<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques graphite

Remove constraint Materials & Techniques: graphite

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Subject Terms armor

Remove constraint Subject Terms: armor

Search Results

William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake The Three Fatal Sisters (Design 67)
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake A Standard Bearer Fainting in the Routed Battle (Design 87)
William Blake, 1757–1827
A Standard Bearer Fainting in the Routed Battle (Design 87)
between 1797 and 1798
William Blake "We the reins to slaughter give..." (Design 73)
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake The Bard Singing Owen's Praise (Design 89)
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
William Blake "Fear to stop, and shame to fly..." (Design 91)
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
James Gray Mayhew Two Horsemen
James Gray Mayhew, 1771–1845
Two Horsemen
undated
Elizabeth Siddal Study of Two Figures
Elizabeth Siddal, 1834–1862
Study of Two Figures
undated
Robert Mabon A Durbar Scene, Poona, October 3, 1792
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
David Jones Sir Gareth and Lady Lionesse
David Jones, 1895–1974
Sir Gareth and Lady Lionesse
ca. 1940
Edward Burne-Jones Studies of a Suit of Armor
Edward Burne-Jones, 1833–1898
Studies of a Suit of Armor
1875
Henry William Bunbury A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
Henry William Bunbury, 1750–1811
A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
undated
unknown artist Man in Tartan Kilt and Top Armor
unknown artist
Man in Tartan Kilt and Top Armor
undated
Sir John Gilbert Apotheosis of Shakespeare's Characters
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
unknown artist Classical Scene: Minerva as the Goddess of Arts and Sciences
unknown artist
Classical Scene: Minerva as the Goddess of Arts and Sciences
undated
Sir James Thornhill Design for a decoration incorporating motifs allusive to the Arts, Arms, and Religion
Sir James Thornhill, 1675–1734
Design for a decoration incorporating motifs allusive to the Arts, Arms, and Religion
undated
Ogilvie, Earl of Airlie Design for a Cartouche: Armour, Bugles, etc.
Ogilvie, Earl of Airlie
Design for a Cartouche: Armour, Bugles, etc
undated
James Seymour A Rider in Armor, and Two Horses Lying Down
James Seymour, 1702–1752
A Rider in Armor, and Two Horses Lying Down
undated
Thomas Stothard A Girl Giving a Key to a Cavalier
Thomas Stothard, 1755–1834
A Girl Giving a Key to a Cavalier
undated
James Seymour Thirteen Drawings of Horses, Horsemen, Hounds, etc.
James Seymour, 1702–1752
Thirteen Drawings of Horses, Horsemen, Hounds, etc
undated
Mary Hoare The Apparition of the Armed Head: Macbeth
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
William Alexander Portrait of a Soldier
William Alexander, 1767–1816
Portrait of a Soldier
undated
Richard Westall Alcibiades and Timon
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
Mauritius Lowe Classical Figures in Battle
Attributed to Mauritius Lowe, 1746–1793
Classical Figures in Battle
undated
Richard Dadd Death of Abimelech at Thebez
Richard Dadd, 1817–1886
Death of Abimelech at Thebez
1855
Richard Dadd Sketch for the Passions: Pride
Richard Dadd, 1817–1886
Sketch for the Passions: Pride
ca. 1854
William Alexander View in the Province of Kiang-nan, China, Taken from Nature
William Alexander, 1767–1816
View in the Province of Kiang-nan, China, Taken from Nature
1793
William Marshall Craig Macbeth and the Apparition of the Armed Head
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
unknown artist A Knight (St. George?) and a Dragon
unknown artist
A Knight (St. George?) and a Dragon
undated
unknown artist Tomb Effigy of Three Knights in Medieval Armor
unknown artist
Tomb Effigy of Three Knights in Medieval Armor
undated