Materials & Techniques: etching (printing process) / Work Type: intaglio print / Subject Terms: women - YCBA Collections Search Search Results

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Materials & Techniques etching (printing process)

Work Type intaglio print

Subject Terms women

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Print made by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Joseph Mallord William Turner The Drawing of the Clyde

Etched by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake Fear & Hope Are -- Vision (Plate 15)

Print made by William Blake, 1757–1827

Fear & Hope Are -- Vision (Plate 15)

1793

William Blake I Found Him Beneath a Tree (Plate 3)

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree (Plate 3)

1793

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake "Fear & hope are -- Vision" (Plate 15)

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

William Blake "I found him beneath a Tree" (Plate 3)

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

John Browne Evening

Print made by John Browne, 1741–1801

Evening

ca. 1797

James Caldwall The Cotillion Dance

Print made by James Caldwall, 1739–1819

The Cotillion Dance

1771

Francesco Bartolozzi Morning

Print made by Francesco Bartolozzi, 1728–1815

Morning

undated

John Boydell A View of Erith, Looking Up the Thames

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750

James Charles Armytage The Balcony

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Guillaume Sulpice Chevalier Intemperance

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

Charles Grignion A View from Richmond Hill Up the River

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

John Bell Charon's Boat

Print made by John Bell, 1811–1895

Charon's Boat

between 1838 and 1850

John Browne Evening

Print made by John Browne, 1741–1801

Evening

ca. 1797

John Bruce Chain Pier at Brighton

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Agostino Brunias The Barbadoes Mulatto Girl

Print made by Agostino Brunias, 1728–1796

The Barbadoes Mulatto Girl

1779

Agostino Brunias Free Natives of Dominica

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Henry William Bunbury The Judgement of Paris

Print made by Henry William Bunbury, 1750–1811

The Judgement of Paris

1771

Samuel David Colkett The Gipsy Encampment

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1830

John Sell Cotman Column at Yarmouth to the Memory of Lord Nelson

Print made by John Sell Cotman, 1782–1842

Column at Yarmouth to the Memory of Lord Nelson

1817

Agostino Brunias A Negroes Dance in the Island of Dominica

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Thomas Creswick The Terrace

Print made by Thomas Creswick, 1811–1869

The Terrace

ca. 1844

Agostino Brunias The West India Washer-Women

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

James Bretherton The Slumbers of Ragotin Interrupted

Print made by James Bretherton, ca. 1730–1806

The Slumbers of Ragotin Interrupted

1773

Joseph Farington Windsor Bridge

Print made by Joseph Farington, 1747–1821

Windsor Bridge

1792

John Bell Diavoli Pescatori

Print made by John Bell, 1811–1895

Diavoli Pescatori

between 1838 and 1850

George Baxter The Great Exhibition: Exterior View from the Southwest

Print made by George Baxter, 1804–1867

The Great Exhibition: Exterior View from the Southwest

1851

George Baxter George Pritchard, Her Britannic Majesty's Consul

Print made by George Baxter, 1804–1867

George Pritchard, Her Britannic Majesty's Consul

1845

Bradshaw & Blacklock Bacharach and View near Bingen

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach and View near Bingen

after 1850

Bradshaw & Blacklock Castles in England

Print made by Bradshaw & Blacklock, active ca.1850

Castles in England

after 1850

Bradshaw & Blacklock Double Hairpin Set

Print made by Bradshaw & Blacklock, active ca.1850

Double Hairpin Set

after 1850

Bradshaw & Blacklock Eight Rural Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Bradshaw & Blacklock Eight colour prints

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Bradshaw & Blacklock Bacharach

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach

after 1850

Bradshaw & Blacklock View near Bingen

Print made by Bradshaw & Blacklock, active ca.1850

View near Bingen

after 1850

George Baxter The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

Print made by George Baxter, 1804–1867

The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

1841

unknown artist The South Sea House

Print made by unknown artist

The South Sea House

between 1720 and 1728

unknown artist St. Martin's Church

Print made by unknown artist

St. Martin's Church

between 1731 and 1754

John Cousen Mercury and Herse

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Isaac Cruikshank Washing the Blackamoor

Print made by Isaac Cruikshank, 1764–1811

Washing the Blackamoor

1795

George Cruikshank Monstrosities of 1822 - Pt. 5

Print made by George Cruikshank, 1792–1878

Monstrosities of 1822 - Pt. 5

1835

George Cruikshank Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

Print made by George Cruikshank, 1792–1878

Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

1835

George Cruikshank Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

Print made by George Cruikshank, 1792–1878

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

1835

Simon Gribelin The Ceiling in the Banqueting House at Whitehall

Print made by Simon Gribelin, 1662–1733

The Ceiling in the Banqueting House at Whitehall

ca. 1720

David Allan Pilgrims Paying Their Devotion in St. Peters at Rome

Print made by David Allan, 1744–1796

Pilgrims Paying Their Devotion in St. Peters at Rome

between 1773 and 1775

Matthew Darly The Preposterous Head Dress, or the Feathered Lady

Print made by Matthew Darly, active 1754–1778

The Preposterous Head Dress, or the Feathered Lady

1776

unknown artist The Methodist Tailor Caught in Adultery

Print made by unknown artist

The Methodist Tailor Caught in Adultery

1768

Bradshaw & Blacklock Italian Peasants - Tryoliean Waltz.

Print made by Bradshaw & Blacklock, active ca.1850

Italian Peasants - Tryoliean Waltz

after 1850

Bradshaw & Blacklock Hampton Court

Print made by Bradshaw & Blacklock, active ca.1850

Hampton Court

after 1850

Bradshaw & Blacklock Set of Needle-Box Prints

Bradshaw & Blacklock, active ca.1850

Set of Needle-Box Prints

after 1850

Vincent Robert Alfred Brooks Ten Needle-Box Prints

Print made by Vincent Robert Alfred Brooks, 1814–1885

Ten Needle-Box Prints

undated

Bradshaw & Blacklock Osborne House

Print made by Bradshaw & Blacklock, active ca.1850

Osborne House

after 1850

Bradshaw & Blacklock Rural Scenes

Print made by Bradshaw & Blacklock, active ca.1850

Rural Scenes

after 1850

Bradshaw & Blacklock Eaton Hall

Print made by Bradshaw & Blacklock, active ca.1850

Eaton Hall

after 1850