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Collection
Prints and Drawings
439
Creator
Bruce, James, 1730–1794
305
Borra, Giovanni Battista, 1713–1770
91
Gilpin, William, 1724–1804
29
Gore, Charles, 1729–1807
3
Hogarth, William, 1697–1764
3
Swaine, Francis, 1730–1782
2
Cozens, Alexander, 1717–1786
1
Deacon, James, c. 1728–1750
1
Gainsborough, Thomas, 1727–1788
1
Jefferys, William, 1730–ca. 1805
1
Sanderson, John, active 1730; died 1774
1
Unknown artist
1
Date
1791
816
1800
479
1745
[remove]
439
1802
421
1771
361
1796
350
1772
279
1795
221
1832
209
1784
208
1790
208
1826
204
1748
191
1752
186
1768
176
1767
175
1792
162
1785
155
1799
148
1793
142
1797
132
1804
132
1818
131
1870
130
1827
124
1820
116
1775
115
1877
115
1787
99
1825
98
1700
92
1758
89
1807
89
1817
89
1780
88
1830
88
1839
88
1854
84
1763
83
1805
82
1855
82
1786
76
1803
76
1815
76
1813
75
1798
73
1801
73
1868
73
1841
72
1811
70
1777
68
1835
68
1834
67
1782
66
1778
65
1869
65
1717
64
1808
63
0
62
1812
62
1783
61
1794
61
1819
60
1833
60
1765
58
1781
58
1789
58
1836
58
1705
56
1814
55
1810
54
1740
53
1828
53
1829
53
1770
51
1821
50
1823
50
1755
49
1889
49
1888
47
1764
45
1806
45
1809
44
1840
43
1774
41
1861
41
1788
39
1845
39
1715
38
1837
38
1761
36
1822
36
1831
35
1759
33
1756
32
1838
31
1816
30
1851
30
1776
29
1844
29
On-site Access
Accessible by appointment in the Study Room
439
Image Use
Free to Use
438
Under Certain Circumstances
1
Image Available
Available
393
Unavailable
46
Classification
Drawing & Watercolors-Architectural
220
Drawings & Watercolors
219
Creator Gender
male
438
unknown
1
Collective Title
Thirty-five Watercolor Drawings of Fish, Birds, Flowers, and Plants
34
Thirty-five Watercolor Drawings of Fish, Birds, Flowers, Plants
2
Thirty-five Watercolour Drawings of Fish, Birds, Flowers, and Plants
1
Views in the Levant
1
Period
18th century
430
19th century
5
18th century-19th century
4
Materials & Techniques
graphite
[remove]
439
laid paper
371
black ink
203
gray wash
180
watercolor
96
brown ink
85
gouache
68
wove paper
63
red pencil
41
pen
39
brown wash
18
yellow wash
12
gray ink
11
orange wash
5
blue wash
3
red chalk
2
vellum (skin)
2
card
1
ground (material)
1
red ink
1
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Materials & Techniques
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Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
11
to
98
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
8
to
133
Work Type
drawing
438
watercolor
259
Genre
architectural subject
226
landscape
76
animal art
60
figure study
48
botanical subject
35
genre subject
20
cityscape
14
portrait
7
marine art
6
religious and mythological subject
3
historical subject
2
sporting art
1
Subject Terms
architectural subject
226
landscape
74
animal art
67
mountains
61
trees
54
animals
39
hills
38
birds
37
deer
37
fish
37
flowers (plants)
37
plants
37
ruins
37
taxonomy (discipline)
37
columns
33
capitals
22
scale (rule)
22
temple
22
site plan
19
arches
17
more
Subject Terms
»
Associated Places
Asia
55
Turkey
53
Ege kiyilari
42
Izmir Ili
12
Paestum
12
Denizli Ili
11
Israel
10
Italy
9
Marmara
9
Mugla Ili
8
Manisa Ili
7
Sardis
7
Laodicea
6
Europe
5
Jerusalem
5
Lazio
5
Pamukkale
5
Pergamon
5
Roma
5
Yerushalayim, Mehoz
5
more
Associated Places
»
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
6
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
5
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
4
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
3
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
William Hogarth (1697-1764) (Fondazione Giorgio Cini, 1989-08-26 - 1989-11-12)
1
William Hogarth: Cruelty and Humor (The Morgan Library & Museum, 2019-05-24 - 2019-09-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
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439
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Materials & Techniques
graphite
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Yale Center for British Art, Paul Mellon Collection
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Date
1745
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1
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
2
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
3
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
4
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
5
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
6
Giovanni Battista Borra, 1713–1770
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
7
Giovanni Battista Borra, 1713–1770
Topographical Map of Halicarnassus at its Harbor
ca. 1750
8
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
9
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
10
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
11
Giovanni Battista Borra, 1713–1770
Cnidus: Plan of the Harbor and Map of Sites
ca. 1750
12
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
13
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
14
Giovanni Battista Borra, 1713–1770
Pianta di Rodi
ca. 1750
15
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
16
Giovanni Battista Borra, 1713–1770
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
17
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
18
Giovanni Battista Borra, 1713–1770
Plan of the Bay of Tyre
ca. 1750
19
Giovanni Battista Borra, 1713–1770
Plan and View of a Cave, Temple, or Tomb
ca. 1750
20
Giovanni Battista Borra, 1713–1770
Topographical View of the Pyramids at Giza
ca. 1750
21
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
22
Giovanni Battista Borra, 1713–1770
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
23
Giovanni Battista Borra, 1713–1770
Sepolcro di Absalon
ca. 1750
24
Giovanni Battista Borra, 1713–1770
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
25
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
26
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
27
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of St. Jerome at Lydda (Lod)
ca. 1750
28
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
29
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
30
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
31
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
32
Giovanni Battista Borra, 1713–1770
Plan of Jerusalem
ca. 1750
33
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
34
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
35
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
36
Giovanni Battista Borra, 1713–1770
Ruines à Troye
ca. 1750
37
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
38
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
39
Giovanni Battista Borra, 1713–1770
Plan of Lake Tiberias
ca. 1750
40
Giovanni Battista Borra, 1713–1770
Sepolcro di Zagaria
ca. 1750
41
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
42
Giovanni Battista Borra, 1713–1770
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
43
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
44
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
45
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
46
Giovanni Battista Borra, 1713–1770
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
47
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
48
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
49
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
50
Giovanni Battista Borra, 1713–1770
Unfinished View of the Palatine in Rome
ca. 1750
51
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
52
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
53
Giovanni Battista Borra, 1713–1770
Reggio di Calabria
ca. 1750
54
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
55
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
56
Giovanni Battista Borra, 1713–1770
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
57
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
58
James Bruce, 1730–1794
Abyssinian Lady of Quality
undated
59
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
60
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
61
Giovanni Battista Borra, 1713–1770
View of Ruins of the Asclepium at Pergamon
ca. 1750
62
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
63
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
64
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
65
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
66
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Artemis at Ephesus
ca. 1750
67
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
68
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
69
Giovanni Battista Borra, 1713–1770
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
70
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
71
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
72
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
73
Giovanni Battista Borra, 1713–1770
Members of an Ionic Temple at Teos
ca. 1750
74
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
75
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
76
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
77
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
78
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
79
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
80
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
81
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
82
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
83
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
84
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
85
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
86
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
87
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
88
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
89
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
90
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
91
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
92
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
93
Giovanni Battista Borra, 1713–1770
Scoglio di Silla nel Faro di Mesina
ca. 1750
94
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
95
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
undated
96
James Bruce, 1730–1794
Lambressa, the Praerorium
undated
97
James Bruce, 1730–1794
Elevation of Arch at Tripoli
undated
98
James Bruce, 1730–1794
St. Agnes (after Domenichino)
undated
99
James Bruce, 1730–1794
Man Playing a Harp
undated
100
James Bruce, 1730–1794
Study of a Ship
undated
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