Materials & Techniques: etching (printing process) / Subject Terms: satire

Print made by Lydia Bates, active 1784

Literary Characters Assembled around the Medallion of Shakespeare

ca. 1777

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

Print made by Henry William Bunbury, 1750–1811

Pistol eating Fluellen's Leak - "Henry V"

between 1811 and 1815

Print made by James Bretherton, ca. 1730–1806

Every Sous Begad!

1799

Print made by James Bretherton, ca. 1730–1806

The Damnation of Obadiah

1773

Print made by James Bretherton, ca. 1730–1806

The Full Blown Macaroni

1772

Print made by James Bretherton, ca. 1730–1806

Inimitable Mr. James Moss

1773

Print made by James Bretherton, ca. 1730–1806

John Jehu L'Inghilterra

1772

Print made by James Bretherton, ca. 1730–1806

Strephon and Chloe

1801

Print made by James Bretherton, ca. 1730–1806

I Will Pay No More Debts of Her Contracting

1772

Print made by James Bretherton, ca. 1730–1806

The St. James's Macaroni

1772

Print made by Matthew Darly, active 1754–1778

The Preposterous Head Dress, or the Feathered Lady

1776

Print made by Callender, active mid–18th century

Study of a Man with a Cutlass

between 1745 and 1748

Print made by Callender, active mid–18th century

Flash Maccaroni

1748

Print made by Callender, active mid–18th century

Voluntier

1745

Print made by George Cruikshank, 1792–1878

Sagittarius - The Archer (Not "Venus' Son Divine.")

undated

Print made by James Gillray, 1756–1815

A Cognocenti Contemplating ye Beauties of ye Antique

1801

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

1806

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Print made by George Cruikshank, 1792–1878

Mr Crump's Extreme Politeness

undated

Print made by George Cruikshank, 1792–1878

Blear-Eyed Moll

ca. 1832

Print made by George Cruikshank, 1792–1878

Adams's Visit to Parson Trulliber

ca. 1831

Print made by George Cruikshank, 1792–1878

Pisces - Too Deep!

undated

Print made by George Cruikshank, 1792–1878

Davy Jones

undated

Print made by George Cruikshank, 1792–1878

"Captain Kelly conveys a slight remonstance"

undated

Print made by George Cruikshank, 1792–1878

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

1819

Print made by George Cruikshank, 1792–1878

Finding things not exactly what he expected - Plate 2

1820

Print made by George Cruikshank, 1792–1878

Mr. B seeking the Bubble reputation - Plate 5

1820

Print made by George Cruikshank, 1792–1878

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

Print made by George Cruikshank, 1792–1878

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

1820

Print made by George Cruikshank, 1792–1878

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

Print made by George Cruikshank, 1792–1878

A Scene in the New Farce - as Performed at the Royalty Theatre!

1821

James Gillray, 1756–1815

A Morning Ride

1804

Print made by Robert Dighton, 1752–1814

Hamlet in Scotland

1794

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

Print made by Robert Isaac Cruikshank, 1789–1856

Monstrosities of 1827

1835

Print made by Henry William Bunbury, 1750–1811

How to Ride Without a Bridle

undated

Print made by Henry William Bunbury, 1750–1811

Love and Wind

undated

Print made by Isaac Cruikshank, 1764–1811

Washing the Blackamoor

1795

Print made by Robert Isaac Cruikshank, 1789–1856

A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles

1824

Print made by George Cruikshank, 1792–1878

Specimens of Waltzing

1817

Robert Dighton, 1752–1814

A Jack in Office

1793

Print made by Robert Isaac Cruikshank, 1789–1856

Dandies Having a Treat

1818

Print made by George Cruikshank, 1792–1878

Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

1835

Print made by Henry Heath, active 1824–1835

Miss-Ann-Thropy

undated

Print made by George Cruikshank, 1792–1878

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

1835

Print made by Callender, active mid–18th century

John's Coffee House

1745

Print made by James Caldwall, 1739–1819

A Ladies Maid Purchasing a Leek

1772

Charles Grignion, 1717–1810

A French Petit Maître and His Valet

1771

Charles Grignion, 1717–1810

A Macarony at a Sale of Pictures

1771

Print made by James Caldwall, 1739–1819

The Macarony Brothers

1772

Print made by James Caldwall, 1739–1819

Now Sir, You're a Complete Macaroni

1772

Print made by James Bretherton, ca. 1730–1806

The Fish-Street Macaroni

1772

Print made by James Bretherton, ca. 1730–1806

The Houndsditch Macaroni

1772

Print made by James Bretherton, ca. 1730–1806

The Slumbers of Ragotin Interrupted

1773

Print made by Charles Catton the elder RA, 1728–1798

The Margate Hoy

1785

Print made by Matthew Darly, active 1754–1778

Statue Hall or the Modern Register Office

1769

Print made by John Goldar, 1729–1795

Captain Conquest and His Baggage Wagon

1772

Print made by James Caldwall, 1739–1819

A Macarony Alderman and His Rib

1772

Print made by James Bretherton, ca. 1730–1806

Englishman at Paris, 1767

1799

Print made by unknown artist

The Methodist Tailor Caught in Adultery

1768

Print made by James Caldwall, 1739–1819

A French Physician with His Retinue Going to Visit His Patients

1771

Print made by Henry William Bunbury, 1750–1811

The Judgement of Paris

1771

Print made by James Bretherton, ca. 1730–1806

A Modern Spread Eagle

1782

Print made by James Bretherton, ca. 1730–1806

Monsieur Le Fouet, La Francia

1772

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Inglese

1772

Print made by James Bretherton, ca. 1730–1806

The Salutation Tavern

1801

Print made by George Cruikshank, 1792–1878

Fitting out. - Plate 1

1820

Print made by James Caldwall, 1739–1819

The Cotillion Dance

1771

Print made by James Bretherton, ca. 1730–1806

Man with a Walking Stick in a Landscape

1773

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Germanico

1772

William Dickinson, 1746–1823

The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian

1791

Henry Heath, active 1824–1835

Ominum Gatherum No. 6

undated

Henry Heath, active 1824–1835

Omnium Gatherum, No. 7

undated

Henry Heath, active 1824–1835

Ominum Gatherum, Second Series, No. 5

1831

Print made by Matthew Darly, active 1754–1778

Hats

1773

James Gillray, 1756–1815

The Valley of the Shadow of Death

1808

Print made by James Gillray, 1756–1815

Shakespeare Sacrificed; or, The Offering to Avarice

1789

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

James Gillray, 1756–1815

Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

1791

James Gillray, 1756–1815

Le Coup de Maitre

1797

James Gillray, 1756–1815

Presages of the Millenium

1795

Print made by James Gillray, 1756–1815

Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

1793

Print made by Isaac Cruikshank, 1764–1811

Young Ladies

1795

Print made by James Bretherton, ca. 1730–1806

Damn Mambrino

1799

James Gillray, 1756–1815

The Death of the Great Wolf

1795

James Gillray, 1756–1815

Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

1798

Henry Heath, active 1824–1835

Ominum Gatherum, Second Series, No. 3

undated

Robert Dighton, 1752–1814

A Lesson Westward - or A Morning Visit to Betsy Cole

1782

Print made by Thomas Bonner, ca. 1740–ca. 1812

Junius

1769

Print made by John Dixon, ca. 1740–1811

The Old Beau in an Extasy

1773

Print made by Francis E. Adams, active ca.1760–1775

Heyday! Is This My Daughter Anne!

1773

Print made by George Cruikshank, 1792–1878

Traveling in France -or, -Le départ de la diligence

1818

Print made by George Cruikshank, 1792–1878

Monstrosities of 1822 - Pt. 5

1835

Print made by Henry Heath, active 1824–1835

Extravaganza's of 1827

1827

Print made by William Heath, 1795–1840

Who'll Have a Crown - Now's Your Time

1830

John Goldar, 1729–1795

The Sacrifice

1767

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Materials & Techniques etching (printing process)

Subject Terms satire

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques etching (printing process)

Subject Terms satire

Search Results