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Materials & Techniques etching (printing process)

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Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
between 1880 and 1883
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881
Christmas
1850
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
John Constable The Ruins of Netley Abbey
Print made by John Constable, 1776–1837
The Ruins of Netley Abbey
1826
George Stubbs Labourers
Print made by George Stubbs, 1724–1806
Labourers
1789
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner The Hindoo Worshipper
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
Joseph Mallord William Turner Procris and Cephalus
Print made by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
Joseph Mallord William Turner The Bridge in Middle Distance
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Joseph Mallord William Turner The Castle above the Meadows
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner The Hindoo Worshipper
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner The Castle above the Meadows
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Apuleia in Search of Apuleius
Print made by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Glaucus and Scylla
Print made by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Juvenile Tricks
Etched by Joseph Mallord William Turner, 1775–1851
Juvenile Tricks
1811
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake I Found Him Beneath a Tree (Plate 3)
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake My Son! My Son! (Plate 10)
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
William Blake "I found him beneath a Tree" (Plate 3)
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
William Blake "My son! my Son!" (Plate 10)
Print made by William Blake, 1757–1827
"My son! my Son!" (Plate 10)
1826
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
John Alexander Lot and His Family
Print made by John Alexander, 1686–before 1768
Lot and His Family
ca. 1718
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
Francesco Bartolozzi Hon. Mr. Leicester Stanhope
Print made by Francesco Bartolozzi, 1728–1815
Hon. Mr. Leicester Stanhope
1789
Joseph Grozer Age of Innocence
Print made by Joseph Grozer, ca. 1755–1798
Age of Innocence
ca. 1794
Thomas Cheesman Lady Hamilton as The Sempstress
Print made by Thomas Cheesman, 1760–1834/35
Lady Hamilton as The Sempstress
1787
George Arnald Choquer
Print made by George Arnald, 1763–1841
Choquer
1821
George Arnald Choquer
Print made by George Arnald, 1763–1841
Choquer
1821
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
George Arnald Bouvignes and Dinant
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
William Byrne The Ruins of the College of Lincluden
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
François M. la Cave The Foundlings
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
unknown artist A View of Several Palaces at Naples at Sun Rise
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
William Angus West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
Lydia Bates Landscape with Classical Ruins
Print made by Lydia Bates, active 1784
Landscape with Classical Ruins
1784
Lydia Bates Deucalion and Pyrrha after the Flood
Print made by Lydia Bates, active 1784
Deucalion and Pyrrha after the Flood
1784
James Redway Althorp Castle, Northamptonshire
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
David Lucas Cottage in a Cornfield
Attributed to David Lucas, 1802–1881
Cottage in a Cornfield
1844
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
Jean B. C. Chatelain Classical Landscape with Travellers, a Dog and House on the left
Print made by Jean B. C. Chatelain, 1710–1771
Classical Landscape with Travellers, a Dog and House on the left
1741
Heneage Finch fourth Earl of Aylesford Maxstoke Priory
Heneage Finch fourth Earl of Aylesford, 1751–1812
Maxstoke Priory
undated
Paul Drury After Work
Paul Drury, 1903–1987
After Work
1926
Edward Radclyffe Changing Pasture
Print made by Edward Radclyffe, 1809–1863
Changing Pasture
undated
Edward Radclyffe A Welsh Funeral
Print made by Edward Radclyffe, 1809–1863
A Welsh Funeral
undated
Edward Radclyffe Outskirts of the Forest
Print made by Edward Radclyffe, 1809–1863
Outskirts of the Forest
undated
William Byrne Untitled
William Byrne, 1743–1805
Untitled
1765
M. J. Starling Belvoir Castle, Rutland
M. J. Starling, active 1830
Belvoir Castle, Rutland
1835