

An Elephant

1822

Richard Corbould, 1757–1831

Design for a Monument for the North British Insurance Company

ca. 1827

John Sell Cotman, 1782–1842

Round Tower, Castle of Lillebonne, Normandy

1822

John Sell Cotman, 1782–1842

Caverns Excavated in the Rock within the Castle of Château Gaillard, near Andelys, Normandy

1822

imitator of John Sell Cotman, 1782–1842

Coast Scene with a Castle

ca. 1827

Thomas Henry Wyatt, 1807–1880

Design for St. David, Pantasaph, Flintshire. East Elevation

undated