Materials & Techniques: etching (printing process) / Subject Terms: rivers

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Materials & Techniques etching (printing process)

Subject Terms rivers

Print made by William Miller, 1796–1882

Mayence

1834

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1819

Print made by William Miller, 1796–1882

Mayence

1834

Print made by William Miller, 1796–1882

Dumbarton Castle

1834

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Capt. Thomas Hastings, 1778–1854

On Hounslow Heath, Outer Suburb, West

1820

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

Print made by Bradshaw & Blacklock, active ca.1850

Castles in England

after 1850

William Elliot, active 1774, died 1792

Kilgarren Castle, South Wales

1765

Pierre Charles Canot, ca. 1710–1777

The Great Bridge over the Taafe

1775

James Gillray, 1756–1815

The Valley of the Shadow of Death

1808

James Mason, 1710–1783

Pembroke Town and Castle

1775

Print made by William Miller, 1796–1882

Mayence

1834

Print made by Samuel Middiman, ca. 1750–1831

Junction of the Greta and Tees at Rokeby

1819

Print made by William Miller, 1796–1882

Mayence

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

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