'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
2
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
3
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
4
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
5
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
6
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
7
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
8
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
9
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
10
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
11
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
12
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
13
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
14
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
15
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
16
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
17
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
18
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
19
Print made by William Blake, 1757–1827
"To The Accuser who is The God of This World..." (Plate 19)
1826
20
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
21
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
22
Print made by Isaac Fuller, ca. 1620–1672
Putto Holding a Torch
undated
23
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
24
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
25
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
26
Print made by Thomas Gaugain, 1748–1812
James Beattie, LL.D
1805
27
unknown artist
Ornamental Ticket for Society of Painters
1690
28
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
29
James Gillray, 1756–1815
Presages of the Millenium
1795
30
Print made by Francesco Bartolozzi, 1728–1815
The Virgin
1778
31
Print made by Samuel William Reynolds, 1773–1835
Vulture and Lamb
1799
32
Print made by Placido Columbani, born ca. 1744, active 1801
At the City of Albano
undated
33
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
34
Print made by George Bickham the Elder, 1683/4–1758
One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
35
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Mr. Cox's Museum
1772
36
Print made by Placido Columbani, born ca. 1744, active 1801
At Rome
undated
37
Print made by Placido Columbani, born ca. 1744, active 1801
At the Minerva at Rome
undated
38
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
39
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
40
Charles Grignion, 1717–1810
Britannia Allegory
between 1743 and 1747
41
Print made by Richard Earlom, 1743–1822
Vulcan's Forge
1802
42
Print made by Francesco Bartolozzi, 1728–1815
Cupid Disarmed by Venus
1804
43
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salomon
1794
44
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
45
Print made by Francesco Bartolozzi, 1728–1815
Venus Chiding Cupid
1784
46
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
47
Print made by Austin, Robert, 1895-1973, 1895–1973
Romance
1922
48
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
49
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
50
Print made by John Bell, 1811–1895
The Web
undated
51
Print made by Anthony Cardon, 1772–1813
Cupid Wounded
1801
52
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Porta della Carta
undated
53
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
54
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
55
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "One Day as I was Walking in the Woods..."
1789
56
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
57
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
58
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
59
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Six Venice Etchings, Title Page
undated
60
Print made by Henry J. Townsend, 1810–1890
Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus