Materials & Techniques: etching (printing process) / Work Type: intaglio print / Subject Terms: breeches

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

James Faed Sr., 1821–1911

Shakespeare in His Study

1859

Print made by Augustus Fox, 1800–1876

The Dreams of the Youthful Shakespeare

1827

Andreas Geiger, 1765–1856

Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

undated

James Heath, 1757–1834

William Henry West Betty

1806

William Nutter, 1754–1802

Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

1789

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Rural Scenes

after 1850

Print made by unknown artist

Duke of Monmouth as a Boy

between 1673 and 1685

Simon François Ravenet, 1706–1774

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

1753

Print made by Sir Francis Seymour Haden, 1818–1910

Thomas Haden of Derby

1864

Print made by James Gillray, 1756–1815

Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

1791

James Gillray, 1756–1815

Le Coup de Maitre

1797

Print made by Henry William Bunbury, 1750–1811

Love and Wind

undated

Print made by unknown artist

The Young Roscius

1804

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Games at Vauxhall: Playing at Cricket

ca. 1743

Print made by Francesco Bartolozzi, 1728–1815

Virtuous Love

1793

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

1806

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

Caroline Watson, 1760–1814

Garrick Reading the Ode at the Shakespeare Jubilee

1784

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806