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Southdown Ewe: Sandringham Ewe
Creator:
Herbert Haseltine, 1877–1962
Date:
cast 1963 (original model 1933)
Materials & Techniques:
Bronze plated with gold
Dimensions:
Overall: 5 x 5 1/2 x 2 7/8 inches (12.7 x 14 x 7.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Untitled
Creator:
Sir Anish Kapoor, born 1954
Date:
2010
Materials & Techniques:
Fiberglass, nickel and gold plate
Dimensions:
Overall: 28 3/8 × 20 7/8 × 21 5/8 inches (72 × 53 × 55 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Adam R. Rose, Class of 1981, and Peter R. McQuillan
On View:
Not on view
Study of a Pilgrim
Creator:
attributed to Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor, brown wash, white gouache, gold, black chalk, and graphite on slightly textured, medium, green wove paper
Dimensions:
Sheet: 10 3/4 x 8 inches (27.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jerusalem, Frontispiece (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jerusalem, Tailpiece (Plate 100)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"One hair nor particle of dust..." (Plate 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chapter 4 Frontispiece (Plate 76)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Highgates heights & Hampsteads..." (Plate 84)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"I have mock'd those who refused cruelty..." (Plate 81)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Awake! Awake Jerusalem..." (Plate 97)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"And Rahab Babylon the Great..." (Plate 75)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"And formed into Four precious stones..." (Plate 59)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Jehovah stood among the Druids..." (Plate 63)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dudley North, third Baron North (1581-1666)
Creator:
Isaac Oliver, ca. 1565–1617
Date:
ca. 1609
Materials & Techniques:
Gouache and gold on vellum laid onto card
Dimensions:
Sheet: 2 x 1 5/8 inches (5.1 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
James I of England and VI of Scotland
Creator:
Nicholas Hilliard, ca. 1547–1619
Date:
ca. 1610
Materials & Techniques:
Watercolor, gouache and gold, pen and black ink on vellum
Dimensions:
Sheet: 2 5/8 x 2 1/8 inches (6.7 x 5.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Lady
Creator:
Jean Clouet, ca. 1485–1540/41
Date:
ca. 1530
Materials & Techniques:
Watercolor and gouache and gold on vellum
Dimensions:
Sheet: 1 5/8 x 1 5/8 inches (4.1 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King Edward IV
Creator:
Bernard Lens III, 1682–1740
Date:
1732
Materials & Techniques:
Watercolor and gold on vellum
Dimensions:
Sheet: 2 x 2 inches (5.1 x 5.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Creator:
Paul Sandby, 1731–1809
Date:
1767
Materials & Techniques:
Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 33 1/4 inches (42.5 x 84.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a man, probably Sir George Carew (ca.1504-1545)
Creator:
Attributed to Hans Holbein the Younger, ca. 1497–1543
Date:
ca. 1540
Materials & Techniques:
Gouache and gold on thin card
Dimensions:
Sheet: 1 13/16 inches (4.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Young Man
Creator:
John Smart, 1741–1811
Date:
undated
Materials & Techniques:
Gouache, watercolor and gold on ivory
Dimensions:
Image: 1 1/2 x 1 1/4 inches (3.8 x 3.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Young Daughter of the Picts
Creator:
Jacques Le Moyne de Morgues, ca. 1533–before 1588
Date:
ca. 1585
Materials & Techniques:
Watercolor and gouache, touched with gold on parchment
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for an Elizabethan Style House
Creator:
Charles James Richardson, 1806–1871
Date:
c.1840-1860
Materials & Techniques:
Watercolor, gouache, graphite and gold on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Head of a Young Girl turned toward the Left
Creator:
Print made by Louis Marin Bonnet, 1736–1793
Date:
1774
Materials & Techniques:
Crayon manner and stipple engraving, colored, heightened with gold on moderately thick, textured, beige laid paper
Dimensions:
Sheet: 16 3/16 x 11 5/8 inches (41.1 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Woman Taking Coffee
Creator:
Print made by Louis Marin Bonnet, 1736–1793
Date:
ca. 1774
Materials & Techniques:
Crayon manner, colored, heightened with gold on moderately thick, textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 9 13/16 inches (31.8 × 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Charles Stuart, third Duke of Richmond and sixth Duke of Lennox
Creator:
Samuel Cooper, 1609–1672
Date:
between 1661 and 1667
Materials & Techniques:
Watercolor and gouache with gold on parchment laid down on card
Dimensions:
Sheet: 2 3/4 x 2 1/4 inches (7 x 5.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of a Park with Deer
Creator:
William Byron, fourth Baron Byron, 1669–1736
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gouache, and gold on medium, slightly textured, cream laid paper
Dimensions:
Mount: 12 1/2 × 16 1/16 inches (31.8 × 40.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Victorious Hero Takes Occasion to Conclude Peace
Creator:
Bernard Lens III, 1682–1740
Date:
1720
Materials & Techniques:
Watercolor and gouache heightened with gold on vellum
Dimensions:
Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of a Woman, called Frances Carr (née Howard), Countess of Somerset
Creator:
Workshop of Nicholas Hilliard, ca. 1547–1619
Date:
undated
Materials & Techniques:
Watercolor, bodycolor, gold and silver on vellum mounted on playing card
Dimensions:
Overall: 4 5/16 × 3 9/16 inches (11 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33. tms:57746

No cover image available
Creator:
Thomas Rowlandson, 1756–1827
Materials & Techniques:
Red leather binding with gold print on Very thick and heavy, rough, red, and marbled, leather and cardboard book binding
Dimensions:
Cover: 13 1/16 × 17 1/2 inches (33.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection