Materials & Techniques: etching (printing process) / Height [cm]: 33 / Image Use: Free to Use

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

1813 to 1823

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by Elizabeth Christiana Fanshawe, 1778–1856

Elizabeth Alexander

1806

Print made by Simon Gribelin, 1662–1733

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

1720

Print made by Sir Frank Short, 1857–1945

Water Mill

1885

Print made by Philip Dawe, ca.1750–ca.1790

Reading by a Paper-Bell Shade

1768

Print made by Francis E. Adams, active ca.1760–1775

Heyday! Is This My Daughter Anne!

1773

Print made by John Dixon, ca. 1740–1811

The Old Beau in an Extasy

1773

Print made by Benjamin Green, ca. 1736–ca. 1800

A Flower Piece

1779

Print made by John Scott, 1774–1828

Aske Hall

1818-1823

Paul Sandby, 1731–1809

The Opening of the Carnival at Rome

ca. 1781

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach and View near Bingen

after 1850

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by Edward Goodall, 1795–1870

Mount Edgecomb, Devonshire

1814 to 1826

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1818-1823

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by Henry Le Keux, 1787–1868

Aosta

1830

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

Print made by unknown artist

Duke of Monmouth as a Boy

between 1673 and 1685

Print made by Sir David Young Cameron, 1865–1945

Old Saumur

1905

Print made by Philip Dawe, ca.1750–ca.1790

The Letter Woman

ca. 1769

Print made by Robert Blyth, 1750–1784

The Captive

1781

Print made by Thomas Malton the Younger, 1748–1804

The Bank

1781

Print made by Sir David Young Cameron, 1865–1945

Veronica [North Italian Set: No. 2]

1895

Print made by Sir David Young Cameron, 1865–1945

The Rialto

1900

Print made by Sir David Young Cameron, 1865–1945

Robert Lee's Workshop

1905

Print made by unknown artist

The Young Roscius

1804

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

Print made by Wenceslaus Hollar, 1607–1677

Carolus II

1649

Print made by Lucas Vorsterman I, 1595–1675

Franciscus de Moncada

ca. 1635

Print made by Andreas Stock, ca. 1540–1648

Petrus Snayers

ca. 1635

Print made by Andreas Stock, ca. 1540–1648

Petrus Snaeyers

ca. 1635

Print made by Lucas Vorsterman I, 1595–1675

Cornelius Schut

ca. 1635

Print made by Adrian Lommelin, ca. 1637–1677

Catherinæ Howard

ca. 1635

Print made by Lucas Vorsterman I, 1595–1675

Princeps Wolfangus Wilhelmus

ca. 1635

Print made by Wenceslaus Hollar, 1607–1677

Hieronymus Westonius

1645

Print made by Samuel Rawle, 1771–1860

Raby Castle, County of Durham

1820

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

Print made by George Cooke, 1781–1834

Brighton

1814 to 1826

Print made by Theodore Casper von Furstenberg, ca. 1615–1675

Fridericus D. G., Marchio Badensis et Hachberg

undated

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565

Castello S. Angelo Di Roma

1602

Print made by unknown artist

The South Sea House

between 1720 and 1728

Print made by James Basire, 1730–1802

Benjamin Hoadly, Bishop of Winchester

1771

Print made by Samuel Freeman, 1773–1857

Mamma at Romps

1810

Print made by James Bretherton, ca. 1730–1806

I Will Pay No More Debts of Her Contracting

1772

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Print made by Francesco Bartolozzi, 1728–1815

Morning

undated

William Woollett, 1735–1785

View of the Walton Bridge, Venus's Temple

1757

Print made by Peltro W. Tomkins, 1760–1840

Mrs. Morgan and Child

1789

Print made by Otto J. Schneider, 1875–1946

Abraham Lincoln

1906

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

Print made by Benedictus Antonio van Assen, active 1788–died 1817

John Hamilton Mortimer

1810

Charles Exshaw, c. 1730–1771

Charles van Loo

ca. 1757

Charles Exshaw, c. 1730–1771

Isabel van Loo

ca. 1757

Print made by Frederick Landseer Maur Griggs, 1876–1938

Anglia Perdita

1921

Print made by Sir David Young Cameron, 1865–1945

Rameses II

1909

James Gillray, 1756–1815

Presages of the Millenium

1795

Henri Charles Guérard, 1846–1897

Portrait of Whistler

ca. 1888

Henri Charles Guérard, 1846–1897

Portrait of Whistler

ca. 1888

James Gillray, 1756–1815

A Morning Ride

1804

Print made by John Corner, 1788–1825

Sir Anthony van Dyck

1825

Print made by Sir David Young Cameron, 1865–1945

St. Laumer, Blois

1903

Print made by William Faithorne, ca. 1620–1691

Henry More

1675

Henri Charles Guérard, 1846–1897

Portrait of Whistler

1888

Print made by unknown artist

The Double Deliverance, 1588–1605

1621

Print made by Francesco Bartolozzi, 1728–1815

William Cobbett

1801

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

Print made by R. F. Cahusac, active 1830

Athenaeum

1830

Print made by Philip Dawe, ca.1750–ca.1790

Reading by a Paper-Bell Shade

1768

Print made by Francesco Bartolozzi, 1728–1815

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

1786

Print made by Francesco Bartolozzi, 1728–1815

Evening

undated

Print made by Francesco Bartolozzi, 1728–1815

Noon

undated

Thomas Harland, active early 19th century

Charles Barry

undated

Print made by Benjamin Green, ca. 1736–ca. 1800

A Flower Piece

1779

James Girtin, ca. 1780–after 1820

Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs

1803

James Girtin, ca. 1780–after 1820

Half Title page for: Views in Paris and its Environs

1803

Print made by Matthew Dubourg, active 1786–1838

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

1822

Etched by Thomas Rowlandson, 1756–1827

French Barracks

1791

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Print made by Francesco Bartolozzi, 1728–1815

Night

undated

Print made by Francesco Bartolozzi, 1728–1815

A Lecture on Gadding

1789

Print made by Sir David Young Cameron, 1865–1945

Chartres

1902

Print made by William Strang, 1859–1921

Shooting the Albatross

1896

Print made by William Strang, 1859–1921

Roof of the Cloth Hall, Ypres

1898

Thomas Malton the Younger, 1748–1804

St. Martin-in-the-Fields, Interior

undated

Print made by James Gillray, 1756–1815

A Cognocenti Contemplating ye Beauties of ye Antique

1801

James McNeill Whistler, 1834–1903

The Open Book

1861

John Goldar, 1729–1795

The Sacrifice

1767

John Goldar, 1729–1795

The Refusal

1768

George Siegmund Facius, 1750–1804

George III

1791

Print made by Benjamin Smith, 1775–1833

Sigismonda

1795

Print made by Sir Muirhead Bone, 1876–1953

Ireland and Russia

1901

after William Hogarth, 1697–1764

Simon, Lord Lovat

1746

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808

Print made by Paul Adolphe Rajon, 1842–1888

John Stuart Mill

undated

James Gillray, 1756–1815

Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise

1806

James Gillray The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

James Gillray, 1756–1815

The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

1800

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Materials & Techniques etching (printing process)

Height [cm] 33

Image Use Free to Use

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Materials & Techniques etching (printing process)

Height [cm] 33

Image Use Free to Use

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