Materials & Techniques: etching (printing process) / Height [cm]: 16 / Collective Title: Picturesque Views in England and Wales

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Materials & Techniques etching (printing process)

Height [cm] 16

Collective Title Picturesque Views in England and Wales

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by William Miller, 1796–1882

Windsor Castle, Berkshire

1831

Print made by James Tibbits Willmore, 1800–1863

Tamworth Castle, Staffordshire

1832

Print made by Thomas Jeavons, ca. 1800–1867

Kidwelly Castle, South Wales

1837

Print made by William Miller, 1796–1882

Durham Cathedral

1836

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by William Miller, 1796–1882

Carew Castle, Pembroke

1834

Print made by J. C. Varrall, active 1815–1827

Walton Bridge on Thames, Surrey

1830

Print made by Robert Wallis, 1794–1878

Ludlow Castle, Shropshire

1831

Print made by Edward Goodall, 1795–1870

Fall of the Tees, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831

Print made by Thomas Jeavons, ca. 1800–1867

Pembroke Castle, Wales

1831

Print made by Robert Wallis, 1794–1878

Margate, Kent

1832

Print made by James H. Kernot, 1802–1858

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

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