Materials & Techniques: etching (printing process) / Height [cm]: 43 / Width [cm]: 32

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

Print made by William Blake, 1757–1827

Night the Second. On Time, Death and Friendship; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

Print made by Luigi Schiavonetti, 1765–1810

Two Bunches of Penny Primroses, Two Bunches a Penny

1793

Print made by Giovanni Vendramini, 1769–1839

Hot Spice Gingerbread, Smoking Hot!

1796

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

Print made by Francesco Bartolozzi, 1728–1815

Alvise Pisani

1793

Print made by Francesco Bartolozzi, 1728–1815

William Cobbett

1801

Henri Charles Guérard, 1846–1897

Portrait of Whistler

ca. 1888

Print made by Ernest Stephen Lumsden, 1883–1948

The Shrine

1922

Print made by unknown artist

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

between 1720 and 1750

James Fittler, 1758–1835

Benjamin West, P.R.A

1817

Print made by Louisa Augusta Greville, 1743–active 1762

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1760

Print made by Giovanni Vendramini, 1769–1839

Old Chairs to Mend

1795

Print made by William Hogarth, 1697–1764

Before

1736

Print made by Sir Hubert von Herkomer, 1849–1914

Self Portrait

1879

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Materials & Techniques etching (printing process)

Height [cm] 43

Width [cm] 32

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques etching (printing process)

Height [cm] 43

Width [cm] 32

Search Results