Materials & Techniques: etching (printing process) / Width [cm]: 35

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Thomas Malton the Younger, 1748–1804

St. Martin-in-the-Fields, Interior

undated

Thomas Malton the Younger, 1748–1804

Horse Guards, Whitehall

undated

Print made by Agostino Brunias, 1728–1796

A Cudgelling Match between English and French Negroes in the Island of Dominica

1779

Print made by James Gillray, 1756–1815

Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

1793

James Gillray, 1756–1815

A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"

1807

James Gillray, 1756–1815

Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

1791

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

1806

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Quarrington as St. Agnes

ca. 1787

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Print made by James McBey, 1883–1959

Sinai, July 1917

1919

Print made by George Cruikshank, 1792–1878

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

1820

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Giovanni Vendramini, 1769–1839

Old Chair to Mend

1795

Giovanni Vendramini, 1769–1839

Strawberries's Scarlet Strawberries

1795

Print made by John Sell Cotman, 1782–1842

Etchings by John Sell Cotman, Volume II

1811

Print made by Robert Spence, 1871–1964

Conversion of Elizabeth Trelawney

between 1897 and 1909

Print made by Robert Spence, 1871–1964

George Fox Comes to London After the Great Fire

between 1890 and 1911

Luigi Schiavonetti, 1765–1810

Two bunches a penny Primroses, two bunches a penny

1793

Print made by George Vertue, 1684–1756

Francis Earl of Bedford

1737

Print made by Jacobus Houbraken, 1698–1780

Sir Kenelm Digby

1748

Print made by Sir Frank Short, 1857–1945

The Mildmay Sea-Piece

1886

Paul Fourdrinier, 1698–1758

The Elevation of the Design for the Bank of England by Theodore Jacobsen Esqr

undated

Print made by William Bernard Cooke, 1778–1855

Plymouth Sound

1823

James McNeill Whistler, 1834–1903

The "Adam and Eve," Old Chelsea

1879

Paul Fourdrinier, 1698–1758

The Elevation of the Design of a Triangular House by Theodore Jacobsen Esqr

undated

Print made by William Dent, active 1784–1793

Flying News or Seringapatam Taken by Strategem

1792

Attributed to Isaac Cruikshank, 1764–1811

Westminster Races, A Political Heat Run in Convent Garden

1784

Print made by Henry Heath, active 1824–1835

A Parti Carré for a Crown

1827

Print made by Henry Heath, active 1824–1835

Diogenes in Search of an Honest Ministry

1827

Print made by William Heath, 1795–1840

A Mistake

1829

John Hill, 1770–1850

St. Sepulchres, The Round Church

1814

Edmund Turrell, active 1835–1860

The Temple of Aphaia at Aegina: Sections

1860

Print made by Henry Heath, active 1824–1835

Out of Court. Auspicium Melioris Devi

1827

Print made by Dame Elisabeth Frink, 1930–1993

Prologue

1972