Design for the Mechanics' Institution, Basingstoke: Elevation
undated
2
William Henry Hunt, 1790–1864
A Dead Hare and a Cooked Lobster on a Bench
ca. 1827
3
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
4
John Baverstock Knight, 1785–1859
Studland Dock Yard
1822
5
Joseph Nash, 1808–1878
Street Activity
ca. 1827
6
Henry Morton, ca. 1807–1825
St. Thomas' Church, Winchelsea
undated
7
Henry Morton, ca. 1807–1825
Windmill on the Sea Coast Near Hastings
undated
8
Henry Morton, ca. 1807–1825
Winchelsea Castle
undated
9
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
10
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
11
Henry Thomas Alken, 1785–1851
Foxhunting: The Meet
1822
12
Henry Thomas Alken, 1785–1851
Foxhunting: The Start
1822
13
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
14
unknown artist
Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P
1822
15
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
16
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
17
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
18
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
19
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
20
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
21
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
22
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
23
James Ward, 1769–1859
A Stunted Oak
1822
24
Aaron Edwin Penley, 1807–1870
River Landscape
undated
25
Aaron Edwin Penley, 1807–1870
Cloud Study
undated
26
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
27
Richard Corbould, 1757–1831
Design for a Monument for the North British Insurance Company
ca. 1827
28
Thomas Henry Wyatt, 1807–1880
Design for St. David, Pantasaph, Flintshire. East Elevation
undated
29
George Chinnery, 1774–1852
An Elephant
1822
30
John Sell Cotman, 1782–1842
Caverns Excavated in the Rock within the Castle of Château Gaillard, near Andelys, Normandy
1822
31
John Sell Cotman, 1782–1842
Round Tower, Castle of Lillebonne, Normandy
1822
32
imitator of John Sell Cotman, 1782–1842
Coast Scene with a Castle
ca. 1827
33
Edward Walhouse Mark, 1817–1895
The Doric Order
undated
34
Edward Walhouse Mark, 1817–1895
The Ionic Order
undated
35
Edward Walhouse Mark, 1817–1895
The Corinthian Order
undated
36
Edward Walhouse Mark, 1817–1895
The Ionic Order, after Palladio
undated
37
Edward Walhouse Mark, 1817–1895
The Composite Order
undated
38
Edward Walhouse Mark, 1817–1895
The Tuscan Order
undated
39
Print made by John Le Keux, 1783–1846
St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)