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Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
3
Creator
Tayler, John Frederick, 1802–1889
2
Bonington, Richard Parkes, 1801–1828
1
Date
1749
263
0
158
1795
109
1738
35
1717
34
1788
30
1800
22
1813
22
1912
22
1784
21
1910
21
1825
20
1828
20
1867
16
1700
13
1798
12
1748
11
1843
11
1775
10
1790
9
1740
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8
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1804
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1819
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1756
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1765
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1782
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1793
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1806
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1824
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1855
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1699
5
1764
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1766
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1780
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1783
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1787
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1820
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1655
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1694
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1715
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1755
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1772
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1801
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1815
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1818
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1826
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1838
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1868
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1875
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1728
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1729
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1734
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1770
3
1791
3
1797
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1802
3
1805
3
1807
3
1808
3
1810
3
1817
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3
1836
3
1849
3
1869
3
1895
3
1903
3
1916
3
1920
3
1701
2
1709
2
1725
2
1746
2
1747
2
1754
2
1757
2
1759
2
1761
2
1773
2
1778
2
1785
2
1786
2
1789
2
1794
2
1796
2
1803
2
1812
2
1827
2
1830
2
1831
2
1832
2
1835
2
On-site Access
Accessible by appointment in the Study Room
3
Image Use
Free to Use
3
Image Available
Available
3
Classification
Drawings & Watercolors
3
Creator Gender
male
3
Period
19th century
3
Materials & Techniques
graphite
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3
wove paper
3
black ink
1
brown wash
1
gray wash
1
pen
1
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21
Work Type
drawing
3
Genre
figure study
3
sporting art
2
landscape
1
Subject Terms
figure study
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3
dogs (animals)
2
horseback riders
2
horseback riding
2
hounds (dogs)
2
hunt
2
hunting
2
sporting art
2
building
1
fence
1
horse (animal)
1
horses (animals)
1
hunter
1
hunters
1
landscape
1
man
1
meeting
1
men
1
seated
1
tree
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Exhibition History
Richard Parkes Bonington (Musée du Petit Palais, 1992-03-05 - 1992-05-17)
1
Richard Parkes Bonington (Yale Center for British Art, 1991-11-13 - 1992-01-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
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Materials & Techniques
graphite
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Date
1817
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figure study
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1
Richard Parkes Bonington, 1802–1828
Study of a Seated Woman
undated
2
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
3
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
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