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1. Design for Love's Labour's Lost

Design for Love's Labour's Lost
Creator:
Thomas Grieve, 1799–1882
Date:
1839
Materials & Techniques:
Watercolor, white gouache, graphite, pen and black ink, pen and brown ink, and collage on three layerd sheets of moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thick, smooth, brown wove paper
Dimensions:
Sheet: 6 5/8 × 3 3/4 inches (16.8 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor on thin, smooth, brown wove paper
Dimensions:
Sheet: 6 3/4 × 2 7/8 inches (17.1 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Portrait of Maria Elizabeth Dadd, the Artist's Sister

Portrait of Maria Elizabeth Dadd, the Artist's Sister
Creator:
Richard Dadd, 1817–1886
Date:
1839
Materials & Techniques:
Watercolor with gouache over graphite on moderately thick, slightly textured, blue-green wove paper
Dimensions:
Sheet: 6 5/8 × 5 5/8 inches (16.8 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection