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Materials & Techniques etching (printing process)

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George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
Richard Earlom Scene of a Storm, with a Vessel Wrecked
Print made by Richard Earlom, 1743–1822
Scene of a Storm, with a Vessel Wrecked
1774
Richard Earlom View with several Vessels lying close to the Shore
Print made by Richard Earlom, 1743–1822
View with several Vessels lying close to the Shore
1774
Richard Earlom View of a Sea Port
Print made by Richard Earlom, 1743–1822
View of a Sea Port
1774
Sir Francis Seymour Haden Hands Drypointing
Sir Francis Seymour Haden, 1818–1910
Hands Drypointing
1877
Pierre Charles Canot Marine Study No. 1
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
Pierre Charles Canot Marine Study No. 2
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 2
1773
Pierre Charles Canot Marine Study No. 4
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 4
1773
William Ellis Baskerville House, the Residence of John Ryland, Esq.
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
James Dobie Fishing Boats at Hastings
Print made by James Dobie, 1849–1911
Fishing Boats at Hastings
1882