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Materials & Techniques etching (printing process)

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"My son! my Son!" (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
My Son! My Son! (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Architectural View
Creator:
Print made by Edward Jay Cherry, active 1920
Date:
ca. 1920
Materials & Techniques:
Etching on thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 x 6 inches (20.3 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Horace L. Hotchkiss
Hero's Widow
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1932
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 13/16 inches (37.5 x 27.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Salus Infirmorum
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1922
Materials & Techniques:
Etching on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 13 1/2 x 9 1/2 inches (34.3 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Early Spring, Gloucestershire
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1922
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 x 10 1/16 inches (22.9 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching and color woodcut on thick, smooth, cream wove paper
Dimensions:
Sheet: 7 5/16 × 4 13/16 inches (18.5 × 12.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Horse of Ostend
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1921
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 8 3/8 x 10 3/4 inches (21.2 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Double Hairpin Set
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 6 5/8 × 7 5/16 inches (16.8 × 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The City of the Pestilence
Creator:
Print made by John Bell, 1811–1895
Date:
between 1826 and 1852
Materials & Techniques:
Etching on medium, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 11 3/8 x 15 inches (29 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Assault
Creator:
Print made by John Bell, 1811–1895
Date:
between 1838 and 1850
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 6 5/16 x 8 1/8 inches (16 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Deucalion and Pyrrha after the Flood
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 16 1/4 inches (29.2 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Maxstoke Priory
Creator:
Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 7/16 x 13 3/4 inches (36.6 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Glaud and Symon
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
A Roman Madonna
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1922
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 8 1/8 inches (26.1 x 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Angelus
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1922
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 9/16 x 13 7/16 inches (26.9 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
L'Eglise Saint-Vaast, Armentieres
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1928
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 6 7/8 x 9 3/16 inches (17.4 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Ticket: Anacreontic Society Meeting
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Etching, stipple engraving and line engraving in red ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 inches (14 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Forfecle

No cover image available
Creator:
George Percival Gaskell, 1868–1934
Date:
1868
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, white wove paper with cream chine collé
Dimensions:
Sheet: 15 1/16 x 21 inches (38.3 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
No cover image available
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1928
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 12 3/8 inches (20.3 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
No cover image available
Creator:
Print made by Stanley Roy Badmin, 1906–1989
Date:
1931
Materials & Techniques:
Etching on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 5 11/16 x 8 3/4 inches (14.5 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery